Klinik

Klinik, (sometimes called The Klinik), is an industrial music band from Belgium, originally formed around 1982 by electro-synthpop practitioner Marc Verhaeghen, who is the only constant member.

History

Marc Verhaeghen originally formed Klinik in the early-to-mid 1980s; the exact date varies depending on the source. The group is normally described as one of the most influential Belgian industrial bands in history.

In 1985, Verhaeghen joined forces with two other bands, Absolute Body Control (with Dirk Ivens and Eric van Wonterghem), and "The Maniacs" (Sandy Nys) to form one "super group" "Absolute Controlled Clinical Maniacs". This rather unwieldy name was soon dropped in favour of the shorter name "The Klinik". Nys soon left the band to form "Hybryds", followed in 1987 by van Wonterghem, leaving The Klinik as the "classic" duo of Dirk Ivens and Marc Verhaeghen.

The Klinik soon made a name for themselves with their cold and harsh EBM sound and their live shows, where both Ivens and Verhaeghen performed with their heads wrapped in gauze, wearing long black leather coats. Ivens' hissing vocals and minimalist lyrics were complemented by Verhaeghen's synthesizer skills and distorted trombone playing. This however, did not last forever; after Time, an album neither member was fully pleased with, musical differences became too great, and they decided to go their separate ways. In a 2013 interview, Ivens said the due were moving in different directions musically, and that compromise between only two members was challenging.

Fear (1965 film)

Fear (1965) is a 35 mm short Hindi film directed by legendary filmmaker Ritwik Ghatak. In 1964-65 Ritwik created this documentary for the acting department of Pune Film Institute. Mainly the students of Pune Film Institute participated in this film. Director Subhash Ghai, and actor Asrani then students of that institute acted in this film.

Cast and Crew

Cast

Crew

See also

References

Angst (1928 film)

Angst is a 1928 German-British silent drama film directed by Hans Steinhoff and starring Gustav Fröhlich, Henry Edwards and Elga Brink. It is based on the 1925 novella Fear by Stefan Zweig. The film was a co-production between Germany and Britain, with the British star Edwards included to give the work greater commercial appeal in the British Isles.

Cast

Plot

Inge Duhan (Brink), a wealthy wife, begins conducting an affair, only to find herself blackmailed by another woman.

References

Bibliography

External links

Fear (1917 film)

Fear (German: Furcht) is a 1917 German silent horror film written and directed by Robert Wiene and starring Bruno Decarli, Conrad Veidt and Bernhard Goetzke. It is also the first known appearance of Conrad Veidt on screen, cast by producer Oskar Messter (famous for discovering actors who became big stars in the 1920s).

The original soundtrack for the film was lost and replaced by another donated by collectionist Leslie Shepard. The sets were designed by Ludwig Kainer.

Plot

Count Greven (Bruno de Carli) returns to his old castle after spending several years touring the world. The servants note how the count has changed: he is now withdrawn and fearful. He orders that the doors to the castle be kept locked and no one admitted. When he is left alone in his room, Greven opens a chest he brought from his travels, inside it there is a strange statue that he adds to his vast collection of rare works of art. Several days pass and a worried servant (Bernhard Goetzke) informs the town's minister (Hermann Picha) about his master's melancholia. The old man visits the castle looking to help. The count confesses the minister how, during his stay in India, he had heard of a statue of Buddha that was so beautiful that it made the sick well and the sad joyous; while visiting the temple, he stole the figure and smuggled it back home. The count tells the minister that the temple's priest swore a terrible revenge upon him for his sacrilege, and he has been living in fear of their secret powers ever since. The minister leaves shocked, believing that Greven has gone mad. The count screams in despair that he no longer wants to live, since the agony of suspense is worse than death.