The Knack | |
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Origin | Los Angeles, California, U.S. |
Genres | Rock, new wave, power pop |
Years active | 1978–1982 1986–1992 1994 1996–2010 |
Labels | Capitol Charisma |
Past members | |
Berton Averre Bruce Gary Doug Fieger Prescott Niles Phil Jost Michael Des Barres Billy Ward Terry Bozzio David Henderson |
The Knack was an American New Wave rock quartet based in Los Angeles that rose to fame with their first single, "My Sharona", an international number one hit in 1979.
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Singer Doug Fieger was a native of Oak Park, Michigan, a northern suburb of Detroit, Michigan, and grew up in the 9 Mile/Coolidge area. The brother of attorney Geoffrey Fieger, best known for representing Dr. Jack Kevorkian in a series of assisted suicide cases, Fieger had previously played in an eclectic rock band called Sky as well as the Sunset Bombers. Although Sky had received a modest amount of acclaim, including being produced by Rolling Stones producer Jimmy Miller, the band broke up without having any chart success. As a result, Fieger made the decision to move to Los Angeles and start another band.
Fieger met the three other original members of The Knack in 1977 and 1978: Berton Averre (lead guitar, backing vocals and keyboards), Prescott Niles (bass), and Bruce Gary (drums). Niles was the last to join, a week before the band's first show in June 1978.[1] In the meantime, Fieger had been doubling on bass on a series of demos that the group had shopped to several record labels, all of which were rejected. Ironically, some of these songs would later make up the band's debut album Get The Knack, and included "Good Girls Don't".
Within months of their live debut, popular club gigs on the Sunset Strip, as well as guest jams with musicians such as Bruce Springsteen, Tom Petty and Ray Manzarek, led to the band being the subject of a record label bidding war. (Bruce Gary was well known in the LA session scene; this would become a source for later tensions.) They ultimately signed to Capitol Records, the same label that released the Beatles' records in the United States.
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An excerpt from "My Sharona" by The Knack, Billboard's number one song of 1979.
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The band's debut album, Get The Knack, was one of the year's best-selling albums, holding the number one spot on Billboard magazine's album chart for five consecutive weeks and selling two million copies in the United States. The lead single, "My Sharona", was a No.1 hit in the US, and became the number one song of 1979. Follow-up single "Good Girls Don't" peaked at #11.
However, the band's rise to the top of the charts also precipitated a backlash. Capitol's packaging of Get The Knack included a perceived[who?] cover likeness to Meet The Beatles, with the record's center label being the same design and style as The Beatles' early 1960s LPs. Coupled with the band's "retro" 1960s look and pop/rock sound, the company's stylings led detractors[who?] to accuse them of being Beatles rip-offs, which the band and their record company denied. Nonetheless, this perception, as well the acknowledgment that the object of some of the Knack's songs were teenaged girls, when the band were years older, quickly led to a "Knuke the Knack" campaign led by San Francisco artist Hugh Brown.[2]
Furthermore, when the band's management told Fieger to avoid giving interviews, the band was perceived as being arrogant and snobbish, as well as being unable to address the negative criticism against them.
The Knack quickly recorded a follow-up album ...But the Little Girls Understand, which was released in early 1980. Though the album went gold in the US and Japan, and platinum in Canada,[1] it didn't meet with the same level of commercial success as their debut. Fieger claimed in later interviews that all of the tracks for Get the Knack and ...But the Little Girls Understand were written before the first LP was recorded and were intended to be put out as a double album. Additionally, the lead single "Baby Talks Dirty" only briefly made the US Top 40, stalling at #38; follow-up single "Can't Put a Price on Love" missed the top 40 altogether, peaking at #62.
After nearly a year of relentless touring in the US, Canada, Europe, New Zealand, Australia, and Japan, starting in April 1980 the band took a year off because of exhaustion and "internal dissent".[1] They reconvened in the summer of 1981 to record their third album, Round Trip. However, the record (which came out in October 1981) was a serious commercial disappointment, only reaching No.93 on the US charts, selling a mere 150,000 copies. As well, lead single "Pay The Devil" topped out at a mere No.67 on the Billboard Hot 100. The group made several concert appearances during 1981 to promote Round Trip. Keyboardist Phil Jost was brought into the lineup at this time to enable the band to duplicate the more heavily layered sound of their new release.
