A jester, court jester or fool was historically an entertainer during the medieval and Renaissance eras who was a member of the household of a nobleman employed to entertain him and his guests. A jester was also an itinerant performer who entertained common folk at fairs and markets. Jesters are also modern day entertainers who resemble their historical counterparts. Jesters in medieval times are often thought to have worn brightly coloured clothes and eccentric hats in a motley pattern and their modern counterparts usually mimic this costume. In medieval times jesters entertained with a wide variety of skills: principal ones included songs, music, and storytelling; additional ones included acrobatics, juggling, telling jokes, and magic. Much of the entertainment was performed in a comic style and many jesters made contemporary jokes in word or song about people or events well known to their audiences.
The modern use of the English word jester did not come into use until the mid-16th century during Tudor times. This modern term derives from the older form gestour, or jestour, originally from Anglo-Norman (French) meaning story-teller or minstrel. Other earlier terms included fol, disour, and bourder. These terms described entertainers who differed in their skills and performances but who all shared many similarities in their role as comedic performers for their audiences.
There are several distinct, although overlapping categories of fool as a stock character in creative works (literature, film, etc.) and folklore: simpleton fool, clever fool, and serendipitous fool.
A silly, stupid, simpleton, luckless fool is a butt of numerous jokes and tales all over the world.
Sometimes the foolishness is ascribed to a whole place, as exemplified by the Wise Men of Gotham. The localizing of fools is common to most countries, and there are many other reputed imbecile centres in England besides Gotham. Thus there are the people of Coggeshall, Essex, the "carles" of Austwick, Yorkshire, the "gowks" of Gordon, Berwickshire, and for many centuries the charge of folly has been made against silly Suffolk and Norfolk (Descriptio Norfolciensium about twelfth century, printed in Wright's Early Mysteries and other Latin Poems).
In Germany there are the "Schildburgers", from the fictitious town of "Schilda"; in the Netherlands, the people of Kampen; in Bohemia, the people of Kocourkov; and in Moravia the people of Šimperk. There are also the Swedish Täljetokar from Södertälje and Kälkborgare from Kälkestad, and the Danish tell tales of the foolish inhabitants of the Molboland. In Latin America, the people of Galicia are the butt of many jokes. In Spain, the people of Lepe, a town in Andalusia, follow a similar fate. Among the ancient Greeks, Boeotia was the home of fools; among the Thracians, Abdera; among the ancient Jews, Nazareth; among modern Jews, Chełm; among the ancient Asiatics, Phrygia.
The Fool is a 1964 Gibson SG guitar, painted for Eric Clapton by the Dutch design collective of the same name. One of the world's best-known guitars, it symbolizes the psychedelic era. Clapton used the guitar extensively while playing with Cream and it was an important element of his famed "woman tone".
The Fool, a "psychedelic fantasy", according to Clapton, was the brainchild of Marijke Koger who, along with Simon Postuma, was a founding member of The Fool collective. In early 1967, the collective were contacted by Robert Stigwood, then manager of Cream, to work on instruments and costumes for the band, which was about to leave London for a tour of the United States. Koger and Postuma painted Clapton's Gibson SG, a drum kit for Ginger Baker, and a Fender Bass VI for Jack Bruce, which he did not like very much and played only on TV performances.
The guitar made its debut as Cream played their first show in the United States on 25 March 1967 at the RKO theater on 58th Street, Manhattan, where Cream and The Who played a series of shows headlined by Mitch Ryder and promoted by Murray the K. Clapton used the guitar for most of Cream's recordings after Fresh Cream, particularly on Disraeli Gears, until the band broke up in 1968. After Clapton it passed to Jackie Lomax, who may have acquired it from George Harrison. It then passed to Todd Rundgren, who had seen Clapton play it during Cream's show at the RKO Theater and was "mesmerized" by it. Rundgren reportedly paid $500 for the guitar and had various repairs done to it. He had the guitar finished anew and retouched in places, and a portion of the neck and headstock was replaced. Rundgren sold the guitar in 2000 at auction for around $150,000 to pay off a tax debt, donating 10% to Clapton's Crossroads Centre. The Fool was resold to a private collector a few years later for around $500,000.
Life is the eighth album released by KRS-One, and the eighth after abandoning the Boogie Down Productions name. The album is a collaboration with Tunnel Rats affiliates The Resistance, a little known production team, and Footsoldiers.
"I'm On The Mic"
"Life Interlude"
Life is the third studio album by funk/soul band Sly and the Family Stone, released in September 1968 on Epic/CBS Records.
Unlike its predecessor, Dance to the Music, Life was not a commercial success, although it has received mostly positive reviews from music critics over the years. Many of its songs, including "M'Lady", "Fun", "Love City", as well as the title track, became popular staples in the Family Stone's live show. A middle ground between the fiery A Whole New Thing and the more commercial Dance to the Music, Life features very little use of studio effects, and is instead more driven by frontman Sly Stone's compositions. Topics for the album's songs include the dating scene ("Dynamite!", "Chicken", "M'Lady"), groupies ("Jane is a Groupee"), and "plastic" (or "fake") people (the Beatlesque "Plastic Jim"). Of particular note is that the Family Stone's main themes of unity and integration are explored here in several songs ("Fun", "Harmony", "Life", and "Love City"). The next Family Stone LP, Stand!, would focus almost exclusively on these topics.
Life is an American crime drama television program created by Rand Ravich that aired for two seasons on NBC. It was produced by Universal Media Studios under the supervision of executive producers Rand Ravich, Far Shariat, David Semel, and Daniel Sackheim. Semel also directed the pilot.
The series stars Damian Lewis as Charlie Crews, a detective released from prison after serving twelve years for a crime he did not commit. Life premiered on September 26, 2007 on NBC and aired on Wednesday nights at 10 ET. On May 4, 2009, NBC announced its cancellation, a month after the final episode had been aired. As of August 2013 the entire series is available on Netflix Streaming and Hulu.
In an interview with seat42f.com, series creator Rand Ravich explained that Life came initially from Ravich's own long-standing interest in, and desire to work on, a police procedural show. Ravich first created the character of Charlie Crews as the basis for the show; upon the completion of the script, Ravich immediately considered actor Damian Lewis for the role.
I had no choice
Perfectly clear from the start
I heard your voice
And I was falling
Into a space
Where daylight kisses moonlit skies
It was the place
As written in your eyes
And oh, we made it
We finally found our way
And celebrating
Just where we... We stand today
I'll let my heart show the way
Oceans and mountians between us
Because your love Is why
You made the wrong right
I will give my all
Will heed your call
For Life
I had no choice
Perfectly clear from the start
I will rejoice
Embrace your calling
And into a space
Where daylight kisses moonlit skies
I heard your voice
And I knew it was for life
I'll let my heart show the way
Oceans and mountians between us
Because your love Is why
Ou made the wrong right
I will give my all
Will heed your call
For Life