A-side and B-side

The terms A-side and B-side refer to the two sides of 78 and 45 rpm phonograph records, whether singles or extended plays (EPs). The A-side usually featured the recording that the artist, record producer, or the record company intended to receive the initial promotional effort and then receive radio airplay, hopefully, to become a "hit" record. The B-side (or "flip-side") is a secondary recording that has a history of its own: some artists, notably Elvis Presley, Little Richard, the Beatles, Chuck Berry, and Oasis, released B-sides that were considered as strong as the A-side and became hits in their own right. Creedence Clearwater Revival had hits, usually unintentionally, with both the B-sides of their A-side releases. Others took the opposite track: producer Phil Spector was in the habit of filling B-sides with on-the-spot instrumentals that no one would confuse with the A-side. With this practice, Spector was assured that airplay was focused on the side he wanted to be the hit side.

B-Sides (Smile Empty Soul EP)

B-Sides is a 4-song EP by the alternative rock/post-grunge music group Smile Empty Soul. The EP contains a cover of the song "Possession" by Sarah McLachlan.

The song, "Who I Am", was featured on the Spider-Man 2 soundtrack. The song, "Finding Myself", was featured on The Punisher soundtrack.

Track listing

Personnel

  • Sean Danielsen – vocals, guitar
  • Ryan Martin – bass
  • Jake Kilmer – drums on "Possession"
  • Mike Booth – guitar on "Possession"
  • Derek Gledhill – drums on "Who I Am" & "What's Going Through My Head Right Now"
  • References


    Flesh and Blood (Roxy Music album)

    Flesh + Blood is the seventh studio album by the English rock band Roxy Music. Released in late May 1980, it was an immediate commercial success peaking at No. 1 in the UK for one week in June and then returned to the summit in August for another three weeks, in total spending 60 weeks on the albums chart in the United Kingdom. The album also peaked at No. 35 in the United States and No. 10 in Australia.

    The album was preceded by the single "Over You", a No. 5 UK hit that also provided the band with a rare US chart entry at No. 80. Two more hit singles followed: "Oh Yeah" (UK #5) and "Same Old Scene" (UK No. 12, AUS #35). Flesh + Blood also included two cover versions: The Byrds' "Eight Miles High" and Wilson Pickett's "In the Midnight Hour". The latter was released as a single in some territories. In addition, the album's title track along with the aforementioned "Over You" and "Eight Miles High" peaked at number forty-six on the Billboard dance charts.

    Flesh and Blood (Star Trek: Voyager)

    "Flesh and Blood" is a two-part episode from the seventh season of the science fiction television series Star Trek: Voyager.

    Plot

    Part I

    The U.S.S. Voyager responds to a Hirogen distress call. They discover a Hirogen ship that has been turned into a large holodeck using modified Starfleet technology Voyager had supplied the race earlier. All but one of the crew are dead; the survivor, an engineer named Donik, reveals they used the holograms as training programs, but the holograms had found a way to disable security controls and kill the crew before escaping in a holo-emitter-equipped vessel. Donik offers to help track down the ship. Voyager is soon met by another Hirogen ship also responding to the distress call. Donik helps convincing the Alpha Hirogen to work with Voyager to find the holo-ship.

    The two ships are led into a trap set by the holograms, causing severe damage and casualties to the Hirogen ship including the Alpha, and leaving Voyager helpless to stop the holograms from abducting Voyager's holographic Doctor before escaping. Voyager rescues the surviving Hirogen, and the Beta, now in command, agrees to still help Voyager, though secretly orders his crew to attempt to break into Voyager's systems and send a message to their homeworld for help. To avoid falling into a similar trap, Lt. Torres and Donik modify the deflector dish to emit an anti-photon pulse that will destabilize the holograms.

    Flesh and Blood (1922 film)

    Flesh and Blood is a 1922 film starring Lon Chaney and directed by Irving Cummings. The film originally had a segment with Chinese players in color.

    Synopsis

    In the film, the main character (Lon Chaney) escapes from prison where he has been for 15 years to see his daughter (Edith Roberts). But she is engaged to the son of the crook who framed him, complicating his plan of revenge. The movie features an interesting setting in San Francisco's Chinatown.

    Cast

  • Lon Chaney - David Webster
  • Edith Roberts - The Angel Lady
  • Noah Beery, Sr. - Li Fang
  • DeWitt Jennings - Detective Doyle
  • Ralph Lewis - Fletcher Burton
  • Jack Mulhall - Ted Burton
  • Togo Yamamoto - The Prince
  • Kate Price - Landlady
  • Wilfred Lucas - The Policeman
  • References

    External links

  • Flesh and Blood at the American Film Institute Catalog
  • Flesh and Blood at the Internet Movie Database
  • Flesh and Blood is available for free download at the Internet Archive
  • Flesh and Blood at the silentera.com database

  • Podcasts:

    PLAYLIST TIME:

    B-sides

    by: Daniel Powter

    Well I don't know what to do when things go wrong
    And it's a hopeless situation
    God knows how
    And I know
    And I find
    Some peace of mind
    Who's the man that talks about you now?
    It became a hopeless situation when he left town
    And I know
    Yeah I know
    This peace of mind
    Cause I'm stupid like this
    And I'm stupid like that
    I'm stupid cause I make a mess of things to get you back
    I never wanna see you're happy without me
    I wish I could've been somebody else
    Been somebody else
    Standing in a single spot of compromise the things we all have to say that no one ever knew
    A drink expands the ride you caught
    The college's girls think I'm a joke
    The day's of run have past
    Each one's like the last
    Yeah yeah...
    Cause I'm stupid like this
    And I'm stupid like that
    I'm stupid cause I make a mess of things to get you back
    I never wanna see you're happy without me
    I wish I could've been somebody else
    Each one's like the last...




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