Frailty is a 2002 American psychological thriller film, directed by and starring Bill Paxton, and co-starring Matthew McConaughey. It marks Paxton's directorial debut. The plot focuses on the strange relationship between two young boys and their fanatically religious, but seemingly-schizophrenic father, who believes that he has been commanded by God to kill demons disguised as people.
Fenton Meiks visits FBI Agent Wesley Doyle claiming that his brother Adam is the "God's Hand" serial killer Doyle has been hunting. Meiks says Adam has committed suicide, prompting Fenton to fulfill a promise to bury Adam in a public rose garden in their hometown of Thurman. He begins to tell Doyle about the boys' childhood and suggests that the bodies of the God's Hand victims are buried in that rose garden. Meiks continues telling Doyle his story as the two drive to Thurman.
When the brothers were children, their father told them that he'd been visited by an angel and tasked by God with destroying demons disguised as human beings. He explains that this mission is now the responsibility of the three of them and must be kept secret from all others. The father's modus operandi is to wait for the angel to give him a list of names of those who must be destroyed. He then abducts an individual from the list, takes them to the family home and, with his sons present, touches them, which, he says, grants him a vision of the crimes the demon has committed. He then finishes the victim with an ax and buries the body in the rose garden.
Frailty is the debut album by Swedish melodic death metal band The Duskfall. Released on November 30, 2002, the album was re-released on August 22, 2005 with three bonus tracks: "Unspoken", "Harvest the Battle" and "Tears Are Soulash". "Harvest the Battle" and "Tears Are Soulash" are remastered versions of their very first demo recordings from the demo Tears Are Soulash, when the band was under the name Soulash.
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: