Festoon (1951–1973) was a British Thoroughbred racehorse and boodmare, best known for winning the 1000 Guineas in 1954 and setting a world record when being sold at auction later that year. In a racing career which lasted from autumn 1953 to July 1954 the filly ran seven times and won three races. After winning her only race as a two-year-old, Festoon won the Classic 1000 Guineas over one mile at Newmarket Racecourse the following spring. She failed to stay the distance in the Epsom Oaks but returned to one mile to win the Coronation Stakes at Royal Ascot and finish third against colts in the Sussex Stakes at Goodwood. She was then retired to stud where she produced several winners.
Festoon was a chestnut mare with a prominent white blaze and long white socks on her hind legs. She was bred by her owner John Arthur "Lucky" Dewar, an industrialist who had inherited a fortune including a string of racehorses from his uncle Thomas Dewar, 1st Baron Dewar in 1930. Festoon was sired by Fair Trial a successful racehorse who became Britain's Champion sire in 1950. Her dam, Monsoon finished second in the wartime substitute Oaks in 1943 and was bought by Dewar as a prospective broodmare for 7,300 guineas at the end of her racing career. Before foaling Festoon, Monsoon had produced Refreshed, a filly who finished third in the 1000 Guineas in 1952. As a descendant of the broodmare Rose Red, Monsoon came from the same branch of Thoroughbred "Family" 1-w which later produced Celtic Ash, Larkspur, Altesse Royale and Nocturnal Spree.
The horse (Equus ferus caballus) is one of two extant subspecies of Equus ferus. It is an odd-toed ungulate mammal belonging to the taxonomic family Equidae. The horse has evolved over the past 45 to 55 million years from a small multi-toed creature, Hyracotherium, into the large, single-toed animal of today. Humans began to domesticate horses around 4000 BC, and their domestication is believed to have been widespread by 3000 BC. Horses in the subspecies caballus are domesticated, although some domesticated populations live in the wild as feral horses. These feral populations are not true wild horses, as this term is used to describe horses that have never been domesticated, such as the endangered Przewalski's horse, a separate subspecies, and the only remaining true wild horse. There is an extensive, specialized vocabulary used to describe equine-related concepts, covering everything from anatomy to life stages, size, colors, markings, breeds, locomotion, and behavior.
Horses' anatomy enables them to make use of speed to escape predators and they have a well-developed sense of balance and a strong fight-or-flight response. Related to this need to flee from predators in the wild is an unusual trait: horses are able to sleep both standing up and lying down. Female horses, called mares, carry their young for approximately 11 months, and a young horse, called a foal, can stand and run shortly following birth. Most domesticated horses begin training under saddle or in harness between the ages of two and four. They reach full adult development by age five, and have an average lifespan of between 25 and 30 years.
A horse is a hoofed mammal of the species Equus ferus caballus.
Horse or Horses may also refer to:
Uma (馬, also known as Horse) is a 1941 black-and-white Japanese film directed by Kajiro Yamamoto and starring Hideko Takamine, whom Yamamoto had directed in his film Composition Class (Tsuzurikata Kyōshitsu) three years before. Uma was actually completed by assistant director Akira Kurosawa. It follows the story of Ine Onoda, the eldest daughter of a poor family of farmers, who raises a colt from birth and comes to love the horse dearly. When the horse is grown, the government orders it auctioned and sold to the army. Ine struggles to prevent the sale.
The film is a tale about a young girl and the colt she raises from its birth. But it is also about the struggle of farmers existing on the edge of poverty. Akira Kurosawa is credited as the film's production coordinator, which is equivalent to first assistant director. But Kurosawa's signature is all over this work and is the last film he was to work on as an assistant before starting his own directing career. The film took three years to plan and a year to film. Kajiro Yamamoto had to commute to the far mountainous location but had to turn his attention to his money making comedies in Tokyo and so he left production in the hands of his assistant, Kurosawa.
A Festoon (from French feston, Italian festone, from a Late Latin festo, originally a festal garland, Latin festum, feast) is a wreath or garland, and in architecture typically a carved ornament depicting conventional arrangement of flowers, foliage or fruit bound together and suspended by ribbons. The motif is sometimes known as a swag when depicting fabric or linen.
Its origin is probably due to the representation in stone of the garlands of natural flowers, etc., which were hung up over an entrance doorway on fête days, or suspended around an altar.
The design was largely employed both by the Ancient Greeks and Romans and formed the principal decoration of altars, friezes and panels. The ends of the ribbons are sometimes formed into bows or twisted curves; when in addition a group of foliage or flowers is suspended, it is called a drop or margent.
The motif was later used in neo-classical architecture and decorative arts, especially ceramics and the work of silversmiths. Variations on the exact design are plentiful; for example, the ribbons can be suspended either from a decorated knot, or held in the mouths of lions, or suspended across the tops of bucrania as in the Temple of Vesta at Tivoli.