Fetch (folklore)

A fetch is a supernatural double or an apparition of a living person in Irish folklore. It is largely akin to the doppelgänger, and sightings are regarded as omens, usually for impending death. The origin of the term is unclear.

Description

The fetch is described as an exact, spectral double of a living human, whose appearance is regarded as ominous. As such, it is similar to the Germanic doppelgänger, and to some conceptions of the British wraith.Francis Grose associated the term with Northern England in his 1787 Provincial Glossary, but otherwise it seems to have been in popular use only in Ireland. A sighting of a fetch is generally taken as a portent of its exemplar's looming death, though John and Michael Banim report that if the double appears in the morning rather than the evening, it is instead a sign of a long life in store.

The etymology is obscure. It may derive from the verb "fetch"; the compound "fetch-life", evidently referring to a psychopomp who "fetches" the souls of the dying, is attested in Richard Stanyhurst's 1583 translation of the Aeneid. Alternately, the word may derive from fæcce, found in two Old English glossaries. In both texts, fæcce is glossed for mære, a spirit associated with death and nightmares. The word may be Old English in origin, though it would have been atypical for the author to gloss one English word with another. He seems to have regarded it as a Latin word, though it is unattested in Latin. Instead, it may be Irish, which could be the origin of the Hiberno-English fetch.

Fetch

Fetch may refer to:

Fetch (game)

Fetch is a game usually played with a dog. An object, such as a stick or ball, is thrown a moderate distance away from the animal, and it is the animal's objective to grab and retrieve it. Many times, the owner of the animal will say "Fetch" to the animal before or after throwing the object. In rare instances, cats, especially younger cats, have been known to engage in fetch behavior.

Mathematics of Fetch

Arizona State psychology professor Michael McBeath has proposed a simple model to explain how dogs play Fetch. By mounting a camera on the head of a dog, he found that the dog changed its speed and direction in order to keep the frisbee's image in a constant position on its retina. This approach, called the Linear Optical Trajectory, makes the frisbee appear to move in a linear path at a constant speed. McBeath had previously noticed this interception strategy in professional baseball players pursuing fly balls.

Tim Pennings, a mathematics professor at Hope College, has found that dogs are somehow able to calculate the optimal path to a ball thrown in the water. While playing Fetch with his Welsh Corgi, he noticed that the dog ran along the beach for a certain distance before jumping into the water. Because the dog is faster on land, this technique minimizes the total retrieval time. He showed that the dog is able to calculate the optimal point to jump into the water with statistical significance, a problem Pennings must resort to calculus to solve.

Fetch (geography)

The fetch, also called the fetch length, is the length of water over which a given wind has blown. Fetch is used in geography and meteorology and its effects are usually associated with sea state and when it reaches shore it is the main factor that creates storm surge which leads to coastal erosion and flooding. It also plays a large part in longshore drift as well.

Fetch length, along with the wind speed (wind strength), determines the size (sea state) of waves produced. The wind direction is considered constant. The longer the fetch and the faster the wind speed, the more wind energy is imparted to the water surface and the larger the resulting sea state will be.

See also

Folklore

Folklore can be described as traditional art, literature, knowledge, and practices that are passed on in large part through oral communication and example. The information thus transmitted expresses the shared ideas and values of a particular group. British antiquarian William Thoms is generally credited with coining the term "folklore" in 1846. As an academic discipline folklore shares methods, and insights with literature, anthropology, art, music, history, linguistics, philosophy, and mythology. Elliott Oring states that folklore is that part of culture that "lives happily ever after".Folkloristics is the academic study of folklore.

Definition

Ever since the term "folklore" was coined by William Thoms in 1846, there have been debates as to the meaning of the term among folklorists, with no widespread agreement.

The most common definition of folklore was that it represented 'oral tradition', or traditions that have been transmitted in an oral manner. This definition had several issues, however; in non-literate societies, for example, all culture is orally transmitted, making the concept of folklore in such a context all-encompassing. Moreover, even in literate societies there are many activities, such as brushing one's teeth or driving a vehicle, which are orally transmitted and yet not usually thought of as folklore. Accordingly, oral transmission alone is not seen as something that is enough to make something folkloric. Also problematizing the link between folklore and oral tradition is the fact that some practices that are widely deemed folkloric – such as epitaphs or chain letters – involve transmission through text. Similarly, some other folkloric practices, such as traditional dances, games, gestures, and symbols, are often transmitted visually rather than orally.

Folklore (Jorge Cafrune album)

Folklore is the second album by the Argentine singer Jorge Cafrune, released in Argentina in 1962.

Track listing

Folklore (16 Horsepower album)

Folklore is the 4th studio album by 16 Horsepower, released in 2002.

As hinted to by its name, most of the material on the album is drawn from traditional folk music. Only four of the songs ("Hutterite Mile," "Blessed Persistence," "Beyond the Pale" and "Flutter") on the album are original 16 Horsepower compositions.

Track listing

All songs written and composed by 16 Horsepower and David Eugene Edwards except where noted. 

External links