4,4’-Oxydianiline is an organic compound with the formula O(C6H4NH2)2. It is an ether derivative of aniline. This colourless solid is a useful monomer and cross-linking agent for polymers, especially the polyimides, such as Kapton.
4,4’-Oxydianiline is used in the production of a wide variety of polymer resins. The primary use lies in the production of polyimide and poly(ester)imide resins. These resins are used for their temperature-resistant properties and are utilized in products including wire enamels, coatings, film, adhesives, insulating varnishes, coated fabrics, flame-retardant fibers, oil sealants and retainers, insulation for cables and printed circuits, and laminates and composite for aerospace vehicles.
Other applications of 4,4’-oxydianiline include the production of poly(amide)imide resins (which are used in the manufacture of heat-resistant wire enamels and coatings), as an intermediate in the manufacture of epoxy resins and adhesives, and in the production of aromatic polyether imides.
Demoxytocin (INN) (brand names Sandopart, Odeax, Sandopral), also known as desaminooxytocin or deaminooxytocin, as well as 1-(3-mercaptopropanoic acid)oxytocin ([Mpa1]OT), is an oxytocic peptide drug and synthetic analogue of oxytocin that is marketed in several European countries, including Italy, Czechoslovakia, and Poland. It has the amino acid sequence Mpa-Tyr-Ile-Gln-Asn-Cys-Pro-Leu-Gly-NH2 (Mpa = β-mercaptopropionic acid), and is an analogue of oxytocin wherein the leading cysteine is replaced with β-mercaptopropionic acid. Demoxytocin has similar activities as oxytocin, but is more potent and has a longer half-life in comparison. Unlike oxytocin, which is given via intravenous injection, demoxytocin is administered as a buccal tablet formulation. It is used to induce labor,promote lactation, and to prevent and treat puerperal (postpartum) mastitis (breast inflammation). The drug was first synthesized in 1960 and was introduced into clinical practice in 1971 by Sandoz.
Fantasy is a genre of fiction that uses magic or other supernatural elements as a main plot element, theme, or setting. Many works within the genre take place in imaginary worlds where magic and magical creatures are common. Fantasy is generally distinguished from the genres of science fiction and horror by the expectation that it steers clear of scientific and macabre themes, respectively, though there is a great deal of overlap between the three, all of which are subgenres of speculative fiction.
In popular culture, the fantasy genre is predominantly of the medievalist form. In its broadest sense, however, fantasy comprises works by many writers, artists, filmmakers, and musicians, from ancient myths and legends to many recent and popular works.
Fantasy is studied in a number of disciplines including English and other language studies, cultural studies, comparative literature, history, and medieval studies. Work in this area ranges widely, from the structuralist theory of Tzvetan Todorov, which emphasizes the fantastic as a liminal space, to work on the connections (political, historical, literary) between medievalism and popular culture.
Fantasy was a British pulp science fiction magazine which published three issues in 1938 and 1939. The editor was T. Stanhope Sprigg; when the war started, he enlisted in the RAF and the magazine was closed down. The publisher, George Newnes Ltd, paid respectable rates, and as a result Sprigg was able to obtain some good quality material, including stories by John Wyndham, Eric Frank Russell, and John Russell Fearn.
The first U.S. science fiction (sf) magazine, Amazing Stories, was imported into the U.K. from its launch in 1926, and other magazines from the U.S. market were also available in the U.K. from an early date. However, no British sf magazine was launched until 1934, when Pearson's launched Scoops, a weekly in tabloid format aimed at the juvenile market. Soon Haydn Dimmock, Scoops' editor, began to receive more sophisticated stories, targeted at an adult audience; he tried to change the magazine's focus to include more mature fiction but within twenty issues falling sales led Pearson's to kill the magazine. The failure of Scoops gave British publishers the impression that Britain could not support a science fiction publication.
"Fantasy" is the debut single by Canadian rock musician Aldo Nova and is his most popular work to date. Released on his eponymous debut album in 1981, the song climbed to #3 on the Mainstream rock chart, and #23 on the Billboard Hot 100 singles chart. The song was featured in a flashback sequence in the final episode of the popular television series Rob & Big. A cover version of the song, performed by Steel Panther, is the current theme song for the MTV show Rob Dyrdek's Fantasy Factory.
VH1 listed it at #78 on its countdown for the 100 Greatest One Hit Wonders of the 80s.
The video shows Aldo performing with his band at a concert. It is best remembered for its intro, which starts out with a man holding an electric guitar and two bodyguards holding machine guns, waiting for someone. Then comes a helicopter, landing from the sky, and Aldo comes out in a very contoured leopard-print suit, being escorted to the stage. When they encounter a locked door, which the bodyguards can't open, Aldo grabs his guitar and fires a laser into the door and it opens.
Somewhere in the ether they are talking ship to shore
but the lines that bound an empire do not run here
anymore
Hear the hooters calling at the breaking of the day
They call to wake the master, but the master's gone
away
And it's goodbye, windy city
You widow dressed in black
I'm going someplace warmer
and I'm never coming back
Never coming back
You wore yourself to shadow
Your fingers to the bone
You raised too many children
Now you watch them leaving home
And all your rooms are narrow
All your skies are clouds
Do you know what love really is
Can you say the word out loud
And it's goodbye, windy city
You widow dressed in black
I'm going someplace warmer
And I'm never coming back
Never coming back
We went to church on Sunday
We wore our Sunday best
We went to work on Monday
The damned just like the blessed
Just like the blessed
Some walk down by the water To see the seagulls cry
You can spend your whole life fishing and watch your
day go drifting by
I hear the hooters calling, but I cannot stop or stay
The train is in the station and it's taking me away
So it's goodbye, windy city
You widow dressed in black
I'm going someplace warmer
and I'm never coming back
No, never coming back
Yes, it's goodbye, windy city
You widow dressed in black
I'm going someplace warmer
and I'm never coming back