A feather boa is a fashion accessory that is usually worn wrapped around the neck like a scarf.
A boa can be made of fur, but it is usually made instead from various types of feathers. Ostrich, marabou, chandelle, and turkey are the most common feathers used, although non-feather boas are also available. Feathers used go through bleaching or dyeing processes and are glued and stitched into lengths called "ply". Sometimes more natural boas are produced. A lightweight chandelle boa might only weigh 65 grams (2.3 oz), whereas a 24 ply ostrich boa can weigh as much as 200 grams (7.1 oz). The more ply, the fluffier and thicker the boa. Boas are generally measured by weight (grammes), length (centimetres), and ply. Boas are available through novelty, costume, or lingerie shops, as well as online.
With the development of "fun fur" or "eyelash" yarns in the late 20th century, an adept craftsperson can knit a boa of one solid color or a mix of various colors. Yarn boas do not "shed" like feather boas and are favored for their soft texture against the neck. The rounded boa shape is achieved by knitting one row and purling the next row, then repeating this pattern until reaching the desired length.
Boa, BoA, or BOA may refer to:
Boa is the debut album by the Croatian and former Yugoslav eponymous rock band. It was released in 1982.
Boa is a Croatian music group, which was especially prominent during the 1980s around the former SFR Yugoslavia.
The band's early history started in Zagreb, then SR Croatia in 1974, when its founding members Mladen Puljiz and Slavko Remenarić, switched their interest from classical music to rock music, inspired by art rock acts such as Yes, King Crimson, Genesis, David Bowie, Roxy Music and Peter Gabriel.
The group started its concert activity in 1979 with a line-up consisted of: Mladen Puljiz (keyboards, vocals), Slavko Remenarić (guitar), Igor Šoštarić (drums) and Damir Košpić (bass guitar). The band moved towards the then actual New Romantic sound and fashion and after the release of their debut album for Suzy in 1982, they were voted by the readers of the prominent Yugoslav musical magazine Džuboks as the best upcoming act of the year.
Their next album Ritam strasti (Rhythm of passion) followed by around a hundred concerts around former Yugoslavia brought them even higher popularity. Despite the fact that their next album Govor tijela (Body language) included some successful hits, the band fell into creative crisis and thus the group halted its activities until 1989 when the group got a new rhythm section consisted of the drummer Paolo Sfeci (former member of Aerodrom and Parni valjak) and the bass player Zvonimir Bučević (prominent session musician).