Evi (formerly True Knowledge) is a technology company in Cambridge, England, founded by William Tunstall-Pedoe, which specialises in knowledge base and semantic search engine software. Its first product was an answer engine that aimed to directly answer questions posed in plain English text, which is accomplished using a database of discrete facts. The True Knowledge Answer engine was launched for private beta testing and development on 7 November 2007.
In January 2012 True Knowledge launched a major new product Evi (pronounced ee-vee), an artificial intelligence program which can be communicated with using natural language via an app on iPhone and Android.
The company changed its name from True Knowledge to Evi in June 2012.
In October 2012, Evi was acquired by Amazon and is now part of the Amazon group of companies.
The True Knowledge Answer Engine attempts to comprehend posed questions by disambiguating from all possible meanings of the words in the question to find the most likely meaning of the question being asked. It does this by drawing upon its database of knowledge of discrete facts. As these facts are stored in a form that the computer can understand, the answer engine attempts to produce an answer to what it comprehends to be the question by logically deducing from them.
Evi or EVI may refer to:
Ševiš is a village in the municipality of Prokuplje, Serbia. According to the 2002 census, the village has a population of 23 people.
Coordinates: 43°06′02″N 21°33′27″E / 43.10056°N 21.55750°E / 43.10056; 21.55750
This list contains persons named in the Bible of minor notability, about whom either nothing or very little is known, aside from any family connections.
In Jeremiah 36:26, Abdeel (Ab'dēel) (Hebrew עַבְדְּאֵל "servant of God"; akin to Arabic Abdullah), father of Shelemiah, one of three men that were commanded by King Jehoiakim to seize the prophet Jeremiah and his secretary Baruch. The Septuagint omits his name.
The name Abdi (Hebrew עַבְדִּי) is probably an abbreviation of Obediah, meaning "servant of YHWH", according to the International Standard Bible Encyclopedia. Easton's Bible Encyclopedia, on the other hand, holds that it means "my servant". The name "Abdi" appears three times in the Bible.
Software is a 1982 cyberpunk science fiction novel written by Rudy Rucker. It won the first Philip K. Dick Award in 1983. The novel is the first book in Rucker's Ware Tetralogy, and was followed by a sequel, Wetware, in 1988.
Software introduces Cobb Anderson as a retired computer scientist who was once tried for treason for figuring out how to give robots artificial intelligence and free will, creating the race of boppers. By 2020, they have created a complex society on the Moon, where the boppers developed because they depend on super-cooled superconducting circuits. In that year, Anderson is a pheezer — a freaky geezer, Rucker's depiction of elderly Baby Boomers — living in poverty in Florida and terrified because he lacks the money to buy a new artificial heart to replace his failing, secondhand one.
As the story begins, Anderson is approached by a robot duplicate of himself who invites him to the Moon to be given immortality. Meanwhile, the series' other main character, Sta-Hi Mooney the 1st — born Stanley Hilary Mooney Jr. — a 25-year-old cab driver and "brainsurfer", is kidnapped by a gang of serial killers known as the Little Kidders who almost eat his brain. When Anderson and Mooney travel to the Moon together at the boppers' expense, they find that these events are closely related: the "immortality" given to Anderson turns out to be having his mind transferred into software via the same brain-destroying technique used by the Little Kidders.
Software is Grace Slick's 1984 album released by RCA Records. This album was recorded after she had re-joined Jefferson Starship. After working on this album, Peter Wolf would go on to contribute to Jefferson Starship's 1984 album, Nuclear Furniture. A music video was made for the single "All the Machines". "Software" is Grace Slick's fourth and final solo album.
Software has been described as Slick's attempt to assimilate with the techno-pop artists of the period. Guitar use is largely replaced by synthesizers and electric drums. Slick's trademark wailing vocals and improvising is replaced by more short short, precise bursts. The album failed to chart.
All lyrics by Grace Slick / music by Peter Wolf except where noted