The Rhyme was the name of XM Satellite Radio's uncensored Classic Hip-Hop channel. The executive producer of the channel was Snoop Dogg. This was one of five channels to have an xL marking, which indicates frequent language.
The format was scrapped on November 12, 2008 as part of the Sirius/XM merger, and this paved for Sirius XM to launch its temporary Christmas music channels. The format was brought back with Sirius's BackSpin on January 15, 2009.
Featured artists on this channel: Grandmaster Flash and the Furious Five, Run DMC, Boogie Down Productions, Public Enemy, De La Soul, and A Tribe Called Quest.
"The Rhyme" is the only single released from Keith Murray's second album, Enigma. The original version was again produced by Erick Sermon, with the remix produced by the production team, The Ummah. "The Rhyme" made it to three Billboard charts, peaking at 12 on the Hot Rap Singles. The song contains samples from Run-D.M.C.'s "Sucker M.C.'s" and Maze's "Before I Let Go".
The official music video for the song was directed by Brian Luvar.
Juju or Ju-Ju are objects, such as amulets, and spells used in religious practice, as part of witchcraft in West Africa. Juju historically referred to traditional West African religions.
The term "juju", and the practices associated with it, travelled to the Americas from West Africa with the influx of slaves via the Atlantic slave trade and still survives in some areas, particularly among the various groups of Maroons, who have preserved their African traditions.
Juju is sometimes used to enforce a contract or ensure compliance. In a typical scenario, a juju spell will be placed on a Nigerian woman before she is trafficked into Europe for a life in prostitution, to ensure that she will pay back her traffickers and won't escape. The witch doctor casting the spell requires a payment for this service. Juju is also commonly used in an attempt to affect the outcome of football games.
Contrary to common belief, Vodun is not related to juju, despite the linguistic and spiritual similarities. Juju has acquired some karmic attributes in more recent times: good juju can stem from almost any good deed; bad juju can be spread just as easily. These ideas revolve around the luck and fortune portions of juju. The use of juju to describe an object usually involves small items worn or carried; these generally contain medicines produced by witch doctors.
Juju (ジュジュ) (stylized as JUJU) (born February 14, 1976) is a Japanese jazz singer. She is represented by Sony Music Associated Records Inc.
She currently resides in New York City. She dreamed of being a jazz singer while growing up in Kyoto, and participated in all sorts of music-related activities. At age 18, she left for the US alone. While in New York, she was very taken with the "New York sound," including jazz, R&B, hip-hop, soul, Latin music, and house. Around 2001, Juju began to be featured in a number of works by other artists. In 2002, she provided music for the film Kyōki no Sakura. In 2004, she debuted with her first single "Hikaru no Naka e". The same year, concurrent with her musical activities in New York, she started performing live in Japan. When her third single, "Kiseki o Nozomu nara", was released, it topped the USEN charts and remained on the chart for a record length of 22 weeks. At this point, while she received support from a small group of listeners, she remained mostly unknown. On August 23, 2008, with the release of "Kimi no Subete ni", a collaboration between Spontania and Juju, she broke out onto the Japanese popular music scene, with the single receiving over 2.5 million downloads. Again, on November 26, 2008, another collaboration with Spontania named "Sunao ni Naretara" earned her even more fame, with the song receiving 2.2 million downloads.In 2010, Juju released her third album called Juju and it won the Excellence Album Award at the 52nd Japan Record Awards.
A Juju is a supernatural power ascribed to an object.
Juju may also refer to:
A rhyme is a repetition of similar sounds (or the same sound) in two or more words, most often in the final syllables of lines in poems and songs. The word rhyme is also a pars pro toto ("a part (taken) for the whole") that means a short poem, such as a rhyming couplet or other brief rhyming poem such as nursery rhymes.
Rhyme partly seems to be enjoyed simply as a repeating pattern that is pleasant to hear. It also serves as a powerful mnemonic device, facilitating memorization. The regular use of tail rhyme helps to mark off the ends of lines, thus clarifying the metrical structure for the listener. As with other poetic techniques, poets use it to suit their own purposes; for example William Shakespeare often used a rhyming couplet to mark off the end of a scene in a play.
The word rhyme can be used in a specific and a general sense. In the specific sense, two words rhyme if their final stressed vowel and all following sounds are identical; two lines of poetry rhyme if their final strong positions are filled with rhyming words. A rhyme in the strict sense is also called a perfect rhyme. Examples are sight and flight, deign and gain, madness and sadness.
A syllable is a unit of organization for a sequence of speech sounds. For example, the word water is composed of two syllables: wa and ter. A syllable is typically made up of a syllable nucleus (most often a vowel) with optional initial and final margins (typically, consonants).
Syllables are often considered the phonological "building blocks" of words. They can influence the rhythm of a language, its prosody, its poetic meter and its stress patterns.
Syllabic writing began several hundred years before the first letters. The earliest recorded syllables are on tablets written around 2800 BC in the Sumerian city of Ur. This shift from pictograms to syllables has been called "the most important advance in the history of writing".
A word that consists of a single syllable (like English dog) is called a monosyllable (and is said to be monosyllabic). Similar terms include disyllable (and disyllabic) for a word of two syllables; trisyllable (and trisyllabic) for a word of three syllables; and polysyllable (and polysyllabic), which may refer either to a word of more than three syllables or to any word of more than one syllable.