Fever, also known as pyrexia and febrile response, is defined as having a temperature above the normal range due to an increase in the body's temperature set-point. There is not a single agreed-upon upper limit for normal temperature with sources using values between 37.5 and 38.3 °C (99.5 and 100.9 °F). The increase in set-point triggers increased muscle contraction and causes a feeling of cold. This results in greater heat production and efforts to conserve heat. When the set-point temperature returns to normal a person feels hot, becomes flushed, and may begin to sweat. Rarely a fever may trigger a febrile seizure. This is more common in young children. Fevers do not typically go higher than 41 to 42 °C (105.8 to 107.6 °F).
A fever can be caused by many medical conditions ranging from the not serious to potentially serious. This includes viral, bacterial and parasitic infections such as the common cold, urinary tract infections, meningitis, malaria and appendicitis among others. Non-infectious causes include vasculitis, deep vein thrombosis, side effects of medication, and cancer among others. It differs from hyperthermia, in that hyperthermia is an increase in body temperature over the temperature set-point, due to either too much heat production or not enough heat loss.
Klinik, (sometimes called The Klinik), is an industrial music band from Belgium, originally formed around 1982 by electro-synthpop practitioner Marc Verhaeghen, who is the only constant member.
Marc Verhaeghen originally formed Klinik in the early-to-mid 1980s; the exact date varies depending on the source. The group is normally described as one of the most influential Belgian industrial bands in history.
In 1985, Verhaeghen joined forces with two other bands, Absolute Body Control (with Dirk Ivens and Eric van Wonterghem), and "The Maniacs" (Sandy Nys) to form one "super group" "Absolute Controlled Clinical Maniacs". This rather unwieldy name was soon dropped in favour of the shorter name "The Klinik". Nys soon left the band to form "Hybryds", followed in 1987 by van Wonterghem, leaving The Klinik as the "classic" duo of Dirk Ivens and Marc Verhaeghen.
The Klinik soon made a name for themselves with their cold and harsh EBM sound and their live shows, where both Ivens and Verhaeghen performed with their heads wrapped in gauze, wearing long black leather coats. Ivens' hissing vocals and minimalist lyrics were complemented by Verhaeghen's synthesizer skills and distorted trombone playing. This however, did not last forever; after Time, an album neither member was fully pleased with, musical differences became too great, and they decided to go their separate ways. In a 2013 interview, Ivens said the due were moving in different directions musically, and that compromise between only two members was challenging.
Fever, in comics, may refer to:
It may also refer to:
Juice is the multi-Platinum 1981 breakthrough album by American country-rock singer Juice Newton. The album was Newton's third solo album and her first major international success.
The album features two #1 hits "Angel of the Morning" and "The Sweetest Thing (I've Ever Known)". It also contains "Queen of Hearts," the biggest-selling single of Juice Newton's career, which peaked at #2 on both Billboard's Hot 100 and Adult Contemporary charts ("Endless Love" by Diana Ross and Lionel Richie prevented the song from reaching #1). "Queen of Hearts" was a popular music video during the summer of MTV's debut. Newton would go on to have more hit songs and albums, but this remains the album for which she is best known.
Juice garnered Juice Newton two "Best Female Vocalist" Grammy Award nominations (in the Pop and Country categories, respectively) neither of which she won. But she did win her first Grammy for her follow-up album Quiet Lies.
In 1984, a fourth track from Juice titled "Ride 'Em Cowboy" was released in support of Newton's first "Greatest Hits" album. The single reached #32 on the U.S. Billboard Country charts.
Juice is a 1992 American crime drama film directed by Ernest R. Dickerson and written by Ernest R. Dickerson and Gerard Brown. The film stars Omar Epps, Tupac Shakur, Jermaine "Huggy" Hopkins, Khalil Kain, and Samuel L. Jackson. It has cameo appearances by Queen Latifah, EPMD, Special Ed, Ed Lover, Doctor Dré, Flex Alexander, Fab Five Freddy, Yo-Yo, Donald Faison and Treach.
The film touches on the lives of four youths growing up in Harlem. It follows the day-to-day activities in the young men's lives starting out as innocent mischief but growing more serious as time passes by. It also focuses on the struggles that these young men must go through everyday as well such as police harassment, rival neighborhood gangs and their families.
The film was shot on location in New York City mainly in the Harlem area in April 1991.
Bishop (Tupac Shakur), Q (Omar Epps), Raheem (Khalil Kain), and Steel (Jermaine 'Huggy' Hopkins) are four friends growing up together in Harlem. They regularly skip school, instead spending their days hanging out at Steel's apartment, at a neighborhood arcade, and also a record store where they steal LPs for Q's DJ interests. Generally, they are harassed daily by the police or a Puerto Rican gang led by Radames (Vincent Laresca).
In professional wrestling, blading is the practice of intentionally cutting oneself to provoke bleeding. It is also known as juicing, gigging, or getting color. Similarly, a blade is an object used for blading, and a bladejob is a specific act of blading. The act is usually done a good length into the match as the blood will mix with the flowing sweat to make the wound look like much more blood is flowing from it than there actually is. The preferred area for blading is usually the forehead, as scalp wounds bleed profusely and heal easily. Legitimate, unplanned bleeding which occurs outside the storyline is called juicing the hard way.
Prior to the advent of blading, most storyline blood in wrestling came from one wrestler deliberately splitting the flesh over their opponent's eyebrow bone with a well placed and forceful punch. In his third autobiography, The Hardcore Diaries, Mick Foley cites Terry Funk as one of the few remaining active wrestlers who knows how to "bust an eyebrow open" in this way. The forehead has always been the preferred blading surface, due to the abundance of blood vessels. A cut in this area will bleed freely for quite some time and will heal quickly. A cut in this location will allow the blood to mix in with the sweat on the wrestler's face, giving them the proverbial "crimson mask" effect.