Hakim or Al-Hakim may refer to:
Hakim Rawther, known mononymously as Hakim, was an Indian actor and film maker in Malayalam cinema. He was known for his directional debut The Guard (2001), which is the world's first film with only a single actor in the cast. He had also acted in supporting roles in several Malayalam movies.
Hakim was from Kottayam, Kerala. Before entering cinema, he was a mimicry artist. He was one of first members of Cochin Kalabhavan. He accompanied singer K. J. Yesudas as a session mimicry artist during the period 1979-89. He debuted as an actor with Jayaraj's "Kakothikaavile Appupanthaadi" (film) (1992) and has been a common face in Jayaraj's later films. He has also acted in supporting roles with many other directors. He debuted as a director with The Guard (2001), which was the world's first film with only an actor on screen.
Hakim was married to Ghazal writer and singer Devi Menon. He died of cerebral hemmorage on 5 September 2013 at Kottayam.
Hakim or Al-Hakim (commonly Arabic: حكيم ḥakīm "wise" or Arabic: حاکم ḥākem "ruler") is a masculine given name. Variant transliterations include Hakam (or Al-Hakam), Hakm (or Al-Hakm), Hakum (or Al-Hakum), Hakeem (or Al-Hakeem) and Hakem (or Al-Hakem).
Flamenco (Spanish pronunciation: [flaˈmeŋko]) is an artform native to the Spanish regions of Andalusia, Extremadura and Murcia. It includes cante (singing), toque (guitar playing), baile (dance) and jaleo (vocalizations and palmas (handclapping) and pitos (finger snapping)).
First mentioned in literature in 1774, the genre originates in Andalusian music and dance styles. Flamenco is strongly associated with the gitanos (Romani people of Spain) - however, unlike Romani music of eastern Europe, the style is distinctively Andalusian and the fusion of the various cultures of southern Spain is clearly perceptible in Flamenco music. Although there are many theories on its influences and origins, the most widespread highlights a Morisco heritage, the cultural melting pot that was Andalusia at the time (Andalusians, Moors, Castilian settlers, Romanis and Jews) fostering its development over time. Flamenco music, as a theatrical representation of Andalusian musical tradition, was first recorded in the late 18th century but the genre underwent a dramatic development in the late 19th century.
Flamenco is a 1995 Spanish documentary film directed by Carlos Saura with camerawork by cinematographer Vittorio Storaro. The film is entirely musical and dancing vignettes, composed and photographed on a sound stage.
Flamenco is a documentary that includes performances from some of the best flamenco singers, dancers and guitarists. Helped by cinematography by Vittorio Storaro, director Carlos Saura brings with this film the "Light of Flamenco to the World".
As a hall fills with performers, a narrator says that flamenco came from Andalucia, a mix of Greek psalms, Mozarabic dirges, Castillian ballads, Jewish laments, Gregorian chants, African rhythms, and Iranian and Romany melodies. The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba. Families present numbers, both festive and fierce. The camera and the other performers are the only audience.
Flamenco is a variety of accompanied dance native to Spain.
See Flamenco guitar for the musical instrument and style.
Flamenco may also refer to:
You thought you knew me
Emptiness prevails
I thought our full house was glowing
Emptiness in the house
Every single shape I see for the pile of dust it is
Let's get out of the romance
Empty house
Now I look at the lights of town through the trees on my
way home
Emptiness
Let's get out of the romance
The house that I walk home to is in flames in this wind
The wind is getting stronger
The emptiness shows
The breath that moves the branches saying words that I
don't know
Blows from nowhere
Just destroying
For no reason
But to wake me up again heartbroken and tall
Wind revealing
The dust that the body becomes
The spaces where we stood echo quiet
Rubbing eyes
We feel up the empty days
Clinging with our things to an windy rock
I revealed myself to you
And let the wind take me