Stellar may refer to:
The Stellar Group, Inc. (which uses the trade name "Stellar") is a privately owned design, engineering, construction and mechanical services firm headquartered in Jacksonville, Florida, and founded in 1985. The July, 2013 issue of Florida Trend magazine listed Stellar as Florida’s 60th-largest private company, and reported that it employed 639 people, including architects, engineers, constructors, refrigeration specialists and technicians.
Stellar provides services to commercial and industrial clients in various markets including food & beverage; refrigeration & cold storage; military; automotive; educational; healthcare; institutional; hospitality; power & utilities; and office properties. The company has operations in 12 locations within the United States. Internationally, Stellar operates offices in the Middle East, North Africa, China and Puerto Rico.
In Engineering News-Record magazine's May 2011 "Top 400 Contractors" list, which ranked companies by 2010 construction revenue, Stellar was ranked #102 overall, #6 among industrial contractors and #39 among contractors working abroad. In the magazine’s June 2011 "The Top 100 Design-Build Firms" list, which ranked firms based on revenue derived from projects delivered using the design-build project delivery system, Stellar was ranked #34. In the magazine's April 2011 "Top 500 Design Firms" list, which ranked companies based on design-specific revenue, Stellar was ranked #387.
Stellar is an open source protocol for value exchange. It was founded in early 2014 by Jed Mccaleb and Joyce Kim, its board members and advisory board members include Keith Rabois, Patrick Collison, Matt Mullenweg, Greg Stein, Joi Ito, Sam Altman, Naval Ravikant and others. The Stellar protocol is supported by a nonprofit, the Stellar Development Foundation. The Foundation’s mission is to expand financial access and literacy worldwide. At launch, Stellar was based on the Ripple protocol. After systemic problems with the existing consensus algorithm were discovered, Stellar created an updated version of the protocol with a new consensus algorithm, based on entirely new code. The code and whitepaper for this new algorithm were released in April 2015, and the upgraded network went live in November 2015.
Stellar is an open source protocol for value exchange. Servers run a software implementation of the protocol, and use the internet to connect to and communicate with other Stellar servers, forming a global value exchange network. Each server stores a record of all “accounts” on the network. These records are stored in a database called the “ledger”. Servers propose changes to the ledger by proposing “transactions”, which move accounts from one state to another by spending the account’s balance or changing a property of the account. All of the servers come to agreement on which set of transactions to apply to the current ledger through a process called “consensus”. The consensus process happens at a regular interval, typically every 2 to 4 seconds. This keeps each server’s copy of the ledger in sync and identical.
Destiny or Fate is a predetermined course of events. It may be conceived as a predetermined future, whether in general or of an individual.
Although often used interchangeably, the words "fate" and "destiny" have distinct connotations.
Fate commonly refers to destiny, a predetermined course of events.
Fate may also refer to:
Destiny (also known as Fate, Czech: Osud) is an opera in three acts by Leoš Janáček to a Czech libretto by the composer and Fedora Bartošová. Janáček began the work in 1903 and completed it in 1907. The inspiration for the opera came from a visit by Janáček in the summer of 1903, after the death of his daughter Olga, to the spa at Luhačovice. There, Janáček met Kamila Urválková, who had been the subject of an opera by Ludvík Čelanský, Kamila, where she felt that Čelanský had falsely depicted her personality. After learning that Janáček was a composer, Urválková persuaded Janáček to write another opera to counteract Čelanský's portrait of her.
Janáček submitted the opera to the Brno Theatre in 1906, and to the Vinohrady Theatre in Prague in 1907, but both theatres rejected the score. The score stayed with the Vinohrady Theatre even after Janáček had threatened lawsuits against the theatre and after the Brno theatre made offers of a possible production.
The work did not receive a hearing until after Janáček's death, in 1934 on Brno Radio.