Look is a glossy high street fashion and celebrity weekly magazine for young women. It is published by IPC Media, and edited by Ali Hall. The magazine focuses on fashion, high street shopping advice, celebrity style and news, and real-life stories.
Launched in February 2007, Look delivered a debut ABC of 318,907 making it the most successful launch in 17 years. It is a weekly high street fashion magazine for women. One of its most popular franchises is High Street Hottest, which showcases the latest products to hit the high street.
Look.co.uk was launched in 2008. It showcases high street fashion, beauty and celebrity style news.
Rated number 14 out of 22 for the second half of 2013Look magazine offers fashion, shopping and beauty advice for the average woman, as well as celebrity gossip. The magazine also brings news coverage of well-known people in the media. It also uses models with more average sized bodies to show off fashion.
As conducted by the Audit Bureau of Circulation in July to December 2013, the magazine company received a total of 187,884 readers whereas the National Readership Survey reported 487,000 during October 2012 to September 2013.
Look magazine can refer to:
"Look" (labelled on session tapes as "I Ran") is a composition written by Brian Wilson for American rock band the Beach Boys, intended as a potential track for the band's aborted Smile concept album. Due to lost tapes and scarce information, the recording of "Look" exists today only as an instrumental piece.
In 2004, "Look" was rewritten with Van Dyke Parks as "Song for Children", and released on Wilson's solo rerecording of Smile.
The song was to be entitled "Look", but during later vocal overdubs was marked as "I Ran" on session tape boxes. The tapes in these boxes remain lost, so it is unknown what the vocal arrangement of the song consisted of in 1966. An explanation for the title "I Ran" can be attributed as the answer to a repeated lyrical question occurring in "Cabin Essence" ("Who ran the iron horse?").
Placing emphasis on glockenspiel, clavichord, and pounding floor toms, the instrumental track bears some melodic and stylistic similarities to the penultimate choral fugato of the recent Wilson composition "Good Vibrations". "Look" was attempted early on in Smile sessions, being the second song worked on after "Good Vibrations"—possibly having branched from the composition as a byproduct of its arduous gestation. A prominent section of the song makes reference to the iconic opening of the American ragtime piece "Twelfth Street Rag", as per the album's persistent Americana theme. Vocal overdubs were recorded on October 13, 1966 .
? (also written Tanda Tanya, meaning Question Mark) is a 2011 Indonesian drama film directed by Hanung Bramantyo. It stars Revalina Sayuthi Temat, Reza Rahadian, Agus Kuncoro, Endhita, Rio Dewanto, and Hengky Sulaeman. The theme is Indonesia's religious pluralism, which often results in conflict between religious beliefs, represented in a plot that revolves around the interactions of three families, one Buddhist, one Muslim, and one Catholic. After undergoing numerous hardships and the deaths of several family members in religious violence, they are reconciled.
Based on Bramantyo's experiences as a mixed-race child, ? was meant to counter the portrayal of Islam as a "radical religion". Owing to the film's theme of religious pluralism and controversial subject matter, Bramantyo had difficulty finding backing. Eventually, Mahaka Pictures put forth Rp 5 billion to fund the production. Filming began on 5 January 2011 in Semarang.
Released on 7 April 2011, ? was a critical and commercial success: it received favourable reviews and was viewed by more than 550,000 people. Also screened internationally, it was nominated for nine Citra Awards at the 2011 Indonesian Film Festival, winning one. However, several Indonesian Muslim groups, including the Indonesian Ulema Council and Islamic Defenders Front, protested against the film because of its pluralist message.
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states: