List of Argentine films of 1990

A list of films produced in Argentina in 1990:

External links and references

And One

And One is a German new wave, synthpop and EBM band founded by Steve Naghavi and Chris Ruiz in 1989.

History

The band formed after Steve Naghavi and Chris Ruiz met in 1989 at a Berlin club. Being fans of early EBM music, Naghavi and Ruiz decided to follow in the footsteps of new wave/synthpop band Depeche Mode by using two keyboards and a beatbox. Jason Ankeny of AllMusic called their 1990 single, "Metal Hammer", a "significant club hit". The duo became a trio with the addition of Alex Two, prior to the release of their debut album, Anguish in 1991. That same year, they were honored as the Best New Artist in Germany.

Going into the release of Anguish, they had already garnered a decent following through touring and appearances at various parties. With their debut release, they took home the Best New Artist award in Germany in 1991. Chris Ruiz left in 1992 (he would later return in 2001) while Steve Naghavi remained with the band. And One released three more albums with Machinery Records, Flop! (1992), Spot (1993) and I.S.T. (1994). The band left Machinery around 1996–1997 and signed to Virgin Schallplatten. And One would release four albums on this label between 1997 and 2003: Nordhausen (1997), 9.9.99 9 Uhr (1998), Virgin Superstar (2000) and Aggressor (2003).

FLOPS

In computing, FLOPS or flops (an acronym for floating-point operations per second) is a measure of computer performance, useful in fields of scientific calculations that make heavy use of floating-point calculations. For such cases it is a more accurate measure than the generic instructions per second.

Although the final S stands for "second", singular "flop" is often used, either as a back formation or an abbreviation for "floating-point operation"; e.g. a flop count is a count of these operations carried out by a given algorithm or computer program.

Computing

FLOPS can be calculated using this equation:

Most microprocessors today can carry out 4 FLOPs per clock cycle; thus a single-core 2.5 GHz processor has a theoretical performance of 10 billion FLOPS = 10 GFLOPS.

Note: In this context, sockets is referring to processor chip sockets on a motherboard, in other words, how many processor chips are in use, with each chip having one or more cores on it. This equation only applies to one very specific (but common) hardware architecture and it ignores limits imposed by memory bandwidth and other constraints. In general, gigaFLOPS are not determined by theoretical calculations such as this one; instead, they are measured by benchmarks of actual performance/throughput. Because this equation ignores all sources of overhead, in the real world, one will never get actual performance that is anywhere near to what this equation predicts.

Film (Iranian magazine)

Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.

References

External links

Film (film)

Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.

Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.

The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:

Lubrication theory

In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.

Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.

Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.