In philosophy, essence is the attribute or set of attributes that make an entity or substance what it fundamentally is, and which it has by necessity, and without which it loses its identity. Essence is contrasted with accident: a property that the entity or substance has contingency, without which the substance can still retain its identity. The concept originates with Aristotle, who used the Greek expression to ti ên einai (τὸ τί ἦν εἶναι, literally meaning "the what it was to be" and corresponding to the scholastic term quiddity) or sometimes the shorter phrase to ti esti (τὸ τί ἐστι, literally meaning "the what it is" and corresponding to the scholastic term haecceity) for the same idea. This phrase presented such difficulties for its Latin translators that they coined the word essentia (English "essence") to represent the whole expression. For Aristotle and his scholastic followers, the notion of essence is closely linked to that of definition (ὁρισμός horismos).
In the history of western thought, essence has often served as a vehicle for doctrines that tend to individuate different forms of existence as well as different identity conditions for objects and properties; in this eminently logical meaning, the concept has given a strong theoretical and common-sense basis to the whole family of logical theories based on the "possible worlds" analogy set up by Leibniz and developed in the intensional logic from Carnap to Kripke, which was later challenged by "extensionalist" philosophers such as Quine.
Essence is Lucinda Williams' sixth album. It was released in 2001. The album debuted on the Billboard 200 at number 28, selling about 44,500 copies in its first week. According to Billboard as of February 2008, the album had sold 336,000 copies in the U.S.
Essence was highly anticipated coming after a three-year gap from her lauded Car Wheels on a Gravel Road and the critical reviews reflect that. Although positive, none rate the album as highly as her breakthrough. Robert Christgau, who raved about Car Wheels, called the album "imperfect" but still praised her artistry saying "[she] is too damn good to deny." Reviewers noted the difference in tone between the two albums with Rolling Stone citing the "willful intimacy" of the music while Spin contrasted its "halting, spare" presentation with Car Wheels "giddy, verbose" one. In a review posted by Salon the album was called "an emotional mess of a masterpiece".
Q listed Essence as one of the best 50 albums of 2001.
Essence is the attribute (or set of attributes) that make an object or substance what it fundamentally is.
Essence may also refer to:
Feint is a French term that entered English via the discipline of swordsmanship and fencing. Feints are maneuvers designed to distract or mislead, done by giving the impression that a certain maneuver will take place, while in fact another, or even none, will. In military tactics and many types of combat, there are two types of feints: feint attacks and feint retreats.
A feint attack is designed to draw defensive action towards the point under assault. It is usually used as a diversion to force the enemy to concentrate more manpower in a given area, to weaken the opposing force in another area. Unlike a related diversionary maneuver, the demonstration, a feint involves actual contact with the enemy.
A feint retreat is performed by briefly engaging the enemy, then retreating. It is intended to draw the enemy pursuit into a prepared ambush, or to cause disarray. For example, the Battle of Hastings was lost when Saxons pursued the Norman cavalry. This forfeited the advantage of height and the line was broken, providing the opportunity to fight in single handed combat on a neutral vantage point, a battle for which the Saxons were not ready. The Parthian shot is another example of a feint retreat, where mounted Parthian archers would retreat from a battle and then, while still riding, turn their bodies back to shoot at the pursuing enemy.
The Phantom Agony is the first full-length studio album by Dutch symphonic metal band Epica. It was released in 2003 by the Dutch label Transmission Records. It is the first album recorded by guitarist Mark Jansen after his departure from the band After Forever. On this album, Mark Jansen continues with the collection of songs that make up "The Embrace That Smothers". The first three parts can be found on Prison of Desire (2000), After Forever's debut album, and the following three parts can be found on The Divine Conspiracy (2007), Epica's third album. These songs deal with the dangers of organized religion.
The album was re-released on 23 March 2013, which coincided with Epica’s 10th anniversary Retrospect show, as a 2-disc expanded edition by Epica’s former record label Transmission Records.
"The Phantom Agony" was the first single of the eponymous album. It was released in October 2003.
Like your feelings and the seasons
Everything can change
Life's Chamelion without reason
Gives and takes away
We are drifters, all together
In a world of castaways
Undercurrents overcome us
Or were swept out with the waves
Take me away, my world is drowning me
Now that I know myself I finally see
The ever changing tide
Has turned around again
Takes me for a ride
To the ocean's end
Carry on
Carry on
Carry on
It ain't easy being lonesome
In these unforgiving days
We find lifeboats, call them lovers
And its sad to see them stray
We are hopeless, then we are hopefull
But all we really know
Like your feelings and the seasons everything must go
Take me away my world is drowning me
Now that I know myself I finally see
The ever changing tide
Has turned around again
Takes me for a ride
Back to the ocean's end
Carry on
Carry on
Carry on
Noone really know theres no predicting our way out
All we have is right now
It flows through you feel it now
The ever changing tide
Has turned around again
Takes me for a ride
to the ocean's end
My innocence is crying
never have ya been
Im at the oceans side
Feeling it again
The ever changing tide
(the everchanging tide)
Has turned around again
(has turned around again)
Takes me for a ride
To the ocean's end
Carry on
Carry on