Fit is a 2010 film written and directed by Rikki Beadle-Blair, and commissioned by the Gay Rights Charity Stonewall. It is adapted from the 2008 play of the same name about the everyday lives of a group of both gay and straight millennial students taking drama and dance class. The original play had been developed in 2008 to address the growing problem of homophobic bullying in British schools, and was especially created for KS3 students, with a specific focus on learning objectives from the National Curriculum including PHSE and Citizenship. The film itself was opened in the form of an introductory chapter, with six interlinking chapters of fifteen minutes, each focusing on one of the main characters in a first-person perspective of their life, views and problems. The DVD release of Fit also contained five video diaries for each of the characters, giving students and other viewers the opportunity to listen to the characters talking more in-depth about their feelings and the situation they are facing.
In the year 2010, there was a dramatic increase and prominence in the use of 3D-technology in filmmaking after the success of Avatar in the format, with releases such as Alice in Wonderland, Clash of the Titans, Jackass 3D, all animated films, with numerous other titles being released in 3D formats.
20th Century Fox celebrated its 75th anniversary in 2010.
These are the top grossing films that were released in 2010.
Toy Story 3 and Alice in Wonderland both grossed more than $1 billion, marking the first time that two films grossed more than $1 billion at the box office in the same year. Even more impressively, both films were released by the same studio—Walt Disney Pictures. Toy Story 3 is the first animated film to gross $1 billion, and is the third highest-grossing animated film ever worldwide (behind Frozen and Minions). Two other films—Harry Potter and the Deathly Hallows – Part 1 and Inception—are also among the 50 highest-grossing films of all time. This is also the first time that five animated films have been present in the Top 10 highest-grossing films of the year, and two of them are in the Top 5. The year saw four films debut with more than $100 million, breaking the opening record of 2007 with three releases, and 2004 with two releases.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.
Fit or FIT may refer to:
Fit may refer to:
In precision mechanics, fit refers to the degree of 'looseness' with which an shaft is inserted into an orifice.
This coupling is related to the tolerance or allowance of both parts dimensions. The shaft and the orifice must be of a similar diameter, otherwise there will not be a correct adjustment. With this in mind, measurements have been internationally standarised according to ISO regulation to ensure the interchangeability of items and their mass production.
Tolerance values are designated with a capital letter in the case of orificies and lower case letters in the case of shafts. The lower the value the higher the machining costs, as a greater precision is required.
The maximum clearance of a fit is the difference between the upper bound of the orifice diameter and the lower bound of the shaft diameter.
The minimum clearance meanwhile is the difference between the lower bound of the orifice diameter and the upper bound of the shaft diameter.