"In the Air Tonight" | |||||||||||||||||
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File:Phil Collins InTheAirTonight.jpg | |||||||||||||||||
Single by Phil Collins | |||||||||||||||||
from the album Face Value | |||||||||||||||||
B-side | "The Roof Is Leaking" | ||||||||||||||||
Released | 5 January 1981 (UK) 25 May 1981 (NA) |
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Format | 7" / 12" | ||||||||||||||||
Recorded | 1979-1980 | ||||||||||||||||
Genre | Progressive rock, pop rock | ||||||||||||||||
Length | 5:36 4:57 (7") |
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Label | Virgin (UK) Atlantic (International) |
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Writer(s) | Phil Collins | ||||||||||||||||
Producer | Phil Collins, Hugh Padgham | ||||||||||||||||
Certification | Gold (RIAA) | ||||||||||||||||
Phil Collins singles chronology | |||||||||||||||||
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"In the Air Tonight" is a song by Phil Collins that first appeared on his 1981 album Face Value. It was recorded in 1979 and was the first single of Collins' solo career, and remains one of his best-known hits. The music video, directed by Stuart Orme, was released in 1981.
Contents |
The recording is notable for its atmospheric production and macabre theme. Released in January 1981 in the UK, the single was an instant hit, quickly climbing to Number 2 in the Singles Chart. It was also an international hit, reaching the top 20 on the Billboard Hot 100 in the summer of 1981, peaking at #19.
Collins wrote this about the anger he felt after divorcing his first wife Andrea in 1979. He explained on a BBC Radio 2 documentary in 1997 that he took a couple of years out of Genesis because of his devastation.
"In the Air Tonight" remains a popular selection on many classic rock radio stations. It is the song most often associated with Collins' solo career, and he has performed versions of it at many events, notably at Live Aid, where he played the song on the same calendar day in both Philadelphia and London.[1] He also performed the song at The Secret Policeman's Ball, Collins' first live performance as a solo artist.
The lyrics of the song take the form of a dark monologue directed towards an unnamed person:
Musically the song consists of a series of ominous chords played over a simple drum machine pattern (the Roland CR-78 Disco-2 pattern, plus some programming); processed electric guitar sounds and vocoded vocals on key words add additional atmosphere. The mood is one of restrained anger until the final chorus when an explosive burst of drums releases the musical tension, and the instrumentation builds to a thundering final chorus.
Collins wrote the song in the wake of a failing relationship with his then-wife. Collins has described obtaining the drum machine specifically to deal with these personal issues through songwriting, telling Mix magazine: "I had to start writing some of this music that was inside me."[2] Collins improvised the lyrics during a songwriting session in the studio: “I was just fooling around. I got these chords that I liked, so I turned the mic on and started singing. The lyrics you hear are what I wrote spontaneously. That frightens me a bit, but I'm quite proud of the fact that I sang 99.9 percent of those lyrics spontaneously."[3]
The song's popularity in the 1980s increased after a nearly complete recording of it was featured in the pilot episode of the American television show Miami Vice (“Brother's Keeper"), thus becoming one of the first pop/rock songs to be featured as part of a TV program in this manner. The resurgence in the popularity of the track resulted in it almost reaching the Billboard Hot 100 again, reaching number 102 on the "Bubbling Under" chart in 1984. On the heels of this successful merging of media, Collins became associated with the show; other Collins tracks including "Take Me Home" were later featured and Collins himself also acted in an episode, "Phil the Shill".
Musically, it's an extraordinarily striking record, because almost nothing happens in it ... It's the drum sound in particular that's amazing. You don't hear it at all for the first two minutes of the song ... then there's that great doo-dom doo-dom doo-dom comes in, and the drums come in half way through the song, setting the template for all the Eighties drum songs after that.
The means by which Collins attained the drum sound on this recording was long a source of mystery. The exact process was, as happens so often, a result of serendipity: an unintended use of studio technology giving unexpectedly useful results.
In this case, the Solid State Logic 4000 mixing board had a "reverse talk-back" circuit (labeled on the board as “Listen Mic"). Normal “talkback" is a button that the mixing engineer has to press in order to talk to the recording musicians (the recording and the mixing parts of a studio are, otherwise, completely sonically isolated). Reverse talkback is a circuit (also button-activated) for the engineer to listen to musicians in the studio. In order to compensate for sound level differences — people can be close to the reverse talkback microphone or far off — this circuit has a compressor on it, which minimizes the differences between loud and soft sounds. While recording “Intruder" for his ex-bandmate Peter Gabriel's solo album, at some point Collins started playing the drums while the reverse talkback was activated. Engineer Hugh Padgham and his friend Jeffrey were amazed at the sound achieved. Overnight, they rewired the board so that the reverse talkback could be recorded in a more formal manner. Later models of the SSL 4000 allowed the listen mic to be recorded with the touch of a button.[2]
When recording engineer Hugh Padgham was brought in to help develop Collins' demos that would become Face Value they recreated the “Intruder" sound using the reverse talkback microphone as well as heavily compressed and gated ambient mics. Hugh Padgham continued working with Genesis for Abacab later in 1981 and the same technique (generally referred to as gated reverb) was used, and the powerful drum sound has become synonymous with later Genesis projects and Collins' solo career ever since.
