Foot
The foot (plural feet) is an anatomical structure found in many vertebrates. It is the terminal portion of a limb which bears weight and allows locomotion. In many animals with feet, the foot is a separate organ at the terminal part of the leg made up of one or more segments or bones, generally including claws or nails.
Structure
The human foot is a strong and complex mechanical structure containing 26 bones, 33 joints (20 of which are actively articulated), and more than a hundred muscles, tendons, and ligaments. The joints of the foot are the ankle and subtalar joint and the interphalangeal articulations of the foot.
An anthropometric study of 1197 North American adult Caucasian males (mean age 35.5 years) found that a man's foot length was 26.3 cm with a standard deviation of 1.2 cm.
The foot can be subdivided into the hindfoot, the midfoot, and the forefoot:
The hindfoot is composed of the talus (or ankle bone) and the calcaneus (or heel bone). The two long bones of the lower leg, the tibia and fibula, are connected to the top of the talus to form the ankle. Connected to the talus at the subtalar joint, the calcaneus, the largest bone of the foot, is cushioned inferiorly by a layer of fat.
Foot (hieroglyph)
The Ancient Egyptian Foot hieroglyph, Gardiner sign listed no. D58 is a side view of the human foot and the lower leg.
The foot hieroglyph is used in the Ancient Egyptian language hieroglyphs for the alphabetic consonant letter b.
Libation hieroglyph with foot and pot
One of the libation group of hieroglyphs uses the foot, surmounted with a vessel, issuing forth a libation.
The Egyptian hieroglyph alphabetic letters
The following two tables show the Egyptian uniliteral signs. (24 letters, but multiple use hieroglyphs)
Relief
(also shows 3rd "m"
vertical Baker's tool (hieroglyph)
(mostly used as preposition))
Relief
(also shows 3rd "m"
vertical Baker's tool (hieroglyph)
(mostly used as preposition))
External wall relief; (foot and leg hieroglyphs)
External wall relief; (foot and leg hieroglyphs)
Column relief
Column relief
See also
References
Sewing machine
A sewing machine is a machine used to stitch fabric and other materials together with thread. Sewing machines were invented during the first Industrial Revolution to decrease the amount of manual sewing work performed in clothing companies. Since the invention of the first working sewing machine, generally considered to have been the work of Englishman Thomas Saint in 1790, the sewing machine has greatly improved the efficiency and productivity of the clothing industry.
Home sewing machines are designed for one person to sew individual items while using a single stitch type. In a modern sewing machine the fabric easily glides in and out of the machine without the inconvenience of needles and thimbles and other such tools used in hand sewing, automating the process of stitching and saving time.
Industrial sewing machines, by contrast to domestic machines, are larger, faster, and more varied in their size, cost, appearance, and task.
History
Invention
Charles Fredrick Wiesenthal, a german-born engineer working in England was awarded the first British patent for a mechanical device to aid the art of sewing, in 1755. His invention consisted of a double pointed needle with an eye at one end.
Therapy
Therapy (often abbreviated tx, Tx, or Tx) is the attempted remediation of a health problem, usually following a diagnosis. In the medical field, it is usually synonymous with treatment (also abbreviated tx or Tx), which is used more commonly than "therapy". Among psychologists and other mental health professionals, including psychiatrists, psychiatric nurse practitioners, and clinical social workers, the term may refer specifically to psychotherapy (sometimes dubbed 'talking therapy'). The English word therapy comes via Latin therapīa from Greek: θεραπεία and literally means "curing" or "healing".
As a rule, each therapy has indications and contraindications.
Semantic field
Therapy (Lodge novel)
Therapy (1995) is a novel by British author David Lodge.
The story concerns a successful sitcom writer, Laurence Passmore, plagued by middle-age neuroses and a failed marriage. His only problem seems to be an "internal derangement of the knee" but a mid-life crisis has struck and he is discovering angst. His familiar doses of cognitive therapy, aromatherapy, and acupuncture all offer no help, and he becomes obsessed with the philosophy of Kierkegaard. Moreover, Tubby, as Passmore is nicknamed, and referred to by several characters in the novel, undertakes a pilgrimage to Santiago de Compostela in order to find his first love.
Structure of the novel
The novel is divided into four parts. The first part is written as a journal, the second part is written in dramatic monologues, the third part consists of journal entries and a memoir and the fourth part is a narrative written after the events happened and Tubby has returned to London.
In the first part, Tubby starts writing a journal triggered by a description he had to write for his cognitive behavior therapist. Before that Tubby wrote only screenplays but no narrative texts. During the writing Tubby reflects upon his problems and depression.
Therapy (Mary J. Blige song)
"Therapy" is a song by American recording artist Mary J. Blige. It was written by Blige along with British musician Sam Smith and producer Eg White for The London Sessions (2014). Production on the track was hemled by White, Stephen Fitzmaurice, Rodney "Darkchild" Jerkins, and Jimmy Napes. Released as the album's leading single following buzz track "Right Now", it has since the top thirty on Billboard's Adult Contemporary chart.
Conception and release
"Therapy" was written by Blige and English musicians Sam Smith and Eg White. The pair was among a host of young British acts commissioned to work with Blige in London following the success of her version of "F for You", a remake of English electronic music duo Disclosure's fourth single from their debut studio album, Settle (2013), and her duet version of Smith's "Stay with Me". Initially composed for Smith's debut album In the Lonely Hour (2014), "Therapy" was already reference-vocaled when the White and Smith played it for Blige. Upon hearing it, Blige felt inspired: "It was like, 'OK. This is it. This is the first moment. This is the one that says I'm doing something different.' Slight lyrical and tonal changes were made to make it fit for her. On the process, Blige later elaborated: "At the end of the day, I pictured myself singing it. I went and sang the song. And it was perfect, 'cause I just felt like the message was universal. Because I think everybody needs a little bit. And it's not, you know, literally sitting in front of a doctor all the time. It could be whatever your therapy is. What works for you."
