Miro

Miro may refer to:

Companies

Entertainment

People

Miro (software)

Miro (formerly named Democracy Player or DTV) is an audio, video player and Internet television application developed by the Participatory Culture Foundation. It runs on Microsoft Windows, Mac OS X, FreeBSD and Linux and supports most known video file formats. It offers both audio and video, some in HD quality.

Miro would appear to have been abandoned, the last version (6.0) was released in 2013 and is no longer functioning correctly because of changes to the YouTube API.

Miro is free software, released under the terms of the GNU General Public License.

Features

Miro can automatically download videos from RSS-based "channels", manage them and play them. The application is designed to mesh with other Participatory Culture Foundation (PCF) products such as Video Bomb, a social tagging video website, and the Channel Channel, a TV guide for Internet television.

Miro integrates an RSS news aggregator and podcatcher, a BitTorrent client (based on libtorrent), and a media player (VLC media player under Windows, QuickTime under Mac OS X, and xine media player or GStreamer under Linux and FreeBSD). Since 2.0, Miro supports the adding of website bookmarks under the "Sites" category; by default, ClearBits.net is preloaded in Miro as a bookmark.

Miroč (Majdanpek)

Miroč is a village in the municipality of Majdanpek, Serbia. According to the 2002 census, the village has a population of 406 people.

References

Coordinates: 44°28′38″N 22°15′00″E / 44.47722°N 22.25000°E / 44.47722; 22.25000

Feeling

Feeling is the nominalization of the verb to feel. The word was first used in the English language to describe the physical sensation of touch through either experience or perception. The word is also used to describe experiences other than the physical sensation of touch, such as "a feeling of warmth" and of sentience in general. In Latin, sentire meant to feel, hear or smell. In psychology, the word is usually reserved for the conscious subjective experience of emotion.Phenomenology and heterophenomenology are philosophical approaches that provide some basis for knowledge of feelings. Many schools of psychotherapy depend on the therapist achieving some kind of understanding of the client's feelings, for which methodologies exist. Some theories of interpersonal relationships also have a role for shared feelings or understanding of another person's feelings.

Perception of the physical world does not necessarily result in a universal reaction among receivers (see emotions), but varies depending on one's tendency to handle the situation, how the situation relates to the receiver's past experiences, and any number of other factors. Feelings are also known as a state of consciousness, such as that resulting from emotions, sentiments or desires.

Feelings (Ferrante & Teicher album)

Feelings is a United Artists Records album by easy listening duo Ferrante & Teicher.

Track listing

Production

Feelings (The Grass Roots album)

Feelings is the third album by the American rock group The Grass Roots. The album was originally released by Dunhill Records in 1968. It contained many songs composed by the group's members and studio performances of the musician's instrumentation. The album was intended to take the group into a heavier psychedelic direction with their music. The A and B side singles released were "Melody For You", "Hey Friend", "Feelings", "Here's Where You Belong", "Who Will You Be Tomorrow", "Hot Bright Lights", "All Good Things Come To An End" and "You And Love Are The Same". Midway during this run "Midnight Confessions" was released as an A side and became the group's highest charting single.

Songs

The songs featured unique touches by arranger Jimmie Haskell. The songs were a 50/50 split between outside composers and the group. It had intricate orchestration and a great example of what the band members were capable of as musicians and songwriters had the record company continued to allow them creative freedom. The title song was created back in 1966 in the pre Grass Roots garage group named the 13th Floor. Fukomoto was the main composer and Entner & Coonce helped with the arrangements. The song featured a powerful sustained fuzz guitar and Eastern influences giving it a heavy 1968 psychedelic flavor.