Freak

In current usage, the word "freak" is commonly used to refer to a person with something strikingly unusual about their appearance or behaviour. This usage dates from the so-called freak scene of the 1960s and 1970s.

An older usage refers to the physically deformed, or having extraordinary diseases and conditions, such as sideshow performers. This has fallen into disuse, except as a pejorative, and (among the performers of such shows) as jargon. "Freaks" of this kind can be classified into two groups: natural freaks and made freaks. A natural freak would usually refer to a genetic abnormality, while a made freak is a once normal person who experienced or initiated an alteration at some point in life (such as receiving surgical implants).

"Freak" continues to be used to describe genetic mutations in plants and animals, i.e. "freaks of nature." "Freak" can also be used in a verb form, and can mean: "to become stressed and upset". Usually, in this form, the word is followed by "out" to complete the phrase, "freaking out". However, this meaning and usage is usually considered slang. Adjectival forms include "freakish" as well as "freaky." The verb "freaking" (or, "freaking out") means "engaging in panicked or uncontrolled behavior"—for example, as the result of psychedelic drug use. "Freaking" may also be a minced oath used in place of "fucking," e.g. "Oh my freaking God!" The word is a homophone of "phreak" (referring to the illegal hacking of telephone systems), which it probably inspired.

Saturday Night Slam Masters

Saturday Night Slam Masters, known in Japan as Muscle Bomber – The Body Explosion (Japanese: マッスルボマー ザ・ボディー・エクスプロージョン), is a 1993 pro wrestling arcade game released for the CP System by Capcom. The game features character designs by manga artist Tetsuo Hara, famous for Fist of the North Star.

The game was followed by an updated version titled Muscle Bomber Duo in 1993, and a sequel called Ring of Destruction: Slam Masters II in 1994.

Gameplay

The original Slam Masters plays like a traditional wrestling game, only the game used a view similar to that commonly used in the fighting game genre. The game uses a three button configuration (grab, attack, and jump).

Each character has two special attacks: a non-grappling technique and a finisher. When an opponent's life meter is depleted, he must either be pinned for a three-count or forced to submit. Defeating all of the other wrestlers results in winning the championship belt, which must then be defended against the entire roster.

Freak (Bruce Foxton song)

Freak is the debut single by the English rock singer-songwriter and bass guitarist Bruce Foxton, which became a hit and one of his most recognizable songs. It was originally released in 1983, as the lead single from his debut album, "Touch Sensitive". It was inspired strongly by the 1980 biographical film The Elephant Man, with the single's cover even referencing the film's posters.

It was one of four tracks from the album that were produced by the multiple-award winning Steve Lillywhite. The song is notably Foxton's only single to make the Top 40 in the United Kingdom, peaking at 23, for a total of five weeks.

Personnel

Credits are adapted from the Single's back cover.

Sales chart performance

References

DVS1

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Zak Khutoretsky, also known as DVS1 is an American DJ and techno producer based out of Minneapolis. He has toured extensively, headlined international music festivals such as Decibel and Dekmantel, and played along the likes of techno pioneers Jeff Mills and Robert Hood.

Early life

Khutoretsky was born in 1978 in Saint Petersburg, Russia, then part of the Soviet Union. He moved to the United States at a young age, where he shared his time between New York City and Minneapolis. His parents divorced early on and he spent a good deal of his adolescence in and out of trouble, switching schools several times as a result. Khutoretsky credits eight years of piano lessons and synthesizer-based radio music as his earliest musical influences.

After a teenage initiation into the Midwest rave scene, Khutoretsky began throwing his own underground parties at the age of 20. These parties would be where Khutoretsky first made his name in the scene, overseeing virtually every part of each event from promotion, to sound, to logistics. The parties quickly grew in size and popularity, often hosted in unofficial warehouse venues around the city.