Follow is the third album by Pakho Chau, comprising four new tracks and nine previously released tracks. It was released in Hong Kong on July 10, 2009.
In some types of partner dance, lead and follow are designations for the two dancers comprising a dance couple. In the case of mixed-sex couples, the male is traditionally the lead and the female is the follow. The lead is responsible for guiding the couple and initiating transitions to different dance steps and, in improvised dances, for choosing the dance steps to perform. The lead conveys his choices and direction to the follow through subtle physical and visual signals, thereby allowing the couple to be smoothly coordinated.
The amount of direction given by the lead depends on several factors, including dance style, social context of the dance, and experience and personalities of the dancers. Some partner dances (e.g., Lindy Hop) employ an open position that encourages improvisation by the follow. Others, such as Argentine Tango, involve a close embrace (or closed position) that requires the follow to strictly conform to the lead's direction.
Follow is the third album by Pak o Chau.
Follow may also refer to:
Tierra is a computer simulation developed by ecologist Thomas S. Ray in the early 1990s in which computer programs compete for time (central processing unit (CPU) time) and space (access to main memory). In this context, the computer programs in Tierra are considered to be evolvable and can mutate, self-replicate and recombine. Tierra's virtual machine is written in C. It operates on a custom instruction set designed to facilitate code changes and reordering, including features such as jump to template (as opposed to the relative or absolute jumps common to most instruction sets).
The basic Tierra model has been used to experimentally explore in silico the basic processes of evolutionary and ecological dynamics. Processes such as the dynamics of punctuated equilibrium, host-parasite co-evolution and density-dependent natural selection are amenable to investigation within the Tierra framework. A notable difference between Tierra and more conventional models of evolutionary computation, such as genetic algorithms, is that there is no explicit, or exogenous fitness function built into the model. Often in such models there is the notion of a function being "optimized"; in the case of Tierra, the fitness function is endogenous: there is simply survival and death.
Tierra is a Latin R&B band, originally from Los Angeles, California, that was first established in the 1970s by former El Chicano members Steve Salas (vocals) and his brother Rudy Salas (guitar). The other original members were Bobby Navarrete (reeds), Joey Guerra (keyboards), Steve Falomir (bass guitar), and Philip Madayag (drums) and Andre Baeza (percussion). Their biggest hit was the 1980 remake of The Intruders' 1967 hit "Together", written by Gamble & Huff, which reached #18 on the Billboard Hot 100, and #9 on the US Billboard R&B chart.
Tierra has the distinction of being the first Latino band to have four songs on the national chart with two of them in the Top 100 at the same time.
Around 1973, Rudy and Steve Salas formed Tierra and their self-titled debut album was recorded. By the mid-1970s the band consisted of the Salas brothers, Rudy Villa on reeds, Kenny Romain on drums and latin-percussion, Conrad Lazano on bass, Aaron Ballesteros on drums and vocals, Alfred Rubaclava on bass and Leon Bisquera on keyboards. Around that time they recorded the album Stranded for the Salsoul records label.
With one stroke of the pen
I tune in to your satell ite radio or fm stat ion
I’ve been pat iently wa iting to weigh in
Been under construction for two years
But now it’s about that time I double dutch my way in
Leftfoot, rightfoot steppin over biters
It’s like the game is haunted cause there’s so many ghost writers
Me see i’m a lifer with supply that may seem endless
Straight rider like a biker on a chopper with a hitlist
Witness the ni**a that spit that vicious
Pitbull atta ck sh*t when it comes to this rap sh*t
Daddy fat sax b**ch
Follow us hook:
Follow us now
Try to all the way now
/ it’s not another let down
Got something to say right now...
Repeat hook
I know some of ya ’ll done wrote a ni**a off
Like the leases on these cars
And these homes you ni**as thought you staye d in
With so many bosses why are they still
Lay ing ni**as off they job, ni**a for real
Gone give a ni**a a gig then
Help a brother get up out this pig pen
But nobody want s to keep it pimpin
Or 110 / so with this pen
I begin to illustrate from within, boy
Pa int a pretty picture like i’m chilling with my friends
Every body’s got a pocket full of ends to spend
See picasso couldn’t blend
Put it all together or fit in
I’m like a crocodile wal kin’ ‘round with alligator skin
Yes i’m is the product of the ghetto where i’ve lived
Call me sponge bob, boy
Soaked up game as a little bitty kid
And never been a lame before the fame I wa s the sh*t
And now i’m just big ya dig.
Follow us hook:
Follow us now
Try to all the way now
/ it’s not another let down
Got something to say right now...
Repeat hook
Neil garrard bridge :
Why don’t you come and find out what this is all about
I will only say this once so come and follow us.
See we not even gonna play with them either
We gone la-la lay it down every f**king time we see ‘em
Make the club get crunk. yup
We the type of people
But wa it, it’s not a sequel
No wa it, it’s bb’s prequel
The beginning before the beginning
Spend it how you spend it
Then if you sell dope ni**a sta ck it when you get it
You can’t trick it
Or spend it until it’s gone
That ’s slippery business homes
Go get you a business loans
Come on
Follow us hook:
Follow us now
Try to all the way now
/ it’s not another let down
Got something to say right now...