Mayhem may refer to:
Mayhem was a professional wrestling pay-per-view (PPV) produced by World Championship Wrestling (WCW) that replaced the promotion's November PPV event World War 3 which was held from 1995 to 1998 and was held in the month of November in 1999 and 2000. It is noted for being the first wrestling pay-per-view named after a video game, rather than the video game named after a pay-per-view. The 1999 match between Bret Hart vs Chris Benoit was featured in the opening credits of the TV Show Malcolm in the Middle. The rights to the event is now owned by the WWE since 2001.
Mayhem 1999 took place on November 21, 1999 from the Air Canada Centre in Toronto, Ontario.
During the WCW World Heavyweight Championship tournament semi-final match between Bret Hart and Sting, The Total Package interfered by attacking Sting with a baseball bat. This led to Hart being announced as the winner via disqualification. Not wanting to win in this manner, Hart demanded the match be restarted, and ultimately forced Sting to submit with the Sharpshooter. Scott Hall was originally supposed to face Rick Steiner for the WCW World Television Championship, but Steiner was too injured to compete. Hall was awarded the title by forfeit and immediately had to defend it against Booker T instead.
Mayhem is the third studio album by Irish rockabilly musician Imelda May, released on 3 September 2010 on Decca Records.
Three years prior to the release of Mayhem, in 2007, Imelda May received a recording contract with Ambassador Records, a sublabel of Universal Music Ireland, and recorded her second studio album, the highly acclaimed Love Tattoo. Reaching No.1 in Ireland, the album caught the attention of Jools Holland, whom she later supported on tour, which led him to request that she appear on his well-known music show Later... with Jools Holland. Performing to an audience that included Jeff Beck, Elbow and Roots Manuva, May gained further recognition in the United Kingdom. The following year also saw May release her first two singles, "Johnny Got a Boom Boom" and "Big Bad Handsome Man", appear on several talk shows, win Female Artist of the Year 2009 at the 2009 Meteor Awards and also tour the United States.
After touring throughout the world promoting Love Tattoo, May took a short break before entering the studio to record Mayhem. Choosing Embassy Studios, a sixteen-track analogue recording studio in a converted cow shed, May's record label Decca were "freaking out" and "drove all the way to the middle of nowhere to have a look" after hearing the studio was a cowshed. The recording of the album took two weeks in total and production was completed in late summer 2010 at Electric Mastering.
Several types of volcanic eruptions—during which lava, tephra (ash, lapilli, volcanic bombs and blocks), and assorted gases are expelled from a volcanic vent or fissure—have been distinguished by volcanologists. These are often named after famous volcanoes where that type of behavior has been observed. Some volcanoes may exhibit only one characteristic type of eruption during a period of activity, while others may display an entire sequence of types all in one eruptive series.
There are three different types of eruptions. The most well-observed are magmatic eruptions, which involve the decompression of gas within magma that propels it forward. Phreatomagmatic eruptions are another type of volcanic eruption, driven by the compression of gas within magma, the direct opposite of the process powering magmatic activity. The third eruptive type is the phreatic eruption, which is driven by the superheating of steam via contact with magma; these eruptive types often exhibit no magmatic release, instead causing the granulation of existing rock.
Eruption is the third and final full-length album by German experimental music trio Kluster. It is also the only live recording issued by Kluster.
Eruption was recorded in 1971 at the last concert performed by Kluster and was recorded by Klaus Freudigmann. Eruption was released with what, according to Conrad Schnitzler, was an incorrect title Kluster und Eruption in 1971 as a private pressing. Only 200 copies of the original LP were pressed and sold. It was reissued as a Conrad Schnitzler solo album under the title Schwarz (literally "Black"), though the contributions by Hans-Joachim Roedelius and Dieter Moebius were credited. The album was not released under its proper title, Eruption, until the reissue on CD by German label Marginal Talent in 1997. Conrad Schnitzler also reissued Eruption on CD on his Plate Lunch label.
Eruption is widely considered to be the most listenable Kluster release. It is the only release without spoken religious text. In places the style also begins to resemble the electronic sound heard on early albums by Cluster, the successor to Kluster which came into being after Schnitzler's departure. Each side consists of one long, instrumental, improvisational jam. John Bush, writing the review for Allmusic, describes the music in part as having: "...forbidding violin lines, heavily distorted organ, and an assortment of tape effects leading the way for several minimalist guitar workouts."
Eruption were a popular disco, R&B and soul band in the 1970s and 1980s. They are best known for their covers of Ann Peebles's "I Can't Stand the Rain" and Neil Sedaka's "One Way Ticket", which were big disco hits in 1978 and 1979, respectively.
The band was formed in 1974 in the United Kingdom as Silent Eruption, and consisted of musicians of African and Caribbean origins. In 1975, they won the Soul Search contest and their first single "Let Me Take You Back in Time" was released. Finding their success quickly drying out, lead singer Lindel Leslie (sometimes referred to as Leslie Johnson) left the group, and the backing singer Precious Wilson stepped forward to front the band. They went on the road in Germany where Frank Farian, the producer of Boney M., took notice of them. Farian signed the group with the Germany-based Hansa Records and the band supported Boney M. on tour.
After a minor hit single with "Party, Party", their cover of "I Can't Stand the Rain" was a hit, reaching #5 in the UK Singles Chart and #18 in the U.S. Billboard Hot 100. Both songs were included in their first, eponymous album, released in December 1977. It was followed by their second album titled Leave a Light, launched towards the end of 1978. The first single off the album, "Leave a Light", was not a big seller, but the second single, "One Way Ticket" (a cover of Neil Sedaka's song written by Jack Keller and Hank Hunter), restored them at the top of the charts (a UK #9 hit).