With The Knack experiencing rapidly diminishing chart success, and mounting critical backlash against them[3] Fieger left amidst internal squabbles on December 31, 1981, mere months after the release of Round Trip. The band rehearsed briefly with Michael Des Barres as their new frontman in early 1982, but this line-up never gigged or recorded. By mid-1982, The Knack had splintered for good.
The Knack reunited in November 1986, to play a benefit for Michele Myers, who had been the first person to book the band for a show in 1978.[1] They continued to play club gigs for the next several years. In July 1989 Billy Ward replaced Bruce Gary as the band's drummer (after a brief interim by Pat Torpey of Mr. Big).[1] In 1990 The Knack signed with Charisma Records and recorded the album Serious Fun which was released in February 1991.[1] Lead single "Rocket O' Love" was a top 10 hit on US AOR stations. To promote the song, they released a music video loaded with visual innuendo thematic to the song. Charisma collapsed after the death of the label's founder, Tony Stratton-Smith, and the group broke up again in 1992.
In 1994, with Ward back on drums, the band reunited to make some concert appearances to captilize on "My Sharona"'s new popularity after its appearance in the movie Reality Bites.
In 1996 all four original band members, including Bruce Gary, reunited in the studio one last time to record a track for a multi-artist compilation album saluting the British band Badfinger (where the band covered Badfinger's hit "No Matter What"[4]).
The Knack continued as a touring and recording act through the late 1990s and into the 2000s. Duane Leinan joined the Knack in the studio and on the road, until Doug's death and that of Duane Leinan's dad, Ron Leinan, in 2010. Doug and Duane wrote a song called "What About Love ".Terry Bozzio replaced Ward as drummer for 1998's Zoom album, and David Henderson (as "Holmes Jones") took over on drums for 2001's Normal as the Next Guy and Live at the Rock N Roll Funhouse albums. Pat Torpey then returned to take over for Henderson and played with the group until Fieger's death in 2010.
In 2005 The Knack made an appearance on the TV program Hit Me, Baby, One More Time.
In 2006, Doug Fieger and Berton Averre filed a lawsuit against the rap music group Run–D.M.C. for copyright infringement. The lawsuit alleges that the defining guitar riff from "My Sharona" was used without permission in the Run-D.M.C. track "It's Tricky" from their 1986 album Raising Hell.[5]
In 2006, during a performance in Las Vegas, Fieger became disoriented, developing a dull headache, and grasping for the words to the songs that he had written and performed for years.[6] Diagnosed with two brain tumors, Fieger underwent surgery and radiosurgery and returned to performing. However, he still continued to battle brain and lung cancer until his death on February 14, 2010, in Woodland Hills, California, at the age of 57.
In the interim between the Knack's break-up and 1986 reunion, Doug Fieger worked as a guest vocalist on a few tracks by Was (Not Was). (Fieger had grown up with band member Don Was; Was would later produce the Knack's album Serious Fun.[1]) Fieger also recorded a solo album in 2000, and appeared as a solo artist in the Countdown Spectacular 2 concert series in Australia between late-August and early-September 2007. He sang The Knack favourite "My Sharona" only. Averre, Niles and Gary briefly continued on with former RoadMaster vocalist Stephen 'Mac' McNally as "The Game" after the Knack's initial break up.
Bruce Gary became a respected producer (archive recordings of Jimi Hendrix and new recordings of The Ventures) and a very successful sideman performing live and on studio sessions with artists such as Jack Bruce, Mick Taylor, Bob Dylan, George Harrison, Cherie Currie, Robby Krieger, Spencer Davis, Stephen Stills, Rod Stewart, Emmett Chapman, and Sheryl Crow. Gary died from lymphoma on August 22, 2006 at the age of 55.
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Cool for Cats is the British new wave group Squeeze's second album, released in 1979. Cool for Cats contains four UK hit singles, more than any other album the band has issued. The album peaked at number 45 in the UK Albums Chart, spending 11 weeks in that listing.
