New Jersey

New Jersey is a state in the Northeastern and Middle Atlantic regions of the United States. It is bordered on the north and east by New York, on the southeast and south by the Atlantic Ocean, on the west by Pennsylvania, and on the southwest by Delaware. New Jersey is the fourth-smallest state, but the 11th-most populous and the most densely populated of the 50 United States. New Jersey lies entirely within the combined statistical areas of New York City and Philadelphia and is the second-wealthiest U.S. state by median household income as of 2014.

New Jersey was inhabited by Native Americans for more than 2,800 years, with historical tribes such as the Lenape along the coast. In the early 17th century, the Dutch and the Swedes made the first European settlements. The English later seized control of the region, naming it the Province of New Jersey after the largest of the Channel Islands, Jersey, and granting it as a colony to Sir George Carteret and John Berkeley, 1st Baron Berkeley of Stratton. New Jersey was the site of several decisive battles during the American Revolutionary War in the 18th century.

Pink Floyd bootleg recordings

Pink Floyd bootleg recordings are the collections of audio and video recordings of musical performances by the British rock band Pink Floyd, which were never officially released by the band. The recordings consist of both live performances and outtakes from studio sessions unavailable in official releases. In some cases, certain bootleg recordings may be highly prized among collectors, as at least 40 songs composed by Pink Floyd have never been officially released.

During the 1970s, bands such as Pink Floyd created a lucrative market for the mass production of unofficial recordings with large followings of fans willing to purchase them. In addition, the huge crowds that turned up to these concerts made the effective policing of the audience for the presence of recording equipment virtually impossible. Vast numbers of recordings were issued for profit by bootleg labels.

Some Pink Floyd bootlegs exist in several variations with differing sound quality and length because sometimes listeners have recorded different versions of the same performance at the same time. Pink Floyd was a group that protected its sonic performance, making recording with amateur recording devices difficult. In their career, Pink Floyd played over 1,300 concerts, of which more than 350 were released as bootlegged recordings (sometimes in various versions). Few concerts have ever been broadcast (or repeated once they were broadcast on television), especially during 'the golden age' of the group from 1966 to 1981.

WKXW

WKXW (101.5 FM, "New Jersey 101.5") is a radio station based just outside Trenton, New Jersey. The station is licensed to serve the Trenton area on 101.5 MHz FM and is also streamed on the station's website. It is owned by Townsquare Media. Its studios and offices are located in Ewing and its transmitter is located near the Quaker Bridge Mall in Lawrence Township in Mercer County, New Jersey. Its live internet radio stream can be found at Web Player or SHOUTcast Stream.

History

The station went on the air on August 27, 1962, as WBUD-FM and was owned by Dick Hardin. Its call letters subsequently changed to WBJH, which stood for Bill and Joy Hardin, the son and daughter-in-law of the owner. About 1977, the station changed calls to WTRT and called itself "The New T-101 FM". In 1980, the station became WKXW, under its new owner Fidelity Communications. It was playing a hot adult contemporary format as "The All New Kix 101 & A 1/2 FM" and later "Kix 101.5". By the late 80s, the station evolved into more of a gold based adult contemporary format. Its weekend Saturday oldies show evolved into an all oldies format from the 50's through early 70s on overnights and weekends before the change to its current weekday talk format, which came in 1990 when it was sold to Press Communications. The sale to Millennium Radio Group took place in 2001.

Essex (album)

Essex is the fourth studio album of singer/songwriter Alison Moyet. The album (although recorded in Liverpool) is named after the artist's native Essex, England and includes the singles "Falling" (1993), "Whispering Your Name", "Getting into Something" and "Ode to Boy II".

Essex was again a source of controversy for the singer. In order for the album to be released at all, her label (originally CBS/Columbia – as of 1988 a subsidiary label of Sony Music Entertainment) insisted that certain Essex tracks were to be re-recorded and re-produced, and that there be additional material remixed to create a more 'commercial' package. The acoustic ballad "Whispering Your Name" was for example turned into an upbeat dance single and released as the second single after "Falling" failed to live up to the label's expectations. The re-recording of "Ode To Boy", originally from Yazoo's 1983 album You and Me Both, was later given the dance remix treatment by Junior Vasquez.

Due to prolonged litigation with Sony, this was to be Moyet's last full-length studio album for over eight years.

Essex (UK Parliament constituency)

Essex was a constituency represented in the House of Commons of the Parliament of the United Kingdom from 1290 until 1832. It elected two MPs, traditionally referred to as Knights of the Shire, to the House of Commons. It was divided into two single member constituencies (Essex North and Essex South) in the Great Reform Act.

Area covered (current units)

Members of Parliament

1290-1640

1640-1832

Essex (Amtrak station)

Essex is a flag stop on Amtrak's Empire Builder. The conductor and engineer have computer-generated lists of any passengers needing to board or detrain, and thus know if the Empire Builder needs to stop in Essex on any given day. The community of Essex, Montana has a year-round population of less than 50. Most passengers are destined for nearby historic Izaak Walton Inn located just around a bend from the Essex platform.

There currently is no station building at Essex. In late 2010, Amtrak built a concrete platform with embedded heating coils for automatic snow clearance to replace the former asphalt platform, and also added additional lighting and fencing.

Since there is no station master at this stop, passengers cannot check baggage thru to Essex, but must carry all luggage onto the train.

A van from the Inn meets arriving Empire Builder passengers, with a promise to meet the train regardless of any lateness. The Izaak Walton Inn is open most of the year, but does close some week days in the off season, and may close for several weeks in November. Thus, be sure to check the Inn's schedule before booking train travel to the Inn during the off season.

What a Time to Be Alive

What a Time to Be Alive is a collaborative mixtape by Toronto-based rapper Drake and Atlanta-based rapper Future. It was released on September 20, 2015 via the iTunes Store and Apple Music. The mixtape was released under the labels of A1, Cash Money, Epic, OVO Sound, Freebandz, Republic and Young Money.

The mixtape debuted at number one on the US Billboard 200. The artwork is a stock image that was purchased from Shutterstock.

Release and promotion

The mixtape was first teased by a range of sources including DJ SKEE, Angela Yee and Ernest Baker, and was officially announced on Drake's Instagram on September 19, 2015, when he revealed the mixtape's release date and cover art. Drake and Future premiered the album on Beats 1 on OVO Sound's "OVO Sound Radio" show on September 20, 2015, after which it was released on the iTunes Store and Apple Music.

Critical reception

What a Time to Be Alive received generally positive reviews from critics, receiving a normalized metascore of 70 out of 100 on the review aggregate website Metacritic based on 24 critics.Billboard described Drake and Future's chemistry as expected and said "Future deals with personal demons that he tries, and fails, to drown in drugs; Drake is mostly about insecurities and lesser gravity".Rolling Stone gave the album 3.5 out of 5 stars, attributing the "fresh and spontaneous" feel to the quick production of the album, where "both artists [are] playing off their louder-than-life personalities without overthinking the details." However, Sheldon Pearce in a Pitchfork Media review suggests that this limited time-frame for making the album is the sonic downfall of the mixtape arguing that the album "wasn't created with the care or the dutiful curation we've come to expect from both artists when solo."