Flaming

Flaming may refer to:

See also

Flaming (song)

"Flaming" (formerly titled "Snowing") is a song by psychedelic rock band Pink Floyd, featured on their 1967 debut album, The Piper at the Gates of Dawn. Written and sung by Syd Barrett, the lyrics describe a childlike game with fantastical imagery (such as unicorns and buttercups), while prominent organ and driving bass guitar carry the uptempo music. After David Gilmour joined the band, the song remained in their set list for a while in 1968, even after Barrett's departure.

Single

"Flaming" was also the third US Pink Floyd single (Tower 378) and was released by Tower Records, but it did not chart. The mono US single mix of "Flaming" is slightly edited from other stereo or mono versions of the recording. This US single was released in place of the UK single, "Apples and Oranges" (backed with "Paint Box"), which had then just failed to break into the UK charts.

It was the first of two US Pink Floyd singles released on Tower that were not released on a single in the UK. The other US single that was not released in the UK was "Let There Be More Light" b/w "Remember a Day" (Tower 440).

Flaming (Internet)

Flaming is a hostile and insulting interaction between Internet users, often involving the use of profanity. It can also be the swapping of insults back and forth or with many groups teaming up on a single victim Flaming usually occurs in the social context of an Internet forum, Internet Relay Chat (IRC), Usenet, by e-mail, game servers such as Xbox Live or PlayStation Network, and on video-sharing websites such as YouTube. It is frequently the result of the discussion of heated real-world issues such as politics, religion, and philosophy, or of issues that polarize sub-populations, but can also be provoked by seemingly trivial differences.

Deliberate flaming, as opposed to flaming as a result of emotional discussions, is carried out by individuals known as flamers, who are specifically motivated to incite flaming. These users specialize in flaming and target specific aspects of a controversial conversation.

Main point

Many social researchers have investigated flaming, coming up with several different theories about the phenomenon. These include deindividuation and reduced awareness of other people's feelings (online disinhibition effect), conformance to perceived norms, miscommunication caused by the lack of social cues available in face-to-face communication, and antiprocess.

Vital

Vital or Vitals may refer to:

See also

Vital (Anberlin album)

Vital is the sixth studio album by American alternative rock band Anberlin which was released on October 16, 2012. In interviews, vocalist Stephen Christian has stated the album has a youthful, energetic energy and features new influences for the band. Upon release, the album was met with favorable reviews from critics and fans alike. The album was re-released in 2013 as Devotion, adding the deluxe tracks from various retailers, new remixes, and a full live album.

Critical reception

Vital garnered generally positive reception from music critics. The review aggregator website Metacritic gives a weighted average rating to an album based upon the selected independent mainstream reviews it utilizes, and the album has a Metascore of a 77 out of 100 based on five reviews.

At Alternative Press, Evan Lucy stating that "Vital [is] the most well-rounded Anberlin album to date." Matt Collar of AllMusic saying that "Ultimately, while Vital is Anberlin's most challenging album to date, as the title implies, it is perhaps the band's most rewarding album." At AbsolutePunk, Jack Appleby writing that "Calling Vital a career-defining record isn't a stretch in the least", which it "is the best record in Anberlin’s 10 year career, bar none." SowingSeason of Sputnikmusic remarking that "Even if it isn’t the best album they’ve ever made, Vital is perhaps the smartest", that contains some "otherworldly vocals." At Melodic, Johan Wippsson commenting that "the band has kept the energy that characterizes their sound and overall it’s an album that shows that the band is in the right direction."

Vital (Van der Graaf Generator album)

Vital is the first live album by English progressive rock band Van der Graaf Generator. It was recorded 16 January 1978 at the Marquee Club in London and was released in July, one month after the band's 1978 break-up. The album (on vinyl and, later, on CD) was credited under the abbreviated name Van der Graaf, like the previous year's The Quiet Zone/The Pleasure Dome, and featured the same line-up plus newcomer cellist Charles Dickie, who had officially joined the band in August 1977, and original saxophonist and flautist David Jackson, who re-joined the band for this recording.

The album is noted for its sometimes radical reworking of the older material. Although Van der Graaf Generator were seldom less than intense on stage, the 1977 and 1978 tours were remarkable for their ferocity. The absence of Hugh Banton, whose organ work was a hallmark of the group's sound before his departure in 1976, as well as frontman Peter Hammill's increased duties as a rhythm guitarist, account for much of this.