Zaza (1923 film)
Zaza is a 1923 American silent romantic drama film directed and produced by Allan Dwan, and starring Gloria Swanson. This film is based on the 1899 French play of the same name produced on Broadway by David Belasco and starring Mrs. Leslie Carter. A print of the film is housed at the George Eastman House and the Library of Congress.
A previous film version was released by Paramount in 1915 starring Pauline Frederick. A third version, directed by George Cukor and starring Claudette Colbert, was released in 1939.
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Zaza (play)
Zaza is a play, originally written by French playwrights Pierre Berton and Charles Simon, but probably best known in the English-speaking world in the 1898 adaptation by David Belasco. The title character is a prostitute who becomes a music hall entertainer and the mistress of a married man. According to the IMDb, it was produced on stage and in film six times between 1913 and 1956. The IMDB's best-documented instance is the 1939 production starring Claudette Colbert as Zaza, Herbert Marshall as the man whose mistress she becomes, and Bert Lahr as her music-hall partner.
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Zaza (1939 film)
Zaza is a 1939 American romantic drama film made by Paramount Pictures, and directed by George Cukor. The screenplay was written by Zoë Akins, based on play the Zaza. The music score is by Frederick Hollander. The film stars Claudette Colbert (who had replaced Isa Miranda) and Herbert Marshall.
The story was filmed previously by Paramount in 1915 with Pauline Frederick and in 1923 with Gloria Swanson.
Plot
A glamorous female singer (Colbert) has an affair with a married man (Marshall).
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Film (band)
Film was a Yugoslav rock group founded in 1978 in Zagreb. Film was one of the most popular rock groups of the former Yugoslav new wave in the late 1970s to early 1980s.
History
New wave years (1979-1981)
During 1977 and 1978, bassist Marino Pelajić, guitarist Mladen Jurčić, and drummer Branko Hromatko were Azra members when Branimir "Johnny" Štulić brought Jura Stublić as the new vocalist. Stublić was to become Aerodrom member, but due to his deep vocals it never happened. The lineup functioned for a few months only and after a quarrel with Štulić, on early 1979, Pelajić, Jurčić, Hromatko and Stublić formed the band Šporko Šalaporko i Negove Žaluzine, naming the band after a story from the "Polet" youth magazine, which was soon after renamed to Film. The memories of the Azra lineup later inspired Štulić to write the song "Roll over Jura" released on Filigranski pločnici in 1982.
Saxophonist Jurij Novoselić, who at the time had worked under the pseudonym Kuzma Videosex, joined the band, inspiring others to use pseudonym instead of their original names: vocalist Stublić became Jura Jupiter, bassist Pelajić became Mario Baraccuda and guitarist Jurčić became Max Wilson. Before joining the band, Stublić did not have much experience as a vocalist, however, since his father had been an opera singer, he often visited the theatre and opera, and at the age of 13, he started playing the guitar, earning money as a street performer at seaside resorts.
Film (Iranian magazine)
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
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Film (film)
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
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