Attack may refer to:
In sports, offense (US) or offence (Can.) (see spelling differences; pronounced with first-syllable stress), also known as attack, is the action of attacking or engaging an opposing team with the objective of scoring points or goals. The term may refer to the tactics involved in offense, or a sub-team whose primary responsibility is offense.
Generally, goals are scored by teams' offenses, but in sports such as American football it is common to see defenses and special teams (which serve as a team's offensive unit on kicking plays and defensive on returning plays) score as well. The fielding side in cricket is also generally known as the bowling attack despite the batting side being the side that scores runs. In counties other than North America, the term offence is almost always taken to mean an infraction of the rules, a penalty or foul, and attack is more likely to be used where Americans would use 'offense'.
A sound synthesizer (usually abbreviated as "synthesizer" or "synth", also spelled "synthesiser") is an electronic musical instrument that generates electric signals that are converted to sound through instrument amplifiers and loudspeakers or headphones. Synthesizers may either imitate the still existing sounds (instruments, vocal, natural sound, etc.), or generate new electronic timbres not existing before. They are often played with a musical keyboard, but they can be controlled via a variety of other input devices, including music sequencers, instrument controllers, fingerboards, guitar synthesizers, wind controllers, and electronic drums. Synthesizers without built-in controllers are often called sound modules, and are controlled via MIDI or CV/Gate using a controller device.
Synthesizers use various methods to generate signal. Among the most popular waveform synthesis techniques are subtractive synthesis, additive synthesis, wavetable synthesis, frequency modulation synthesis, phase distortion synthesis, physical modeling synthesis and sample-based synthesis. Other less common synthesis types (see #Types of synthesis) include subharmonic synthesis, a form of additive synthesis via subharmonics (used by mixture trautonium), and granular synthesis, sample-based synthesis based on grains of sound, generally resulting in soundscapes or clouds.
First is the first solo album by David Gates of Bread. The musicians include: Jimmy Getzoff, Jim Gordon, Jim Horn, John Guerin, Larry Carlton, Larry Knechtel, Louie Shelton, Mike Botts and Russ Kunkel. Suite, Clouds & Rain is definitely worth a listen as Gates experimented with his sound.
All tracks composed by David Gates
The First is a mountain of the Bernese Alps, overlooking Kandersteg in the canton of Bern.
It summit can be reached by trail from Adelboden or Kandersteg.
1st & Ten, 1st and Ten, or First & Ten may refer to:
Toto (1931–1968) (a.k.a. M'Toto meaning "Little Child" in Swahili) was a gorilla that was adopted and raised very much like a human child.
A. Maria Hoyt adopted the baby female gorilla orphaned by a hunt in French Equatorial Africa in 1931. Mrs. Hoyt's husband killed the baby gorilla's father for a museum piece, and his guides killed its mother for fun. Mrs. Hoyt moved to Cuba to provide a more tropical home for Toto. At the age of four or five, Toto adopted a kitten named Principe, carrying the kitten with her everywhere. When Toto became too difficult to manage for a private keeper, she was leased to the Ringling Brothers and Barnum and Bailey Circus as a potential mate for another gorilla, Gargantua, a.k.a. Buddy. Toto died in 1968. Toto is buried at "Sandy Lane" Kennels Pet Cemetery in Sarasota, Florida.