In music, harmony is the use of simultaneous pitches (tones, notes), or chords. The study of harmony involves chords and their construction and chord progressions and the principles of connection that govern them. Harmony is often said to refer to the "vertical" aspect of music, as distinguished from melodic line, or the "horizontal" aspect.Counterpoint, which refers to the interweaving of melodic lines, and polyphony, which refers to the relationship of separate independent voices, are thus sometimes distinguished from harmony.
In popular and jazz harmony, chords are named by their root plus various terms and characters indicating their qualities. In many types of music, notably baroque, romantic, modern, and jazz, chords are often augmented with "tensions". A tension is an additional chord member that creates a relatively dissonant interval in relation to the bass. Typically, in the classical common practice period a dissonant chord (chord with tension) "resolves" to a consonant chord. Harmonization usually sounds pleasant to the ear when there is a balance between the consonant and dissonant sounds. In simple words, that occurs when there is a balance between "tense" and "relaxed" moments.
Harmony is the seventh album by American rock band Three Dog Night, released in 1971 (see 1971 in music). The album featured two Top 10 hits: a cover version of Paul Williams' "An Old Fashioned Love Song" (U.S. #4) and Hoyt Axton's "Never Been to Spain" (U.S. #5).
Harmony (ハーモニー Hāmonī) is a 2015 Japanese animated science fiction film directed by Michael Arias, animated by Studio 4°C and based the novel of the same name by Project Itoh. The film was released on November 13, 2015. Two other anime films based on novels by the same author are to be released: The Empire of Corpses was released on October 2, 2015 and Genocidal Organ, currently delayed without a release date.
The film is scheduled for release on November 13, 2015, taking the release date of Genocidal Organ due to the latter's delay, moving from the previous release date of December 4.
Fifth (the title is Fifth while the front cover shows the number 5), is the fifth studio album by the Canterbury associated band Soft Machine, released in 1972.
Fifth was the first Soft Machine album recorded after the departure of founding member Robert Wyatt and continued the band's trend from their original blend of psychedelic and progressive rock towards jazz fusion. Wyatt's replacement was Phil Howard who contributed to the 1971 sessions that comprise side one, after which he left and was replaced by John Marshall for the 1972 recordings that make up side two. Future member Roy Babbington played double bass on side two, as a session musician. Unlike the previous two albums, Elton Dean's saxophone is not augmented by a brass and reeds section composed of session musicians.
An alternate version of "All White" appeared on their next album, Six. "Pigling Bland" was composed in 1969 for inclusion in a revised arrangement of the "Esther's Nose Job" suite.
In 1999, Soft Machine albums Fourth and Fifth were released together on one CD.
Fifth is the fifth studio album by American indie band The Autumn Defense. It was released in January 2014 under Yep Roc Records.
Below is a list of intervals exprimable in terms of a prime limit (see Terminology), completed by a choice of intervals in various equal subdivisions of the octave or of other intervals.
For commonly encountered harmonic or melodic intervals between pairs of notes in contemporary Western music theory, without consideration of the way in which they are tuned, see Interval (music) § Main intervals.
Lauren:
Calling all the girls
There’s an SOS tonight, let’s have some fun
One hundred percent
Every single chase somehow these days are gone, yeah
Normani:
There’s gonna be a million faces up in this room ooh
But the only one who gets my attention is you, you
Chorus:
I got my best on and I feel like dancing all night long
Nothing’s gonna stop me
Oh but I want
So baby come and get me, cause I don’t wanna dance alone
Oh it’s been so long
Thinking ‘bout the feeling of your arms wrapped around my body
It’s what I want
So baby come and get me, cause I don’t wanna dance alone
Camila:
And on the floor
I can feel you staring at me across the room, ooh
Whatcha waiting for
All I want is you so come and make a move
Dinah:
I see a million silver lights up in this room, ooh
I wanna be the one who gets the attention from you, oh
Chorus:
I got my best on and I feel like dancing all night long
Nothing’s gonna stop me
Oh but I want
So baby come and get me, cause I don’t wanna dance alone
Oh it’s been so long
Thinking ‘bout the feeling of your arms wrapped around my body
It’s what I want
So baby come and get me, cause I don’t wanna dance alone
Ally:
If you come in close
Babe I won’t say no
Baby all I want is you
If you move too slow
Then you’ll never know
All the things that we could do
If you come in close
Babe I won’t say no
Baby all I want is you
If you move too slow
Then you’ll never know
All the things that we could do
Chorus:
I got my best on and I feel like dancing all night long
Nothing’s gonna stop me
Oh but I want
So baby come and get me, cause I don’t wanna dance alone
Oh it’s been so long
Thinking ‘bout the feeling of your arms wrapped around my body
It’s what I want
So baby come and get me, cause I don’t wanna dance alone
I don’t wanna dance alone
I don’t wanna dance alone