D'eux means "of them" or "about them," "Deux" is "two" in French.
Deux (Hangul: 듀스) was a South Korean hip hop duo popular in early 1990s. The duo consisted of Lee Hyun Do and Kim Sung Jae. They were not only colleagues when they were the 2nd generation of the hip hop group, Hyun Jin Young and Wawa but also close friends to each other. Hip-hop music that was once considered an exclusive music for African-Americans until the early 1990, appeared in South Korea as a mixed form of dance music and rap, called "rap dance". In the mid-1990s hip hop gained great popularity in South Korea and Deux has been considered frontiers of Korean hip hop music along with Seo Taiji and Boys, Kim Gun Mo and DJ Doc. Lee composed their music while Kim took care of choreography and styling. Some of Deux's music has appeared in the Pump it Up. The songs are We Are, Come Back To Me, and Out of the Ring.
A due [a dˈduːe] in Italian or à deux [a dø] in French is a musical direction meaning "for two". Most often seen in its abbreviated form a2, the marking signifies that on a staff that normally carries parts for two players, both players are to play the single part in unison. It is generally seen in scores and parts where two players or sections of the same instrument share a staff. The instruction a2 indicates that both players or sections should play the notes indicated, while primo and secondo (often abbreviated to 1. and 2. or Io and IIo) indicate that only a single player or section should play while the other remains tacet.
Fade or Fading may refer to:
In stage lighting, a fade is a gradual increase or decrease of the intensity of light projected onto the stage. The term fade-in refers to gradually changing the lighting level from complete darkness to a predetermined lighting level. A fade-out (also known as fade-to-black) refers to gradually decreasing the intensity of light until none is shining on the stage. A crossfade is when lighting levels are gradually altered from one setting to another. A fade-in is sometimes called a build, and where this terminology is used, a fade is understood to be a fade-out.
Increasing lighting intensities that are not black is referred to as a fade-up. Similarly, decreasing lighting intensities to a level above black is referred to as a fade-down.
Cross-fades are accomplished by executing fade-ups and/or fade-downs. In nearly all theatrical lighting designs, multiple lighting instruments are used to illuminate the stage at any one time. A cue refers to the recorded state of illumination for the entire stage at that time. The intensity of the lighting instruments are often altered with a single crossfade, altering the lighting state of the stage.
"Fade" is a song by Staind from their 2001 album Break the Cycle, released as the third single from the album in late 2001. It was the last song played on MTV before turning to CBS's broadcast following 9/11.
It became the second highest charting single from Break the Cycle on the Billboard Hot 100, when it peaked at No. 62. It also charted on the Modern Rock Tracks and Mainstream Rock Tracks lists, at No. 4 and No. 3, respectively.
A music video was made for the song, directed by Marcus Raboy.
[Verse 1: Ampachino]
Yo the club packed what it do what it do
You could go in the parking lot pimp do what ya do
Sippin' on bottles of blue and bottles of gold
Blowin' purp in the V.I. wid some modelling hoes
Yo when the drinks come make sure the bottles is cold
Follow my lead mammy talkin' bout swallowin' me
I got my gun in the club but I'm ready to fight
And my watch and my chain look just like a strobe light
So Fed said he got four hoes that's gon' dyke
I got four to match it's gon' be a long night
We ballin' cuzzin' it look like I pitch for the White Sox
Put my chain in her Remy she wanted it on the rocks
She, wanted to dance she felt the gun in my pants
I'm holdin' her hands hold on ma' I ain't yo man
By the way where ya friends, this shit about to end
Fed pulled up in a Benz wid a set of twins what it do
[HOOK: Sample looping]
[Verse 2: Fed-X]
It's the god I'm so high let's fly away on a G-4
It's fifty states I'm place to placee they want more
And praise the Lord they wanna bow to the king
I'm your honor the new dude mister Forbes magazine and still,
Debiassi when I answer my cell phone corporate
Big business skyscraper stackin' large paper
Gotta get 'em we gotta get 'em we get them what
The ninety-one H-K'll make yo hood duck
I floss wid dimes you move wid a hood slut
My whips custom you waitin' on ya good luck
Yeh, it's real
[HOOK]
[Verse 3: Fed-X]
Come on, you know I'm just that dude
And I'm just so cool plus my mouth so rude
It's the don they say I'm godzilla and king kong
Gorilla wid a fifty cal in Cali they love me
Sewers or the streets you know the hoods they dug me
I put it in the air and now ya girl wanna trust me
She rub me they wanna kiss on the god body
Ya whores wanna rape this, prince in a spaceship
So taste this white stuff on ya facelift
The groupies wanna take over huggin' on a god's poster
I push off in a concept these bitches wet
The world is mine my watch is full of begets
The chain hang to my designers ya honors my name
Like half a mil I'm in the bizness not in the game