Expo 2020

Expo 2020 is a Universal scale Registered Exposition time slot sanctioned by the Bureau of International Expositions (BIE), Paris on 27 November 2013. Dubai in the United Arab Emirates won the right to hold Expo 2020.

Parameters

As a Registered Exposition it may be a maximum of six months in length and adhere to a wide universal theme that applies to all humanity. Past themes of Universal Expositions include "Man and His World" Montreal Expo 67, "Leisure in the Age of Technology" Brisbane Expo 88 and "Discovery" Seville Expo 92.

Bids and bidding

Once the first city had lodged a bid with the BIE, other cities had six months to respond. In early 2011, Izmir of Turkey and Ayutthaya of Thailand submitted bids to the BIE, initiating the six-month window for other cities to bid. When this window closed on 2 November 2011, there were five prospective cities, with Dubai making a last minute entry. The BIE voted and selected the host city on 27 November 2013.

Five cities originally bid for the slot for a world's fair in 2020, with four remaining: Dubai, United Arab Emirates; Yekaterinburg, Russia; Izmir, Turkey; or São Paulo, Brazil. Expo 2020 will represent a first as a Middle Eastern destination will be hosting the event for the first time.

Expo

Expo may refer to:

See also

Expo (album)

Expo is the second album from the Robert Schneider solo project Marbles and is the follow-up to the 1997 release Pyramid Landing (And Other Favorites). Whereas Pyramid Landing was a showcase of experimental pop songs, Expo focuses more sharply on electronic pop music, similar to that of Gary Numan, one of Schneider's influences on the Expo. Other influences include Electric Light Orchestra, Brian Eno, Phoenix and The Cars. The liner notes for the album state a dedication to "Marci and Max". The album was released in 2005.

Track listing

All tracks written by Robert Schneider.

Bonus material

On the CD release, there are six bonus mp3s that can be accessed by a computer. They include:

Expo (Stockhausen)

Expo, for three performers with shortwave receivers and a sound projectionist, is a composition by Karlheinz Stockhausen, written in 1969–70. It is Number 31 in the catalogue of the composer's works.

Conception

Expo is the penultimate in a series of works dating from the late 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary considerably from one performance to the next. In Expo and three companion works (Kurzwellen for six performers, Spiral for a soloist, and Pole for two), this material is to be drawn spontaneously during the performance from short-wave radio broadcasts (Kohl 1981, 192–93). The processes, indicated primarily by plus, minus, and equal signs, constitute the composition and, despite the unpredictability of the materials, these processes can be heard from one performance to another as being "the same" (Kohl 2010, 137).