Legcuffs are physical restraints used on the ankles of a person to allow walking only with a restricted stride and to prevent running and effective physical resistance.
Frequently used alternative terms are leg cuffs, (leg/ankle) shackles, footcuffs, fetters or leg irons. The term "fetter" shares a root with the word "foot".
With respect to humans, shackles are typically used on prisoners and slaves. Leg shackles also are used for chain gangs to keep them together.
Metaphorically, a fetter may be anything that restricts or restrains in any way, hence the word "unfettered".
The earliest fetters found in archaeological excavations date from the prehistoric age and are mostly of the puzzle lock type. Fetters are also referenced in ancient times in the Bible.
In the Scriptures the Hebrew word necho′sheth, usually meaning "copper," is frequently translated "fetters of copper" or "copper fetters," because fetters were often made of copper or bronze, although wood and iron were also employed. (2Sa 3:34; 2Ki 25:7) In the British Museum there is a pair of bronze fetters from Nineveh (the capital city of ancient Assyria) in the form of a bar with a ring at each end.
In Buddhism, a mental fetter, chain or bond (Pāli: samyojana, saŋyojana, saññojana) shackles a sentient being to saṃsāra, the cycle of lives with dukkha. By cutting through all fetters, one attains nibbāna (Pali; Skt.: nirvāṇa).
Throughout the Pali canon, the word "fetter" is used to describe an intrapsychic phenomenon that ties one to suffering. For instance, in the Khuddaka Nikaya's Itivuttaka 1.15, the Buddha states:
Elsewhere, the suffering caused by a fetter is implied as in this more technical discourse from SN 35.232, where Ven. Sariputta converses with Ven. Kotthita:
The fetters are enumerated in different ways in the Pali canon's Sutta Pitaka and Abhidhamma Pitaka.
The Pali canon's Sutta Pitaka identifies ten "fetters of becoming":
Fetters (Czech: Pouta) is a 1961 Czech drama film directed by Karel Kachyňa. It was entered into the 2nd Moscow International Film Festival.
Have you evr felt you should be running away
Have you ever felt like you were always to blame
Nobody Listens
Day after day it's the same
O Oh O Oh
And Then You Couldn't gone it inside
That makes you just want to get up and fight
Well that's how i felt
The day that i left you behind
Do you remember?
You said i got it all so wrong
That i could never be someone
You said that i was just a little girl who doesn't know
O o o
You always shut me up
Put me down
Betcha feelin' stupid now
My lifes moving on and your still waiting
Its funny how, The stories turned around
Look At Me Now
Its a shame you could'nt open your eyes
And see it then but baby it's no surprise
Cos' You were always the big man
Always So Full of asvise
O Oh O Oh
Do You Remember?
You said i got it all so wrong
That i could never be someone
You said that i was just a little girl who doesn't know
O o o
You always shut me up
Put me down
Betcha Fellin' Stupid now
My lifes moving on and your still waiting
Its funny how, The stories turned around
Just Look At Me Now
Look At Me Now
You Said i got it all so wrong
That i could never be someone
Your said that i was just a little girl who doesn't know
O o o
You Always try to put me down
I betcha feelin' stupid now
Cos' I could Fed Up, Got Up, Got Out
And I'm turning around
Look At Me Now
Just Look At Me Now
Take A Look At Me Now
Look At Me Now
You always shut me up
Put me down
Betcha Feelin' stupid now
My Lifes Moving on And still waiting
Its funny how the stories turned around