Marah may refer to:
Marah (Hebrew: מָרָה meaning 'bitter') is one of the locations which the Torah identifies as having been travelled through by the Israelites, during the Exodus .
The liberated Israelites set out on their journey in the desert, somewhere in the Sinai Peninsula. And it becomes clear that they are not spiritually free. Reaching Marah, the place of a well of bitter water, bitterness and murmuring, Israel receives a first set of divine ordinances and the foundation of the Shabbat. The shortage of water there is followed by a shortness of food. Moses throws a log into the bitter water, making it sweet. Later God sends manna and quail. The desert is the ground where God acquires his people. The 'murmuring motif' will - from here on - be a recurring perspective of the wandering Jewish people.
The narrative concerning Marah in the Book of Exodus states that the Israelites had been wandering in the desert for three days without water; according to the narrative, Marah had water, but it was undrinkably bitter, hence the name, which means bitterness. In the text, when the Israelites reach Marah they complain about the undrinkability, so Moses complains to Yahweh, and Yahweh responds by showing Moses a certain piece of wood, which Moses then throws into the water, making it sweet and fit to drink. Some biblical scholars see the narrative about Marah as having originated as an aetiological myth seeking to justify its name.
Fat is a group of compounds that are generally soluble in organic solvents and largely insoluble in water. Another common meaning is a person or animal afflicted with obesity.
Fat or FAT may also refer to:
"Fat" is a song by "Weird Al" Yankovic. It is a parody of "Bad" by Michael Jackson. It is Yankovic's second parody of a Jackson song, the first being "Eat It", a parody of Jackson's "Beat It". "Fat" is the first song on Yankovic's Even Worse album.
The video won a Grammy Award for Best Concept Music Video in 1988.
When performing in concert, Yankovic wears a fat suit and a mask that makes his face appear fat. Due to undergoing laser vision correction surgery, he no longer needs to wear glasses, though he wears glasses with non-prescription plastic lenses in order to help hold on the mask.
The video for "Fat" parodies various elements of the "Bad" video by Jackson; Yankovic was able to get permission from Michael Jackson to use the same subway set from "Bad" for the video. Here is a list depicting some parody elements:
Lipids are a group of naturally occurring molecules that include fats, waxes, sterols, fat-soluble vitamins (such as vitamins A, D, E, and K), monoglycerides, diglycerides, triglycerides, phospholipids, and others. The main biological functions of lipids include storing energy, signaling, and acting as structural components of cell membranes. Lipids have applications in the cosmetic and food industries as well as in nanotechnology.
Lipids may be broadly defined as hydrophobic or amphiphilic small molecules; the amphiphilic nature of some lipids allows them to form structures such as vesicles, multilamellar/unilamellar liposomes, or membranes in an aqueous environment. Biological lipids originate entirely or in part from two distinct types of biochemical subunits or "building-blocks": ketoacyl and isoprene groups. Using this approach, lipids may be divided into eight categories: fatty acids, glycerolipids, glycerophospholipids, sphingolipids, saccharolipids, and polyketides (derived from condensation of ketoacyl subunits); and sterol lipids and prenol lipids (derived from condensation of isoprene subunits).
Boy (少年 Shōnen) is a 1969 Japanese film directed by Nagisa Oshima, starring Tetsuo Abe, Akiko Koyama and Fumio Watanabe.
Based on real events reported in Japanese newspapers in 1966Boy follows the title character, Toshio Omura, across Japan, as he is forced to participate in a dangerous scam to support his dysfunctional family. Toshio's father, Takeo Omura, is an abusive, lazy veteran, who forces his wife, the boy's stepmother, Takeko Tamiguchi, to feign being hit by cars in order to shake down the motorists. When his wife is unable to perform the scam, Toshio is enlisted. The boy's confused perspective of the scams and his chaotic family life are vividly captured in precisely edited sequences. As marital strife, mounting abuse, and continual moving take their toll, the boy tries to escape, either by running away on trains, or by retreating into a sci-fi fantasy he has constructed for his little brother and himself. Finally, in snowy Hokkaidō, the law finally catches up when the little brother unwittingly causes a fatal car accident. Although traumatized, Toshio tries to help his family elude capture in the final sequence, presented in documentary fashion, describing their arrest.
Boy, James Hanley's second novel, first published in 1931 by Boriswood, is a grim story of the brief life and early death of a thirteen year old stowaway from Liverpool. After several editions had been published in 1931 and 1932, a cheap edition, published in 1934, was prosecuted for obscene libel and the publisher heavily fined.
Boy, James Hanley's second novel, his "first novel of the sea", was first published by Boriswood as a limited edition of 145 and "a public edition which, of regretful necessity, has been somewhat expurgated", in September 1931 (asterisks indicated where "words, phrases and sentences [were] omitted"). There were several subsequent editions in Britain and America. Hanley had originally intended to include Boy in the collection of stories and novellas, Men in Darkness: Five Stories, which was published in September 1931, at the same time as Boy.
(Latin beat)
Baby, here I am
Baby, here I am
You see fat boy, yeah that's me
A-now, I made it back
I met a girl
She sure looks sweet
She really knock a-me off my feet
A-when she said
I was her pride an joy
That she was in love
A-with a fat boy
Little girl, I want you to know
That I love, I la-la-la will love you
I love you so-ho
Because a-you said
I was your pride an joy
An that you're in love
A-with a fat boy
Baby, here I am
Baby, here I am
You see fat boy, that's a-me
A-now, I made it back in town
I thank you-ooo
Lord, up above
For sending me
A sweet little girl to love
She even said
I was her pride an joy
And that she was in love
A-with a fat boy
Baby, here I am
It's fat boy callin' you darlin'
I said, 'Here I am'
FADES-
It's fat boy callin' you, baby
I said, a-here I am
It's fat boy back in town.