Ford Focus (second generation, Europe)

The Ford Focus Mk 2 is an automobile which was produced by Ford from 2004 to 2011. It was launched at the Paris Motor Show on September 23, 2004 as a three and five-door hatchback and an estate, although the new car was previewed, in 4-door saloon form, as the 'Focus Concept' developed by Ford Europe at the Beijing Motor Show in mid-2004.

Design and engineering

The Mk 2, codenamed C307, uses the Ford C1 platform which is shared with the Volvo S40, V50 and C70, Mazda3 and Focus C-MAX. Ford calls this platform sharing programme "Global Shared Technologies".

The basic suspension design, which contributed much to the Mk 1's success, has been carried over largely unchanged from its predecessor which, along with a 10% stiffer bodyshell, offers a better ride according to Ford. The same body styles as the Mk 1 Focus were offered, though the saloon did not appear until mid-2005.

The Focus Mk 2 is much larger and considerably heavier than its predecessor with a 25 mm (1 in) increase in wheelbase, 168 mm (6.6 in) longer, 8 mm (0.3 in) taller and 22 mm (0.8 in) wider. As a result the interior and boot space have increased. New technologies include a KeyFree system, a solar-reflect windshield, adaptive front lighting, Bluetooth hands-free phones and voice control for audio, telephone and climate control systems.

Focus…

Bernard Edwards, Jr., better known as Focus..., is an Atlanta-based record producer who first rose to fame when signed to Dr. Dre's Aftermath Entertainment. Since then he has produced tracks for Dr. Dre, Eminem, Snoop Dogg, Kendrick Lamar, Lil Wayne, Jadakiss, Christina Aguilera, Jennifer Lopez, Beyoncé Knowles, 50 Cent, Busta Rhymes, Bishop Lamont, Tony Yayo, Stat Quo, Outlawz, The Game, Jay Rock, Schoolboy Q, Mac Dre, Ice Cube, Anderson Paak, Jon Connor, Joe, Marsha Ambrosius , Slum Village amongst many others.

Biography

Focus... is the son of the late Bernard Edwards, co-founder of disco and R&B band Chic. He was born in Manhattan, New York, and raised in the Tri-State Region. Edwards, Jr credits his father with his love for the production side of music, which he developed from an early age, attending numerous studio sessions with his father.

Focus...'s production talents were first recognized by Dr. Dre when an artist Edwards, Jr had produced, Daks, greatly impressed the Aftermath label head. signed Focus... so that the two could then continue working together.

Focus (Holly Starr album)

Focus is the second studio album from the Christian singer-songwriter Holly Starr. The album released on October 2, 2012 via Save the City Records. The producers on the album were Chuck Butler, David Garcia and Christopher Stevens. The album received critical acclamation from music critics, yet it did not get much commercial success because it failed to chart.

Background

The album released on October 2, 2012 by Save the City Records, and the producers on the album were Chuck Butler, David Garcia and Christopher Stevens. This was the second studio album from the songstress Holly Starr.

Critical reception

Focus garnered critical acclaim from eight music critics. Robert Ham of Allmusic rated the album four stars, calling it a "pleasant surprise" because it kept up with contemporary musical trends. At Cross Rhythms, Matthew Cordle rated the album a perfect ten, noting how the album comes "with a cleaner, tighter, more stripped-back sound, less electric and more acoustic" than its predecessor, and it is "Impeccably produced, this is a thoroughly modern pop sound conveying a thoroughly ancient message." Christian Music Zine's Joshua Andre rated the album four-and-three-fourths, saying that this is a "brilliant" release on which "Holly's poignant lyrics and well-crafted pop melodies and ballads is sure to propel her soon, if not already, into the same league and caliber of songwriting as Nichole Nordeman and Jason Ingram." Grace Thorson of CM Addict rated the album four-and-a-half stars, affirming that the release is "well-rounded".

The churches of Christ (non-institutional)

The label "non-institutional" refers to a distinct fellowship within the Churches of Christ who do not agree with the support of para-church organizations (colleges, orphans' homes, organized mission efforts, etc.) by local congregations. They contend that the New Testament includes no authority for churches' support of such institutions. Instead they feel that it is a responsibility and duty of the individual to assist those in need. These local churches became separated from "mainline" (pro-institutional) churches of Christ because of these viewpoints, developing into a distinct segment of congregations by the 1960s. Whether a congregation supports the "sponsoring church" custom is one way to distinguish between the "non-institutional" and "mainstream" congregations. The congregations that advocate financial support or the pooling of resources for the benefit of other entities or organized external evangelical efforts are sometimes called "sponsoring churches" and identified as "mainstream."