"The Night" is a song by the American heavy metal band Disturbed, the song is released as the fourth single from their fourth studio album, Indestructible. The song was the first from Indestructible to be completed musically. It is lyrically meant to portray the night as a living entity. Musically, the song is dark and textural. Disturbed guitarist Dan Donegan was almost universally praised for his work on this song, specifically during the guitar solo. A music video to correspond with the song was filmed in January 2009 and later released in late March 2009.
"The Night" was the first song from Indestructible to be completed musically. Disturbed vocalist David Draiman composed the vocal melody line for the song in just three days. Draiman later explained, "The instrumentation was so cool and so dark and textural that I right away kind of jumped into it." This caused Draiman to tentatively call the record The Night.
The Night is a 20th-century painting by German artist Max Beckmann, created between the years of 1918 and 1919. It is an icon of the post-World War I movement, Neue Sachlichkeit, or New Objectivity. It is an oil painting on canvas, located at the Kunstsammlung Nordrhein-Westfalen, Düsseldorf.
Three men appear to invade a small, cramped room, where they terrorize the scene. To the left, a man is hung by one of the intruders, and his arm twisted by another. A woman, seemingly the man's wife, is bound to one of the room's supports after having been raped. To the right, the child is about to be taken away by one of the intruders—note the feet near the top right hand corner.
The subject matter is instantly chaotic, amplified by the artist's use of color and form. The painting is limited only to brown tones and vibrant red shades. Also, Beckmann mastered a form commonly associated with early 20th-century Fauvism artists such as Henri Matisse: the painting is compositionally flat and stilted, with no implementations of depth. For instance, though the woman appears at the forefront of the piece, she is bound to the room's back entrance. The artist deviated from conventional avant-garde, non-representational paintings such as Cubism and Dada. The sporadic interruptions of vibrant red and the painting's intrusive angularity serve to shock the viewer, and animate the scene with chaos and energy.
Klinik, (sometimes called The Klinik), is an industrial music band from Belgium, originally formed around 1982 by electro-synthpop practitioner Marc Verhaeghen, who is the only constant member.
Marc Verhaeghen originally formed Klinik in the early-to-mid 1980s; the exact date varies depending on the source. The group is normally described as one of the most influential Belgian industrial bands in history.
In 1985, Verhaeghen joined forces with two other bands, Absolute Body Control (with Dirk Ivens and Eric van Wonterghem), and "The Maniacs" (Sandy Nys) to form one "super group" "Absolute Controlled Clinical Maniacs". This rather unwieldy name was soon dropped in favour of the shorter name "The Klinik". Nys soon left the band to form "Hybryds", followed in 1987 by van Wonterghem, leaving The Klinik as the "classic" duo of Dirk Ivens and Marc Verhaeghen.
The Klinik soon made a name for themselves with their cold and harsh EBM sound and their live shows, where both Ivens and Verhaeghen performed with their heads wrapped in gauze, wearing long black leather coats. Ivens' hissing vocals and minimalist lyrics were complemented by Verhaeghen's synthesizer skills and distorted trombone playing. This however, did not last forever; after Time, an album neither member was fully pleased with, musical differences became too great, and they decided to go their separate ways. In a 2013 interview, Ivens said the due were moving in different directions musically, and that compromise between only two members was challenging.
Fever is the third episode of the syndicated television series Queen of Swords airing October 21, 2000
Fever sweeps Santa Helena. Marta and Colonel Montoya fall victim and Captain Grisham takes the opportunity to let Montoya die when he acquires Dr Helm's medicine. Dr Helm realises The Queen is not as bad as she is painted.
Cast as listed at the beginning and end of episode.
Fever is sweeping Santa Helena and the surrounding area. One of the peasant farmers, Enrique, is tending his sick wife when Captain Grisham and his men arrive at his front door and forcibly conscript him to Colonel Montoya's depleted army. Taken to Santa Helena, Enrique is brutally treated by Captain Grisham's training regime. Tessa Alvarado, witnessing the violence, pleads for Enrique to be released but Grisham's amorous conditions is of course not acceptable. Colonel Montoya is not feeling well and is furious to learn Dr Helm has used all his medicine treating others, but is promised by the evening he will have manufactured some more. This conversation is overheard by Enrique sweeping the hall outside Montoya's office. Marta is visiting Pira but she has no effective medicine and she too is succumbing to the fever.
"Fever" is the first single by British pop band Starsailor, taken from the band's first album Love Is Here. By the time "Fever" was released the band was recording their first record.
Dream is a brand of white chocolate by Cadbury. It is no longer manufactured in the UK and Ireland, but is still produced in Australia, New Zealand and South Africa. It is similar to a Milkybar, which is made by Nestlé. Some of the difference between it and Milkybar is that "Dream" uses real cocoa butter, is slimmer then the Milkybar, and the Milkybar uses puffed rice. It was first launched in Australia and New Zealand in 2001. According to Cadbury, the product became one of the top five block chocolate brands in New Zealand and had driven growth in the overall chocolate market. In 2002, the product was launched in the United Kingdom and Canada and was featured in the credits for Coronation Street.
Dream is a sculpture and a piece of public art by Jaume Plensa in Sutton, St Helens, Merseyside. Costing approximately £1.8m, it was funded through The Big Art Project in coordination with the Arts Council England, The Art Fund and Channel 4.
In 2008 St Helens took part in Channel 4's "The Big Art Project" along with several other sites. The project culminated in the unveiling of Dream, a 66 feet sculpture located on the old Sutton Manor Colliery site.
St Helens retains strong cultural ties to the coal industry and has several monuments including the wrought iron gates of Sutton Manor Colliery, as well as the 1995 town centre installation by Thompson Dagnall known as "The Landings" (depicting individuals working a coal seam) and Arthur Fleischmann's Anderton Shearer monument (a piece of machinery first used at the Ravenhead Mine).
The council and local residents (including approximately 15 former miners from the colliery) were involved in the consultation and commission process through which Dream was selected. The plans involved a full landscaping of the surrounding area on land previously allowed to go wild after the closure of the pit.
Lonely the roses of Avondaire sing as though somebody still may care.
They live only for the dream of living so come follow where they will take you there.
I once was apprenticed to a man who was living
in the eye if the hurricane to know despair,
He knew all the dreams by heart just like sailing in a boat of
crystal silence seeing visions of the world of life within a life.
In a turning like a burning came turning
out of everything stirring and what had begun before
but all wrapped up in one great godly becoming -
Tumbling and fumbling and stumbling
into bumbling and rumbling along -
whirling it and swirling it and twirling it and hurling it
and overturning it and burning it again.
I shared a whirling dervish out on the side of a hill called metaphore vivace
swinging en route to a nascent solar with the scissored visored blizzard wizard
gizzarding planets and secrets within like an avatar.
While meanwhile in turnstyling and spinning over him
spells bespeaking kingdoms in the dark
calling me to yield knighting me in a field covered with armies
and with princes. All were signing cannons shining pennants flying.
And when he spoke to me he sang and his words really rang -
this child of the knowledge of the beauty of the night -
he sang to me of masters passing on of father after father after father
climbing up into the lotus bloom upon the tortoise's back
and of grandfathers who danced through their living a longer time ago.
He showed me a palace in time in which all the talismans
from all the zeuses swing upon a pendulum of secrets