Lennie Moore
Born (1961-12-12) December 12, 1961 (age 50)
Origin Hanford, California
Genres Videogames, Film, TV, Multi-media
Occupations Composer, Conductor, orchestrator, arranger, musician, educator
Instruments Electric bass
Years active 1988–present
Associated acts UCLA Extension

Lennie Moore (born December 12, 1961) is an American composer, conductor, orchestrator of music for video games, film, TV, and Multi-media.

Contents

Biography [link]

In a career that spans over two decades, Lennie Moore has been a proven force as an accomplished composer, conductor, orchestrator and arranger of music for video games, film, and television He is best known as the composer of the 1999 video game Outcast, and most recently, the Watchmen Motion Comic episodic web series. He has composed music on ten films, orchestrated for other composers on dozens of feature films and television movies, over 125 commercials, in addition to many video games including Outcast (2000 nominee for Best Music by the Academy of Interactive Arts & Sciences), Magic the Gathering: Duel of the Planeswalkers, Dirty Harry (unreleased), Dragonshard, The Lord of the Rings: War of the Ring, and additional music for Snoopy vs. the Red Baron and The Chronicles of Narnia: Prince Caspian. Lennie recently won a G.A.N.G. Award for the Watchmen Motion Comic web series. He also teaches Composing for Games courses at UCLA Extension and the USC Thornton School of Music SMPTV program.

Notable compositions [link]

The following list consists of select projects for which Lennie Moore wrote the score or contributed additional music.

Video game scores [link]

Film scores [link]

Television scores [link]

Concerti [link]

Album credits [link]

Awards [link]

  • Watchmen Motion Comic (2009) (G.A.N.G. Awards, Best Audio - Other)

Award nominations (excluding wins) [link]

  • Outcast (2000) (Best Music, Academy of Interactive Arts & Sciences Interactive Achievement Awards)

See also [link]

References [link]

External links [link]


https://wn.com/Lennie_Moore

Forlorn hope

A forlorn hope is a band of soldiers or other combatants chosen to take the leading part in a military operation, such as an assault on a defended position, where the risk of casualties is high.

Etymology

The term comes from the Dutch verloren hoop, literally "lost troop". The Dutch word "hoop" can mean "hope" but is in this context etymologically equivalent to the English word "heap". The term was used in military contexts to denote a troop formation. The Dutch word hoop (in its sense of heap in English) is not cognate with English hope: this is an example of false folk etymology. The mistranslation of "verloren hoop" as "forlorn hope" is "a quaint misunderstanding" using the nearest-sounding English words. This false etymology is further entrenched by the fact that in Dutch the word hoop is a homograph meaning "hope" as well as "heap", though the two senses have different etymologies.

History

In the days of muzzle-loading muskets, the term was most frequently used to refer to the first wave of soldiers attacking a breach in defences during a siege. It was likely that most members of the forlorn hope would be killed or wounded. The intention was that some would survive long enough to seize a foothold that could be reinforced, or at least that a second wave with better prospects could be sent in while the defenders were reloading or engaged in mopping up the remnants of the first wave. British troops of the forlorn hope at the 1812 Siege of Badajoz carried a large (5–6 feet (1.5–1.8 m) by 2 feet (0.61 m) in diameter) bag stuffed with hay or straw, which was thrown down into the enemy trenches to create a cushion and prevent injury as they jumped down.

Podcasts:

PLAYLIST TIME:

Forlorn Hope

by: Graveworm

Forlorn Hope
What was the reason for you – doing that?
What was the reason for your prevention?
I've searched so long for you, endless nights
We promised to take it – all the deeps and highs
Timeless, deedless, honest
My second I, second I, my second I
Helpless, sadness, it's time for say good bye
My second I
What was the reason for you – doing that?
What was the reason for your prevention?
I've searched so long for you, my whole life
We promised to take it – through the breaking tides
Forlorn, forlorn hope – broken down
Forlorn, forlorn hope – in agony I remain
Loneliness I fear, for senseless I cry
Forgotten in my mind, blackened my heart
Is this the reason why I should die for you
Rest in the darkness, aimless and alone
Frames of my inner self, lost in a cell of war
Forlorn hope, what was the reason why?
Forlorn, forlorn hope – broken down
Forlorn, forlorn hope – in agony I blame
Timeless, deedless, honest
My second I, second I, my second I
Helpless, sadness, it's time for say good bye
My second I
What was the reason for you – doing that?
How could you do that (to me)?
What was the reason for your prevention?
I've searched so long for you – bitter sweet lie
We promised to take it – through the breaking tides
I've searched so long for you, endless nights




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