Frederick "Fred" Neil (March 16, 1936 – July 7, 2001) was an American folk singer-songwriter in the 1960s and early 1970s. He did not achieve commercial success as a performer, and is mainly known through other people's recordings of his material – particularly "Everybody's Talkin'", which became a hit for Harry Nilsson after being used for the film Midnight Cowboy. Though highly regarded by contemporary folk singers, he was reluctant to tour (something he shared with Nilsson), and mainly spent the last 30 years of his life assisting with the preservation of dolphins.
Born in Cleveland, Ohio and raised in St. Petersburg, Florida, Neil was exposed to music at an early age, travelling around the US with his father who was a representative for Wurlitzer jukeboxes. Neil was one of the singer-songwriters who worked out of New York City's Brill Building, a center for music industry offices. While composing at the Brill Building for other artists, Neil also recorded six mostly rockabilly-pop oriented singles for different labels as a solo artist. He wrote songs that were taken by early rock and roll artists such as Buddy Holly ("Come Back Baby" 1958) and Roy Orbison ("Candy Man" 1961).
Fred Neil is the 1966 second album from Fred Neil, a pioneer Folk rock musician. The album has a more laid-back sound than his debut, and contains his best-known songs "Everybody's Talkin' " and "The Dolphins". It was re-released in 1969 under the title Everybody's Talkin' in response to the international success of the soundtrack of the movie Midnight Cowboy, which made a hit of the new title track for Harry Nilsson. Music journalist Richie Unterberger characterizes the album as Neil's "best", and it was listed in the first (2005) edition of the book 1001 Albums You Must Hear Before You Die, edited by Robert Dimery.
All tracks composed by Fred Neil, except where noted
Neil
I've got a secret, I shouldn't tell,
I'm gonna go to heaven in a split-pea shell.
Lordie me, didn't we shake sugaree.
Everything I have, down in pawn.
You know I pawned my watch, I pawned my chain,
I'd of sold myself, but I felt ashamed.
Lordie me, didn't we shake sugaree.
Everything I have, down in pawn.
I've got a song to sing, not very long,
I'm gonna sing it right if it takes me all night long
Lordie me, didn't we shake sugaree.