Social network analysis (SNA) is the process of investigating social structures through the use of network and graph theories. It characterizes networked structures in terms of nodes (individual actors, people, or things within the network) and the ties or edges (relationships or interactions) that connect them. Examples of social structures commonly visualized through social network analysis include social media networks, friendship and acquaintance networks, kinship, disease transmission,and sexual relationships. These networks are often visualized through sociograms in which nodes are represented as points and ties are represented as lines.
Social network analysis has emerged as a key technique in modern sociology. It has also gained a significant following in anthropology, biology, communication studies, economics, geography, history, information science, organizational studies, political science, social psychology, development studies, and sociolinguistics and is now commonly available as a consumer tool.
Cascade Brewery is a brewery established in 1832 in South Hobart, Tasmania and is the oldest continually operating brewery in Australia.
As well as beer, the site also produces a range of non-alcoholic products, is home to a function centre, as well as operating tourism related ventures including guided tours and a retail outlet.
Cascade in Atlanta may refer to:
Forsaken is the debut album from the Irish three piece alternative rock band, Hail The Ghost, which was released independently on March 6th 2015 on CD and Digital formats. The music on the album was described as "ambient, cinematic alternative rock" by lead singer and songwriter, Kieran O'Reilly.
The album was recorded, mixed and mastered in JAM Studios, Kells, Co. Meath in Ireland between January 2014 and January 2015. The album was Produced by Kieran O'Reilly and Martin Quinn.
The artwork for the album was a photograph taken by O'Reilly's on-screen Love/Hate co-star, Brían F. O'Byrne, who took the photograph of his youngest daughter, Oona, while at home in Cavan. The image is entitled "Oona hears a noise".
The album received favourable reviews; Tony Clayton-Lea (The Irish Times) wrote a review on the album for HMV stating, "Hail The Ghost comes across not so much a side or vanity project as a bona fide artistic statement." The album was acknowledged well critically with Hotpress Magazine stating, "The playing throughout is impeccable, and the production pristine, with every instrument allowed to breathe naturally. The overall effect is one of gorgeous contemplative calm. Excellent." The Irish Independent's review of the album included, "Forsaken is unambiguously from the heart" and the "unremitting bleakness is curiously endearing." Dublin Concerts described the album as an "Impossibly beautiful album". The Sunday Times referred to Hail The Ghost as "A winningly downbeat ensemble." Hail The Ghost also performed at Ireland's Electric Picnic Festival 2015
This article serves as an index of characters in the fictional setting of Robert Jordan's The Wheel of Time series.
Systematic Chaos is the ninth studio album by American progressive metal/rock band Dream Theater. Released on June 4, 2007 in the United Kingdom and June 5, 2007 in the United States, Systematic Chaos was the band's first release through Roadrunner Records, which was sold to their previous label Atlantic Records, through which the band had released their previous studio album Octavarium (2005). The album was recorded from September 2006 to February 2007 at Avatar Studios in New York City, after the band's first break from summer touring in ten years. The lyrics of the album were written by John Petrucci, James LaBrie, and Mike Portnoy about fictional, political, and personal topics, respectively.
The album peaked in the top twenty in eight countries' sales charts; in addition, the album peaked at the nineteenth position on the Billboard 200, making it the highest peaking Dream Theater album in the United States until the release of Black Clouds & Silver Linings (2009), which debuted at the sixth position. Critical reception of the album was generally positive; Jon Eardley from MetalReview.com called the band, "arguably the most consistent band throughout the entire progressive rock/metal industry".