Fara (Russian: Фара) is a 1999 Russian drama film directed by Abai Karpykov. It was entered into the 21st Moscow International Film Festival where Farhat Abdraimov won the Silver St. George for Best Actor.
Fara (literally, “to ask” in Rotuman) is a traditional Rotuman cultural and social event, occurring in the summertime festival of “av’ manea” (“party time” in Rotuman) where groups of singers and dancers traverse from house to house in a prescribed area to perform and entertain their hosts, “asking”, as the name suggests, for their hospitality and participation.
It is believed that fara traces its roots back to the “manea’ hune’ele” (beach parties) of old, where young people would picnic at the beach from late afternoon through night-time, singing, dancing and making-merry. For young people it was primarily undertaken as a carefree environment in which they could spend time with prospective partners without the prying eyes of a normal close-knit Rotuman community. However, the politically powerful churches, particularly the Methodist Church, fearing the rise in immoral behaviour resulting from such licentious escapades, and family’s fears of loss of the socially important virginity (girls were expected to be married with their virginity intact, attracting a higher bride-price in traditional betrothals) sparked calls to end the practice of manea’ hune’ele. According to research, in the search to replace the tradition, the practice of fara was created, providing a more wholesome way for the young to court.
FARA ASA FARA is a supplier of IT to the public transport sector and sells electronic ticketing and real-time information systems such as Fleet Management, Traffic Management, Passenger Information and Infotainment Systems.
FARA’s history dates back to 1983, when Nera Mobildata AS, a Norwegian supplier of ticketing systems for ferry companies, was awarded the first AFC contract in the county of Sør-Trøndelag, Norway. In 1999, Q-Free ASA acquired Nera's ticketing business. 15 December 2005 FARA ASA was formally established when Q-Free divested itself of its ticketing business.
Through the acquisition of the Danish company TNC Connect A/S and the Finnish company Buscom OY in 2007, FARA gained access to complimentary technology and additional distribution in the Nordic countries. With the acquisition of the largest electronic ticketing vendor in Sweden, CPT Nordic AB, in 2008.
In addition to project deliveries, FARA has been participating in the work with the Norwegian national smartcard specifications (NSD – Nordic Specification DESFire).
FARA has 80 employees in five locations and representatives across Europe. The corporate headquarters are based in Trondheim, Norway, home to Norway's most important university for technology and science, NTNU.
Film (Persian:فیلم) is an Iranian film review magazine published for more than 30 years. The head-editor is Massoud Mehrabi.
Film is a 1965 film written by Samuel Beckett, his only screenplay. It was commissioned by Barney Rosset of Grove Press. Writing began on 5 April 1963 with a first draft completed within four days. A second draft was produced by 22 May and a forty-leaf shooting script followed thereafter. It was filmed in New York in July 1964.
Beckett’s original choice for the lead – referred to only as “O” – was Charlie Chaplin, but his script never reached him. Both Beckett and the director Alan Schneider were interested in Zero Mostel and Jack MacGowran. However, the former was unavailable and the latter, who accepted at first, became unavailable due to his role in a "Hollywood epic." Beckett then suggested Buster Keaton. Schneider promptly flew to Los Angeles and persuaded Keaton to accept the role along with "a handsome fee for less than three weeks' work."James Karen, who was to have a small part in the film, also encouraged Schneider to contact Keaton.
The filmed version differs from Beckett's original script but with his approval since he was on set all the time, this being his only visit to the United States. The script printed in Collected Shorter Plays of Samuel Beckett (Faber and Faber, 1984) states:
In fluid dynamics, lubrication theory describes the flow of fluids (liquids or gases) in a geometry in which one dimension is significantly smaller than the others. An example is the flow above air hockey tables, where the thickness of the air layer beneath the puck is much smaller than the dimensions of the puck itself.
Internal flows are those where the fluid is fully bounded. Internal flow lubrication theory has many industrial applications because of its role in the design of fluid bearings. Here a key goal of lubrication theory is to determine the pressure distribution in the fluid volume, and hence the forces on the bearing components. The working fluid in this case is often termed a lubricant.
Free film lubrication theory is concerned with the case in which one of the surfaces containing the fluid is a free surface. In that case the position of the free surface is itself unknown, and one goal of lubrication theory is then to determine this. Surface tension may then be significant, or even dominant. Issues of wetting and dewetting then arise. For very thin films (thickness less than one micrometre), additional intermolecular forces, such as Van der Waals forces or disjoining forces, may become significant.