Its 1997 CD release, as part of the Six of One... box set contained two bonus tracks. This collection included the band's first six studio albums, each digitally remastered. In 1998 the six CDs were released individually.
All songs written by Chris Difford and Glenn Tilbrook.
The Knack was an American garage rock and psychedelic band from Los Angeles, California who were active 1960s. They are not to be confused with either the American band of the same name who became popular in the late 1970s, nor the British band of the same name in the 1960s. They were noted for their melodic and instrumental finesse and secured a recording contract with Capitol Records. The band nevertheless failed to break through to a national audience. In the intervening years they have come to the attention of 1960s music collectors and enthusiasts, especially with the release of the Time Waits for No One anthology.
The Knack were formed in 1965 at by students at Hollywood High School led by Michael Chain. The original name for the band was the InMates. Their original line-up consisted Mike Chain on lead vocals and rhythm guitar, Dink Kaplan on lead guitar, and Larry Gould on bass and backing vocals, and Ken Meyers on drums. After traveling on a Shindig road show, the band changed their name to the Knack. Dink Kaplan's older brother played in the Mothers of Invention. Not long after forming, Meyers left the group and was replaced by Pug Baker on drums. The band initially played on the high school circuit, but would advance to the more popular clubs on the Sunset Strip: the Hullabaloo, the Whiskey-A-Go-Go, the Galaxy, the Trip, the Crescendo, Gazzarri’s, It’s Boss, the Cheetah, the Cherokee, the Sea Witch, and others. They were also the first rock group to appear at the Ice House folk room and the Troubadour. The Knack would eventually performed shows at larger venues such as the Hollywood Bowl, Palladium, Melody Land, and Carousel.
[Odario]
From dusk til dawn my click bringin hits heavy by the ton
Odario and Spitz, yeah we moving on
Kicking balistics
All night long, your favorite song
[Spitz]
I've got this obsessive, compulsive type reaction
Craving for perfection when it comes to rhyme selection
No detection, or flaws
We got the rhymes to drop drawers
Resevoirs that are fluid and drown competitors
[Odario]
Word
Without a doubt we got The Knack to entice
Quick to shout it out to all the brothers on the mic
Give the people the style they like
Respect ya like, so your mic sound nice
[Spitz]
Yo, microphone check one, hip hop expression
In it's simpliest form it means pay attention
No exception, we gets biz with no questions
So ahead of my time, had to wait for my reflection
MCs want to test but I got exemption
Lay on the pressure like water retention
I feel bloated, spill what I got and reload it
In Mood Ruff they trust tot bust raw, don't misquote it
[CHORUS]
[Odario] We are the architects
[Spitz] We innovate the now to achieve the next
[Odario] Fine design and when we build a track
A known fact, we got The Knack for that (yeah)
A Knack for that
[Odario] We are the architects
[Spitz] We innovate the now to achieve the next
[Odario] Fine design and when we build a tralock
A known fact, we got The Knack for that (yeah)
A Knack for that
[Spitz]
I'mma get nice on this mic device with 'nuff lyrics
To crush spirits of MCs that generic
Mood Ruff sound just like WHAT
I won't hear it
Why's there a need to compare it?
T-O Engineering to make the head nod, body rock
Light up the spot so B-boys can pop lock
Vinyl in the hands of Stress and Dr. Shock
Finesse and Grasshopper got the city on lock
Go on with your big talk
Sure shot, Mood Ruff outline wack rhymes in chalk
You defeat me is like hail mary jumpshots
From the parking lot with no time on the clock
[CHORUS]
[Odario]
System automatic, my rhyme sporatic
I have you out your dills like bad credit
You can't let it, get inside your head
Situation down to leave a man dead
Like infrared I apply mad pressure
The lost one need some new direction
I run tings, like a pacemaker
The breath taker, the mover the shaker
The mountain top when it comes to hip hop
My mood's real smooth and proves to show shock
With the Mood Ruff sound going from town to town
Respect the local, see the world reknown
Then advance at the hands of time and reason
See the promised land, let let me in
Tell 'em who's the man
Tell 'em why we're here
Now rewind this back and let let me begin