Head louse

The head louse (Pediculus humanus capitis) is an obligate ectoparasite of humans that causes pediculosis capitis. Head lice are wingless insects spending their entire life on the human scalp and feeding exclusively on human blood.Humans are the only known hosts of this specific parasite, while chimpanzees host a closely related species, Pediculus schaeffi. Other species of lice infest most orders of mammals and all orders of birds, as well as other parts of the human body.

Lice differ from other hematophagic ectoparasites such as fleas in spending their entire life cycle on a host. Head lice cannot fly, and their short stumpy legs render them incapable of jumping, or even walking efficiently on flat surfaces.

The non-disease-carrying head louse differs from the related disease-carrying body louse (Pediculus humanus humanus) in preferring to attach eggs to scalp hair rather than to clothing. The two subspecies are morphologically almost identical but do not normally interbreed, although they will do so in laboratory conditions. From genetic studies, they are thought to have diverged as subspecies about 30,000–110,000 years ago, when many humans began to wear a significant amount of clothing. A much more distantly related species of hair-clinging louse, the pubic or crab louse (Pthirus pubis), also infests humans. It is visually different from the other two species and is much closer in appearance to the lice which infest other primates. Lice infestation of any part of the body is known as pediculosis.

Fountain

A fountain (from the Latin "fons" (genitive "fontis"), a source or spring) is a piece of architecture which pours water into a basin or jets it into the air to supply drinking water and/or for a decorative or dramatic effect.

Fountains were originally purely functional, connected to springs or aqueducts and used to provide drinking water and water for bathing and washing to the residents of cities, towns and villages. Until the late 19th century most fountains operated by gravity, and needed a source of water higher than the fountain, such as a reservoir or aqueduct, to make the water flow or jet into the air.

In addition to providing drinking water, fountains were used for decoration and to celebrate their builders. Roman fountains were decorated with bronze or stone masks of animals or heroes. In the Middle Ages, Moorish and Muslim garden designers used fountains to create miniature versions of the gardens of paradise. King Louis XIV of France used fountains in the Gardens of Versailles to illustrate his power over nature. The baroque decorative fountains of Rome in the 17th and 18th centuries marked the arrival point of restored Roman aqueducts and glorified the Popes who built them.

Fountain (Duchamp)

Fountain is a 1917 work produced by Marcel Duchamp. The piece was a porcelain urinal, which was signed "R.Mutt" and titled Fountain. Submitted for the exhibition of the Society of Independent Artists, in 1917, the first annual exhibition by the Society to be staged at The Grand Central Palace in New York, Fountain was rejected by the committee, even though the rules stated that all works would be accepted from artists who paid the fee. Fountain was displayed and photographed at Alfred Stieglitz's studio, and the photo published in The Blind Man, but the original has been lost. The work is regarded by art historians and theorists of the avant-garde, such as Peter Bürger, as a major landmark in 20th-century art. 17 replicas commissioned by Duchamp in the 1960s now exist.

Origin

Marcel Duchamp arrived in the United States less than two years prior to the creation of Fountain and had become involved with Dada, an anti-rational, anti-art cultural movement, in New York City. According to one version, the creation of Fountain began when, accompanied by artist Joseph Stella and art collector Walter Arensberg, he purchased a standard Bedfordshire model urinal from the J. L. Mott Iron Works, 118 Fifth Avenue. The artist brought the urinal to his studio at 33 West 67th Street, reoriented it to a position 90 degrees from its normal position of use, and wrote on it, "R. Mutt 1917".

The Fountain (comics)

The Fountain is a graphic novel illustrated by Kent Williams published in 2005 by Vertigo Comics, based on the original script of Darren Aronofsky's film The Fountain.

The graphic novel was a way to salvage something from the film project, whose first production was cancelled. As Aronofsky said, "I knew it was a hard film to make and I said at least if Hollywood fucks me over at least I'll make a comic book out of it." Later, the film project was resurrected by Warner Bros.

Plot summary

An army of Spanish soldiers is searching for the Tree of Life. Father Avila feels that their long journey is about to serve its purpose when he notices that a symbol on a blade he is carrying matches a symbol drawn in the sky, as well as on the ground. He presumes this must be the location of the Mayan temple that houses the Tree of Life. The soldiers accompanying him are reluctant and feel that his theories will only add to the loss of soldiers they have had.

The soldiers begin their assault on the temple only to be met by the Mayan warriors who are protecting the temple. Father Avila advances up the temple and is met by a Mayan priest who slowly emerges from the temple.

Man (Middle-earth)

In J. R. R. Tolkien's Middle-earth books, such as The Hobbit and The Lord of the Rings, the terms Man and Men refer to humankind – in contrast to Elves, Dwarves, Orcs and other humanoid races – and does not denote gender.

The Elves call the race of Men Atani in Quenya, literally meaning "Second People" (the Elves being the First), but also Hildor (Followers), Apanónar (After-born), and Fírimar or Firyar (Mortals). Less charitably they were called Engwar (The Sickly), owing to their susceptibility to disease and old age, and their generally unlovely appearance in the Elves' eyes. The name Atani becomes Edain in Sindarin, but this term is later applied only to those tribes of Men who are friendly to the Elves. Other names appear in Sindarin as Aphadrim, Eboennin, and Firebrim or Firiath.

Origins

The race of Men is the second race of beings created by the One God, Ilúvatar. Because they awoke at the start of the Years of the Sun, while the Elves awoke at the start of the First Age during the Years of the Trees, they are called the Afterborn by the Elves.

Man (band)

HIDDEN ERROR: Usage of "Labels" is not recognized

Man are a rock band from South Wales whose style is a mixture of West Coast psychedelia, progressive rock, blues and pub rock. Formed in 1968 as a reincarnation of Welsh rock harmony group ‘’The Bystanders’’, Man are renowned for the extended jams in their live performances.

The Bystanders

Man evolved out of The Bystanders, a successful close harmony pop group from Merthyr Tydfil who played numerous club residencies in Wales, often playing several clubs a night. The Bystanders issued eight singles, including "98.6" (#45 in UK Singles Chart, in February 1967) which featured in the 2009 film, The Boat That Rocked (although Keith's version was the bigger hit, reaching No. 24 in the UK) and "When Jesamine Goes", written by their manager Ronnie Scott and Marty Wilde under the pseudonyms of Frere Manston and Jack Gellar, which was later covered by The Casuals as "Jesamine" and got to No. 2 in the UK Chart. They also recorded sessions of cover versions for the BBC as rules restricting needle time required "live" performances between the records during the 1960s; becoming regulars on the ’’Jimmy Young Show’’, "The David Symonds Show" and others.

Manú (footballer)

Emanuel Jesus Bonfim Evaristo (born 28 August 1982), known as Manú, is a Portuguese professional footballer who plays mainly as a right winger.

Club career

Born in Setúbal, Manú started his professional career in the 2001–02 season playing for F.C. Alverca, before signing for S.L. Benfica in 2004 on a four-year contract. He was immediately loaned after arriving, serving stints in Italian sides Modena F.C. and A.C. Carpenedolo to gain experience, and returned to Portugal in the 2005–06 campaign for another temporary spell with C.F. Estrela da Amadora, where he played in 31 league games and scored seven goals, contributing to the preservation of the side's first division status.

In June 2006 Manú was given a new four-year deal and made his official debut for the Eagles by playing in both legs of the UEFA Champions League third qualifying round win against FK Austria Wien, also making a substitute appearance for Benfica in the group stages against F.C. Copenhagen, on 13 September 2006 (0–0 away draw).