The original single version of "In the Air Tonight" features extra drums that play underneath the song until the signature drum crash appears. These were added at the suggestion of Atlantic Records head Ahmet Ertegun. In 2007, Collins wrote:[5]
Ahmet came down to the final mix in the cutting room in New York (. . .) The drums don't come in until the end but Ahmet didn't know that at this point, because on the demo the drums hadn't come in at all; it was only drum machine all the way. And he was saying, 'Where's the down beat, where's the backbeat?' I said, 'The drums come in in a minute.' 'Yeah, you know that and I know that, but the kids don't know that; you've got to put the drums on earlier.' So we added some drums to the mix and put it out as a single.
In an interview with the magazine SFX, Life on Mars and Ashes to Ashes creator Matthew Graham highlighted the significance of the drum sound when he discussed the use of the song in the Ashes to Ashes series finale: he originally intended to have the whole track play over a climactic scene on a farm where Alex Drake (Keeley Hawes) discovers the body of fellow protagonist Gene Hunt (Phillip Glenister), but he chose to fade the song out before that, after he realised that the audience would be “desperately waiting for the 'duh-dum-duh-dum-duh-dum'" and wouldn't “care about Alex or Gene or a scarecrow or anything else".[6]
An urban legend has arisen around "In the Air Tonight" according to which the lyrics are based on a real drowning incident that Collins witnessed. Various, increasingly embroidered variations on the legend emerged over time, with the stories often culminating in Collins singling out the guilty party while singing the song at a concert.[7] Collins has denied all such stories; he commented on the legends about the song in a BBC World Service interview:
“ | I don't know what this song is about. When I was writing this I was going through a divorce. And the only thing I can say about it is that it's obviously in anger. It's the angry side, or the bitter side of a separation. So what makes it even more comical is when I hear these stories which started many years ago, particularly in America, of someone come up to me and say, 'Did you really see someone drowning?' I said, 'No, wrong'. And then every time I go back to America the story gets Chinese whispers, it gets more and more elaborate. It's so frustrating, 'cos this is one song out of all the songs probably that I've ever written that I really don't know what it's about, you know?[8] | ” |
The urban legend is referenced in the song "Stan" by Eminem. The reference is contained in the following lyrics:
The song has been licensed repeatedly for use in television advertisements for various products; in several cases these uses led to a measurable resurgence in popularity for the song.[citation needed]
The song gained additional life in the mid-to-late 1980s when the brewer Anheuser-Busch adopted it for an ad campaign promoting Michelob beer, along with night-related songs by Collins' peers Steve Winwood and Eric Clapton.
In 1995, NBC used it to promote the NBA on NBC with the return of Michael Jordan to the Chicago Bulls, shown in a slow-motion breakaway slam dunk in the ad.
In 2006, it was used by Mountain Dew in television commercials for its MDX energy drink.
Cadbury used the song in their 2007 Gorilla advertising campaign for its Dairy Milk chocolate bar. The commercial features a gorilla playing the piece's famous drum sequence. After its premier week in September, the song reached number 14 in the UK singles chart and number 9 in the UK Download Chart. The advertisement also helped the song re-enter the New Zealand RIANZ Singles Chart at number 3 in July, 2008 and went to number 1 the following week staying there for two weeks, beating its original 1981 number 6 peak. The single was also certified Platinum with sales of over 15,000 copies.[9] This advert was so popular, it won the awards for the Best Ad of the Year, at New Zealands Fair-Go Ad Awards. It was also subsequently parodied in a spoof ad by Wonderbra.[10]
The song has been sampled by many artists, including Shaquille O'Neal in his song "Edge Of Night", Nas in his song "One Mic", and Tupac Shakur on his tracks "Starin' Through My Rearview" and "Letter to the President". Other tracks which include samples of "In the Air Tonight" include DMX's "I Can Feel It", Krayzie Bone's "Silent Warrior", Joe Budden's "Rest in Peace (In the Air)", Sean Kingston's "Can You Feel It", Young Buck's "New York City", Big Audio Dynamite's "Innocent Child" and Lil Kim's "In the Air Tonite".
The song is referenced in the lyrics to the single "Greatest Rapper Ever" by the rapper Danny Brown.
The trademark drum roll was reused, but not directly sampled, in the song "Nicotine and Gravy" by Beck.
