Esther Fernández

María Esther Fernández González, better known as Esther Fernández (August 23, 1917 in Mascota, Jalisco Mexico – October 21, 1999 in Mexico City, Mexico), was a Mexican film and television actress. She was one of the first female major stars of the "Golden Age of Mexican cinema" in the 1930s and 1940s.

Life and career

Fernández began her career as an extra in the film La Mujer del Puerto (1934). Her beauty and charisma drew the attention of film director Fernando de Fuentes, who gave her the female lead role of Allá en el Rancho Grande (1936), opposite Tito Guizar. The film is regarded as marking the start of the Golden Age of Mexican cinema.

During the rest of the 1930s, Fernández acted in hit movies including Amapola del Camino (1937), with Andrea Palma and Tito Guizar; Mi Candidato (1938), with Joaquín Pardavé and Pedro Armendàriz; and Los de Abajo, with Isabela Corona and Emilio Fernández. Her popularity caught the attention of Metro-Goldwyn-Mayer, which promoted her films in Latin America and invited her to work in Hollywood.

Esther

Esther (/ˈɛstər/; Hebrew: אֶסְתֵּר, Modern Ester, Tiberian ʼEstēr), born Hadassah, is the eponymous heroine of the Book of Esther.

According to the Hebrew Bible, Esther was a Jewish queen of the Persian king Ahasuerus. Ahasuerus is traditionally identified with Xerxes I during the time of the Achaemenid empire. Her story is the basis for the celebration of Purim in Jewish tradition.

In the Bible

King Ahasuerus (Xerxes I) held a 180-day feast in Susa (Shoushan). While in "high spirits" from the wine, he ordered his queen, Vashti, to appear before him and his guests to display her beauty. But when the attendants delivered the king's command to Queen Vashti, she refused to come. Furious at her refusal to obey, the king asked his wise men what should be done. One of them said that all the women in the empire would hear that "The King Ahasuerus commanded Vashti the queen to be brought in before him, but she came not." Then these women would despise their husbands, which would cause many problems in the kingdom. Therefore it would be prudent to depose Vashti.

Esther (drama)

Esther is a play in three acts written in 1689 by the French dramatist, Jean Racine. It premiered on January 26, 1689, performed by the pupils of the Maison royale de Saint-Louis, an educational institute for young girls of noble birth. The subject is taken from the biblical Book of Esther.

Esther remains one of Racine's lesser known works as it has only three instead of the classical five acts. It dates from the last period of his career when he entered government work and was requested by Madame de Maintenon to return to liturgical drama. It is often negatively compared to Racine's 1691 biblical play written for Maintenon, Athalie.

Later reception

From the 1876 translation of Caroline Andrews:

In the reign of Louis XIV, a seminary for young ladies was founded at St. Cyr, at the persuasion of Madame Maintenon, who gave her entire attention to the education of 250 noble young ladies; who were educated free of expense until their 20th year. Racine was requested to compose a poem suitable for their instruction and amusement, and he proposed the subject of Esther; which he dramatized to the satisfaction of teachers and pupils, and which they declaimed and chanted with so much grace and modesty, that this little drama, intended only for the benefit of young pupils, became the admiration of king and court. Grand lords saw and applauded. As the translator has followed closely the original, she hopes to recommend the same to the attention of lady educators. And knowing that the Jews in the celebration of their Purim always read the book of Esther, it is thought the rehearsal of this drama might make a deeper impression on the minds of their youth and contribute to their entertainment.

Esther (Handel)

Esther (HWV 50) is an oratorio by George Frideric Handel. It is generally acknowledged to be the first English oratorio. Handel set a libretto after the Old Testament drama by Jean Racine. The work was originally composed in 1718, but was heavily revised into a full oratorio in 1732.

Masque (1718, revised 1720)

Esther began in 1718 as a masque, or chamber drama (HWV 50a), composed early in Handel's English career, and before the body of his success as an opera composer. It was first composed and performed at Cannons, where the Duke of Chandos employed Handel from 1716 - 1718 as resident composer writing for his patron's singers and small orchestra. Little is known about this first version of Esther. The version which survives is of a revision in 1720, also probably intended for private performance at Cannons, where the very wealthy Duke of Chandos employed a group of musicians and singers, and where Handel's Acis and Galatea, Handel's first non-religious vocal work in the English language, also had its premiere in 1718. The Cannons version of Esther was in six scenes with no break and written for an ensemble of one soprano, an alto, two tenors and two basses. Like Acis and Galatea, Esther may have been staged or semi-staged, with the soloists singing together to create a chorus when required. The author of the libretto is uncertain.