Fei Xing
Li Wenbing (born December 6, 1970) is a Chinese film director and screen editor best known under his pseudonym Fei Xing. Having origins in a musically gifted family, Li studied music for the majority of his childhood and adolescence. After university, Li abandoned his area of focus to write television dramas. Some of his early works as a screenwriter include (Baofeng Fating) and (The Whole Truth), courtroom drama and detective thriller series respectively. Later Li used his experience writing to attempt to direct several of his own television shows first producing (Meimeng Rensheng), a series of romantic comedies employing dark humor to both entertain and enlighten audiences of the hardships of those in the entertainment business. A departure from his usual genre of focus, Li soon returned to crime fiction in (Feichang Baodao) his most recent non-film production.
Li is considered in the avant-garde of modern Chinese cinema; in 2010 he self-composed and directed China's first crime oriented feature film, (The Man Behind The Courtyard House). In 2012 Li introduced his second movie, (Silent Witness) which won five awards at the China International Film Festival in London the following year. This work combined the acting of mainland actor and actress Sun Hong Lei and Yu Nan as well as Hong Kong actor and singer Aaron Kwok that helped it gain large investments.
Xing may refer to:
Xingó Dam
The Xingó Dam is a concrete face rock-fill dam on the São Francisco River on the border of Alagoas and Sergipe, near Piranhas, Brazil. The dam was built for navigation, water supply and hydroelectric power generation as it supports a 3,162 megawatts (4,240,000 hp) power station. It was constructed between 1987 and 1994 and the last of its generators was commissioned in 1997.
Construction
Studies for the Xingó Dam were done in the 1950s and contracts for construction were not awarded until 1982. Construction on the dam began in March 1987 but stopped in September 1988 because a debt crisis stalled funding. Construction commenced again in 1990 and by 1994, the dam was complete. On June 10, 1994, the dam began to impound the river as its reservoir began to fill. On November 15 of that year, the reservoir reached its maximum level of 130 metres (430 ft). The power station's first generator was commissioned in December 1994, the next two in 1995, two more in 1996 and the final generator in August 1997.
Xingu
Xingu may refer to:
FEI
FEI may refer to:
Fei may refer to:
Fei (surname)
Fei (simplified Chinese: 费; traditional Chinese: 費; pinyin: Fèi) is a traditional Chinese surname. It is ranked 65th in the Hundred Family Surnames.
This surname has three main sources. Two of them are from the state of Lu during the Spring and Autumn period (722–481 BC), part of present-day Shandong province. A senior official of the state of Lu was granted a city named Fei, while the son of a certain duke was granted a county named Fei. Both of these place names were adopted by descendants as surnames. A third source of the name is Fei Zhong, a high minister of the Yin Dynasty (1401–1122 BC).
Notable people
References
Pe (letter)
Pe is the seventeenth letter of the Semitic abjads, including Phoenician Pē 
, Hebrew Pē פ, Aramaic Pē 
, Syriac Pē ܦ, and Arabic Fāʼ ف (in abjadi order).
The original sound value is a voiceless bilabial plosive: /p/; it retains this value in most Semitic languages except for Arabic, which having lost /p/ now uses it to render a voiceless labiodental fricative /f/.
The Phoenician letter gave rise to the Greek Pi (Π), Latin P, and Cyrillic П.
Origins
Pe is usually assumed to come from a pictogram of a mouth (in Hebrew pe; in Arabic, فاه fah).
Hebrew Pe
The Hebrew spelling is פֵּא. It is also romanized pey, especially when used in Yiddish.
Variations on written form/pronunciation
The letter Pe is one of the six letters which can receive a Dagesh Kal. The six are Bet, Gimel, Daleth, Kaph, Pe, and Tav.
There are two orthographic variants of this letter which indicate a different pronunciation:
Pe with the dagesh
When the Pe has a "dot" in its center, known as a dagesh, it represents a voiceless bilabial plosive, /p/. There are various rules in Hebrew grammar that stipulate when and why a dagesh is used.
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