"In the Air Tonight" has been widely used in films, television, and video games, often to create or emphasize an eerie or portentous mood; in some cases this usage is ironic or referential to previous uses of the song.
Appearances in film include:
In addition to the famous usage in the pilot episode of Miami Vice, appearances in television include:
The song appears on the PlayStation Portable and PlayStation 2 video game Grand Theft Auto: Vice City Stories soundtrack and on one of the game's music stations, "Emotion FM". It is also the title of a mission, which revolves around protecting Phil Collins; completion of the mission unlocks a CGI cutscene of a Phil Collins concert where the song is played in full. Collins plays himself in the game, a first for Grand Theft Auto, and said cutscene features an animation of Collins singing and playing the drums to the song.
The song is also played during the warmups of many NFL teams, including the Baltimore Ravens and Indianapolis Colts. Ray Lewis is an avid Phil Collins fan and is credited for the song's popularity as an NFL warmup anthem. The song has been played before some key games for the Chicago Bulls in the 2011 playoffs at the request of Derrick Rose and Joakim Noah. The song was also played in a Miami Heat basketball game before introductions.
(catalogue 2292-57672-2)
Chart (1981) | Peak position |
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Australian ARIA Singles Chart | 3 |
Austrian Singles Chart | 1 |
Canadian RPM Top Singles | 2 |
Dutch Top 40 | 1 |
German Singles Chart | 1 |
Irish Singles Chart | 2 |
New Zealand RIANZ Singles Chart | 6 |
Swedish Singles Chart | 1 |
Swiss Singles Chart | 1 |
UK Singles Chart | 2 |
U.S. Billboard Hot 100 | 19 |
U.S. Billboard Hot Mainstream Rock Tracks | 2 |
Chart (1988) | Peak position |
Dutch Singles Chart | 17 |
German Singles Chart | 3 |
UK Singles Chart | 4 |
Chart (2007) | Peak position |
UK Singles Chart | 14 |
Chart (2008) | Peak position |
New Zealand RIANZ Singles Chart | 1 |
Preceded by "Shaddap You Face" by Joe Dolce Music Theatre |
German Singles Chart number-one single 15 May 1981 |
Succeeded by "Stars on 45 Medley" by Stars on 45 |
Preceded by "Always on My Mind" by Tiki Taane |
New Zealand RIANZ number-one single 21 July 2008 – 28 July 2008 |
Succeeded by "Nesian 101" by Nesian Mystik |
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Feel It may refer to:
"Feel It" is a song by American hip hop group Three 6 Mafia from their upcoming tenth studio album Laws of Power. It features Tiësto, Sean Kingston and Flo Rida and was produced by Tiësto and DJ Frank E, co-written by Bei Maejor and mixed by Greg Wells. The song was released on December 1, 2009. The song debuted at number 65 on the Canadian Hot 100 and reached number 33 on the next week. The song debuted at number 78 on the Billboard Hot 100.
On October 9, 2009, Three 6 Mafia shot the video for "Feel It" at The Bank club at Bellagio in Las Vegas. Parts of it were also filmed along the Las Vegas Strip. The music video premiered on Tiësto's Official YouTube Channel on November 13, 2009. Although Flo Rida's verse is included, he does not appear in the music video. It was directed and edited by Rich Newey. The music video has been viewed over 32 million times on YouTube. The video version of the song differs slightly from the single that was released online, as there is more of a background beat as well as an additional verse from Juicy J, which was not included on the leaked version. The order of appearance also differs in the video, which starts with Juicy J, DJ Paul then Flo Rida (with Sean Kingston doing the chorus); whereas in the leaked single, the order is Flo Rida then DJ Paul, with Sean Kingston again doing the chorus.
After the party
You took me back to your parlour.
A little nervous laughter
Locking the door.
My stockings fall
Onto the floor.
Desperate for more.
Nobody else can share this.
Here comes one and one makes one,
The glorious union.
Well it could be love,
Or it could be just lust,
But it will be fun.
It will be wonderful.
Oh, feel it. Oh, oh feel it,
Feel it, my love.
Oh, feel it. Oh, oh feel it,
Feel it, my love.
Oh, I need it. Oh, oh, feel it,
Feel it, my love.
Feel it!
See what you're doing to me?
God, but you're beautiful, aren't you?
Feel your warm hand walking around.
I won't pull away.
My passion always wins.
So keep on a-moving in.
So keep on a-tuning in.
Synchronise rhythm now.
Oh, feel it. Oh, oh feel it,
Feel it, my love.
Oh, feel it. Oh, oh feel it,
Feel it, my love.
Oh, I need it. Oh, oh, feel it,
Feel it, my love.
Feel it!
See what you're doing to me?
See what you're doing to me?
Just see what you're doing to me.