Forget it!

Forget it! is a 2001 Donald Duck comic by Don Rosa.

Plot

Magica De Spell once again attempts to steal Scrooge McDuck's Number One Dime. This time she is armed with a spell with an interesting effect on its victim. Whenever the victim hears his/her name spoken in conjunction with another thing, he/she immediately forgets the thing in question ever existed, and cannot even comprehend the idea. Magica uses the spell on both Scrooge and Donald, and traps them in Scrooge's office by closing the door and causing them to forget doors exist.

Miss Emily Quackfaster frees Scrooge and Donald simply by opening the door, and they chase Magica to the airport, where she is trying to return to Mount Vesuvius. In the progress, Scrooge and Donald forget various things, such as how to drive a car, how to walk, or even how to speak. Scrooge comes face to face with Magica, but unfortunately forgets who she is, so he lets her go. Donald reminds him that she is an enemy, so Scrooge resumes chase and they end up in a fight, during which Magica accidentally casts the spell on herself.

Forget it

Forget it may refer to:

See also

We Are Not Alone (Breaking Benjamin album)

We Are Not Alone is the second studio album by American rock band Breaking Benjamin. It was released June 28, 2004 through Hollywood Records in North America and November 2, 2007 in Europe. Three singles were released from the album, "So Cold", "Sooner or Later", and the full-band version of "Rain", as opposed to the original version in which the only instrument used is an acoustic guitar, which came out near the end of June 2005. We Are Not Alone sold 48,000 copies on its first week and was certified platinum by the RIAA on June 13, 2005.

A Live EP was released with limited editions of the album, containing live recorded versions of "Sugarcoat," "Water," "Medicate," and "Next to Nothing" from their first album Saturate.

We Are Not Alone is the last studio album to feature drummer Jeremy Hummel. The track "Firefly" was featured in the 2004 video games WWE SmackDown! vs. Raw and WWE Day of Reckoning.

According to Allmusic critic Johnny Loftus, the album stylistically incorporates early Tool's sound through post-grunge's more accessible melodics.