Gender is the range of characteristics pertaining to, and differentiating between, masculinity and femininity. Depending on the context, these characteristics may include biological sex (i.e. the state of being male, female or intersex), sex-based social structures (including gender roles and other social roles), or gender identity.
Sexologist John Money introduced the terminological distinction between biological sex and gender as a role in 1955. Before his work, it was uncommon to use the word gender to refer to anything but grammatical categories. However, Money's meaning of the word did not become widespread until the 1970s, when feminist theory embraced the concept of a distinction between biological sex and the social construct of gender. Today, the distinction is strictly followed in some contexts, especially the social sciences and documents written by the World Health Organization (WHO). However, in many other contexts, including some areas of social sciences, gender includes sex or replaces it. Although this change in the meaning of gender can be traced to the 1980s, a small acceleration of the process in the scientific literature was observed in 1993 when the USA's Food and Drug Administration (FDA) started to use gender instead of sex. In 2011, the FDA reversed its position and began using sex as the biological classification and gender as "a person's self representation as male or female, or how that person is responded to by social institutions based on the individual's gender presentation." In non-human animal research, gender is also commonly used to refer to the physiology of the animals.
"Fire Woman" is a rock song by the band The Cult, written by singer Ian Astbury and guitarist Billy Duffy. It was the first single released from their fourth studio album Sonic Temple, and was subsequently featured on all of The Cult's compilation/greatest hits albums, as well as being a steady fixture of the band's live performances.
It peaked at #2 on the U.S. Billboard Modern Rock Tracks chart and #46 on the U.S. Billboard Hot 100 singles chart. It reached #1 on the New Zealand Singles Chart and #15 on the UK Singles Chart. Two remixed versions of the song were released as B-sides or promos - the "LA Rock Mix" and the "NYC Rock Mix".
This song has also been used during the closing credits of every Australian broadcast of the Formula One season since 2007.
Crush 40, best known for their contributions to Sega's Sonic the Hedgehog video game series, featured a cover of "Fire Woman" as the ninth track of their 2009 compilation album The Best of Crush 40 - Super Sonic Songs, and the tenth in their first live album Live!.
A firewoman is a female firefighter.
Firewoman or Firewomen may also refer to:
The Cult are a British rock band formed in 1983. They gained a dedicated following in the UK in the mid-1980s as a post-punk/gothic rock band with singles such as "She Sells Sanctuary", before breaking mainstream in the US in the late 1980s as a hard rock band with singles such as "Love Removal Machine" and "Fire Woman". The band fuse a "heavy metal revivalist" sound with the "pseudo-mysticism ... of the Doors [and] the guitar-orchestrations of Led Zeppelin ... while adding touches of post-punk goth rock". Since their earliest form in Bradford during 1981, the band have had various line-ups; the longest-serving members are vocalist Ian Astbury and guitarist Billy Duffy, the band's two songwriters.
After moving to London, the band released the album Love in 1985, which charted at No. 4 in the UK, and which included singles such as "She Sells Sanctuary" and "Rain". In the late 1980s, the band supplemented their post-punk sound with hard rock in their third album, Electric; the polish on this new sound was facilitated by Rick Rubin, who produced the record. Their fourth album, Sonic Temple, proceeded in a similar vein, and these two LPs enabled them to break into the North American market.
The Cult is a New Zealand serial drama television series in which a group of people try to rescue their loved ones from a mysterious cult called Two Gardens.
The Cult held the 8:30-9:30 spot on TV2 in New Zealand. The series debuted in New Zealand on September 24, 2009 and finished with a 2-hour season finale on December 10. It was airing on Polish and Portuguese television in 2011, and commenced screening on Australian television from December 2012.
A few years prior to the starting of the series, a number of people started disappearing, later turning up in a mysterious compound, known as "Two Gardens". Amongst these people were Ryan Lewis, Andy Wills and Jenni Seger. Years later, another group of people, the relatives of Ryan, Andy and Jenni, receive pictures of their loved ones in "Two Gardens". They each learn of the fellow liberators seeking to find their loved ones and decide to band together to rescue the trio and the great mystery surrounding their disappearance...
The Cult is a fiction book by Max Simon Ehrlich published in 1979 by Mayflower and was the tenth book by the author.
Jeff was a loving son to Mr and Mrs Reed. But when he went to Ashtaroth, they lost him. He took a new name. He cursed his parents and spurned their love. Forever. for Jeff is now a member of The Cult. The Souls for Jesus, the brainchild of the Master, Buford Hodges, a tax-deductible, multi-million dollar industry feeding on the minds and bodies of the young and vulnerable. Only one man can redeem these lost souls. Only one man dares to take on the sinister forces of the Master. Only one man can help the Reeds. The man they call The Devil..
Jeff Reed - The main character of the book, Renamed Simeon by the SFJ
Frank Reed - Father of Jeff
Kate Reed - Mother of Jeff
Ken Reed - Brother of Jeff
Cindy Hyland - Girlfriend of Jeff, renamed Athaliah by the SFJ
Joe - Surf Buddy of Jeff
John Morse - The Devil, Enemy of the SFJ
Buford Hodges - The Master of the SFJ
Yeah
Ooh now baby, baby, baby, baby, baby
Hey there people, have you heard the news?
Ooh oh yeah
The world's on fire, I'm telling you, yeah, I'm telling you
Brothers and sisters everywhere, come together
People like you should
Ooh, like you should
Drive on people
Drive on people
Ooh, I never thought we'd get too far, yeah
Living on the wrong side talking 'bout life
Ow, yeah, yeah, yeah, yeah
Lovers and sinners, cats and fools
Shake it together, come on people, please, yeah
Drive on people
People drive on, say
Drive on people
I ain't no sucker, I ain't no fool
Talking about the automatic blues, yeah
I ain't no sucker, I ain't no fool
Talking about the automatic blues
Ain't no sucker, ain't no fool, no
Ain't no sucker, yeah, yeah, yeah, yeah
Come on and shake it, boy
Drive on people
People drive on, yeah
Drive on people, yeah, yeah, yeah, yeah
Drive on people
People drive on, say
Drive on people
I ain't no sucker, I ain't no fool
I'm talking about the automatic blues, yeah
I ain't no sucker, I ain't no fool
I'm talking about the automatic blues, now
I ain't no sucker, I ain't no fool
I'm talking about the automatic blues
I ain't no sucker, I ain't no fool
I'm talking about the automatic blues, yeah, uh