Europeana.eu is an internet portal that acts as an interface to millions of books, paintings, films, museum objects and archival records that have been digitised throughout Europe. Mona Lisa by Leonardo da Vinci, Girl with a Pearl Earring by Johannes Vermeer, the works of Charles Darwin and Isaac Newton and the music of Wolfgang Amadeus Mozart are some of the highlights on Europeana.
More than 2,000 institutions across Europe have contributed to Europeana. These range from major international names like the Rijksmuseum in Amsterdam, the British Library and the Louvre to regional archives and local museums from every member of the European Union. Together, their assembled collections let users explore Europe's cultural and scientific heritage from prehistory to the modern day.
The catalyst for Europeana was a letter sent by Jacques Chirac, President of France, together with the premiers of Germany, Spain, Italy, Poland and Hungary to the President of the European Commission, José Manuel Durão Barroso, in April 2005. The letter recommended the creation of a virtual European library, to make Europe's cultural heritage accessible for all.
Europeana 1914-1918 is a major project to digitise and publish primary and secondary historical sources on the First World War. It is coordinated by Europeana, as part of a broader program to digitise European cultural heritage.
The collection is composed of three major elements. The first, also titled Europeana 1914-1918, gathers digitised memorabilia and personal stories from individuals, including a series of public workshops where material can be scanned or photographed. The second, Europeana Collections 1914-1918, is a coordinated digitisation program by ten major libraries across eight European countries. The third element, EFG1914, is a project to digitise a substantial number of wartime silent films through the European Film Gateway.
The Europeana 1914-1918 project was publicly announced in 2011, as "Europeana Collections 1914-1918: Remembering the First World War", with the goal of digitising over 400,000 source items from thirteen institutions. The original plan called for around 425,000 digitised items from the partner institutions. This would sit alongside 27,000 items (mostly photographs from the UK and France) already in Europeana, and include around 75,000 items already digitised but not yet added to Europeana. The focus was to be on "special collections" - manuscripts, artwork, rare books, maps, music, etc. - with the goal that most material provided would be rare or unique. Material would be hosted by the institutions but accessible through an aggregated service, and where possible copyright issues would be resolved to ensure maximal reusability of material.
[DMX:]
Ayo dog, where you been? (Lookin up right there)
When you gon hit a skin? (It's already there)
Ayo the game really needs you (So I go harder)
And when they say "yo fuck that nigga", then I'm start a...
War, it just might turn out to be (WHAT)
Six months, motherfuckin record spree
Cats disrespected what it means to rap
Went away, made a few moves and came right back to trap
That's how you do bitch niggas
Straight out the hood, right up to rich niggas
None of y'all cats is out of touch
I could reach all of y'all and it don't take much
Every party we do, we gon bring at least ten
Robbery dudes, all make robbery moves
To these dudes, the robbery is food
Nigga don't want to wait, come on dog, pass the plate
How the fuck you gon talk about crew, hold up
Whatever I rep, the whole fuckin world throw up
Slow up or get put down, shut down
I puttin my foot down, it is what it is, baby, what now
Whooo, all you cats is builts for nothin but frontin
Stop the bluffin, for real, you now want nothin
Niggas don't want no parts of Free
And you don't want a motherfuckin thing from me
H-E-L-P F-A-S-T
E-N-D up in the emergency
The urgency to break niggas down with
Cause you know, out the gates, I'm not to be fucked around with, nigga
[DMX (Freeway):]
What we gon do is (What we gon do is)
Party (We gon party)
What we gon do is (Rock all my crew)
We came to party
What we gon do is
We all came to get down
Dun dun dun dun dun dun dun dun dun
[Freeway:]
I been out on the block, soon as it drops
So I'm gon spit harder, and if you yell... I'm a start some
Shit from the rip, I'm a bring out the pump
Make them blow up and crunch when I air out the clique
They don't want it with the Roc-A-Fella pitbull
Sick, so I carry and I will bury your clique bitch
It's the frontline of X
I'm two-steppin, got my weapon and the extra nine
And you get wet if you over step the line
And oh yeah, call the doctor while I find the vet
You little niggas better eat your vegetables
Get your weight up, be back out to bless y'all
Me and Dark Man got it mapped out
My nick name Hawk Man, don't get your face cut
Countin scars and gon get your place rushed
From me and my nation, with my gun glow in the dark man
You hear and see and hear what it's sparks man
Free is here, my strong man, give up your safe, buck
Yup, so fuck what you heard
He can't see me in the battle cause I battle with the burner
And I know you wanna battle, cock back the burner
And I let a nigga have it with the rat-tat-tat
And if I'm askin to battle and
He try to battle Free and he gave em what he wanted
With a shot to the stomach, if his crew got a problem
We can shoot it out, midnight to the morning hour
[DMX (Freeway):]
What we gon do is (What we gon do is)
Party (We gon party)
What we gon do is (Rock with my crew)
We cam to party
What we gon do is
We all came to get down
Dun dun dun dun dun dun dun dun dun