FF Meta is a humanist sans-serif typeface family designed by Erik Spiekermann and released in 1991 through his FontFont library. According to Spiekermann, FF Meta was intended to be a “complete antithesis of Helvetica,” which he found “boring and bland.” It originated from an unused commission for the Deutsche Bundespost (West German Post Office). Throughout the 1990s, FF Meta was embraced by the international design community with Spiekermann and E. M. Ginger writing that it had been dubiously praised as the Helvetica of the 1990s.
FF Meta has been adopted by numerous corporations and other organizations as a corporate typeface, for signage or in their logo. These include Imperial College London, The Weather Channel, Free Tibet, Herman Miller, Zimmer Holdings, and Fort Wayne International Airport.
Characteristics of this typeface are:
Meta (from the Greek preposition and prefix meta- (μητά-) meaning "after", or "beyond") is a prefix used in English to indicate a concept which is an abstraction from another concept, used to complete or add to the latter.
In Greek, the prefix meta- is generally less esoteric than in English; Greek meta- is equivalent to the Latin words post- or ad-. The use of the prefix in this sense occurs occasionally in scientific English terms derived from Greek. For example: the term Metatheria (the name for the clade of marsupial mammals) uses the prefix meta- merely in the sense that the Metatheria occur on the tree of life adjacent to the Theria (the placental mammals).
In epistemology, the prefix meta- is used to mean about (its own category). For example, metadata are data about data (who has produced them, when, what format the data are in and so on). In database metadata are also data about data stored in a data dictionary and describes information (data) about database tables such as the table name, table owner, details about columns, – essentially describes the table. Also, metamemory in psychology means an individual's knowledge about whether or not they would remember something if they concentrated on recalling it. The modern sense of "an X about X" has given rise to concepts like "meta-cognition" (i.e. cognition about cognition), "meta-emotion" (i.e. emotion about emotion), "meta-discussion" (i.e. discussion about discussion), "meta-joke" (i.e. joke about jokes), and "metaprogramming" (i.e. writing programs that manipulate programs).
In chemistry, meta is a prefix, used for systematic names in IUPAC nomenclature. It has several meanings.
The Roman circus (from Latin, "circle") was a large open-air venue used for public events in the ancient Roman Empire. The circuses were similar to the ancient Greek hippodromes, although circuses served varying purposes and differed in design and construction. Along with theatres and amphitheatres, Circuses were one of the main entertainment sites of the time. Circuses were venues for chariot races, horse races, and performances that commemorated important events of the empire were performed there. For events that involved re-enactments of naval battles, the circus was flooded with water.
According to Edward Gibbon, in Chapter XXXI of his work The History of the Decline and Fall of the Roman Empire, the Roman people, at the start of the 5th century:
The performance space of the Roman circus was normally, despite its name, an oblong rectangle of two linear sections of race track, separated by a median strip running along the length of about two thirds the track, joined at one end with a semicircular section and at the other end with an undivided section of track closed (in most cases) by a distinctive starting gate known as the carceres, thereby creating a circuit for the races. The Circus of Maxentius epitomises the design.
Tunnel seems so long
Touching the bottom
A slim reflexion
Punctured my vision
I didn't notice
Beside the last door
Standing on nothing
There was a mirror
Even inside... scrutinized
I am, he is, the face I hate
Refracting cells and prismed self
Who's X who's y in a blank place
I can't believe this is my image
Like the mirror without a frame
Baring a scarred side
Open in daylight
Recoil and reply
Farside of my pride
The introspection
Ruptures the blood core
Magnification
Draws out the mirror
Seeking me out
What will he find?
I am, he is, a repugnant state
I can't shake this curiosity
My privacy starts to fade
I can't believe this is my image
Like the mirror
A polar exchange
He gloating over my fleeting image
He used to be me
He knows who is free
How long will I wait... here
Stuck in this void place... here
I can't believe I am the immage
Within the mirror
Into the chrome lake
The glass is broken