The Presence is a fictional representation of God, and is a character in comic books published by DC Comics. The character debuted in More Fun Comics #52 (February 1940), and was created by Jerry Siegel and Bernard Baily.
The presence first appears in More Fun Comics #52 as The Voice, the disembodied "Voice of the Presence" who empowers Jim Corrigan as the Spectre. It was created in this story by Jerry Siegel and Bernard Baily.
The religious cosmology of the DC Universe is complex with many pantheons of deities co-existing alongside each other. It involves elements from multiple religions, mythologies, and modern created concepts such as the Endless. It is not always clear how the Abrahamic God fits into this — for example, one particular Wonder Woman storyline by Eric Luke featured the Greek Titans fighting Judeo-Christian angels and Hindu Gods. According to writer Greg Rucka in an interview about his Final Crisis: Revelations miniseries, "The sort of unspoken rule in the DCU is that God sits above all others."
Sergei Krylov is a fictional character in the Marvel Comics Universe.
As a younger man, Sergei was a Russian nuclear physicist born in Minsk, Soviet Union. His twin children, Nikolai Krylenko and Laynia Petrovna were taken from birth by the Soviet government to be trained as soldiers, after their mutant natures manifested.
Sergei eventually became one of the most influential men behind the scenes of the Soviet government. However, despite being a scientific genius, he was also quite mad. He caused a Chernobyl-like nuclear disaster in the "Forbidden Zone" using cobalt radiation baths and a nuclear blast, which transformed Tania Belinsky into his super-powered thrall as the second Red Guardian. The nuclear energy transformed Sergei into a superhuman being as well, and he could now generate nuclear energy within his own body for various uses. Sergi began calling himself "The Presence". The Presence and Red Guardian battled the Defenders when they came to find her. The Presence left when she regained her free will and spurned him. Soon after, the Presence battled a giant mutated amoeba in the "Forbidden Zone", and was then reunited and reconciled with Red Guardian.
In an amplifier, a presence control boosts the upper mid-range frequencies to make the sounds of voices and instruments with similar tonal ranges seem more "present".
On television production studio's sound desk, there can be several presence controls, for several different, switchable, frequencies. There is a limit to the flexibility of such controls, and they are sometimes insufficient. If the degree of mis-match between microphones is great, simply increasing presence is not enough, and instead a sound engineer will use a graphic equalizer, sometimes several, each connected to an individual sound channel.
Presence controls can also be found on electric guitar amplifiers. The first presence control on a Fender amplifier, for example, appeared in 1954 on the Twin. In 1955 it appeared on the 1/15 Pro-Amp, the 3/10 Bandmaster, the 2/10 Super, and the 4/10 Bassman. The original Fender presence control acted upon the amplifier's negative-feedback loop. As the level of "presence" was increased, so more and more of the higher frequencies in the negative-feedback loop were dumped to ground, leaving the low and mid-range frequencies. Increasing the presence resulted in there being less and less negative feedback on high frequencies. The effect varied according to amplitude.
Escape (Norwegian: Flukt) is a 2012 action-thriller film directed by Roar Uthaug. It stars Isabel Christine Andreasen and Milla Olin as girls in 14th century Norway who must escape bandits led by Ingrid Bolsø Berdal. It premiered at the Slash Film Festival and was released in Norway in September 2012.
In fourteenth century Norway, 19-year-old Signe, her younger brother, and her parents travel through lands made dangerous by the lawlessness following the Black Death. Bandits led by Dagmar kill her entire family; Dagmar herself murders Signe's brother as she watches helplessly. Before the bandits can kill Signe, Dagmar stops them and orders them to take her prisoner. At their camp, Signe meets Frigg, a young girl that Dagmar has adopted. When Frigg shows kindness to Signe, Dagmar chastises her and says that Signe deserves no compassion, as her people have driven them to banditry.
Arvid, Dagmar's lover, stops Loke from raping Signe. As the others watch Arvid and Loke fight, Signe strains to recover Loke's dropped knife. Frigg notices and alerts Dagmar, who tasks Frigg with Signe's punishment, cutting off a finger. When Signe calls Dagmar a witch, Dagmar gloats that she will soon allow the men to rape Signe, as she wants Frigg to have a younger sister. Instead of cutting off Signe's finger, Frigg frees her. As the others sleep, the two girls sneak out of the camp. The bandits wake and give chase, though Signe and Frigg evade them in the nearby forest.
Escape is a book by Carolyn Jessop and Laura Palmer. It discusses Jessop's upbringing in the FLDS polygamous community. Her childhood was affected by the sect's suspicion of outsiders, the division that took place in that FLDS in the 1970s and '80s and by the increasing strictness of the sect her family belonged to. She experienced life with a mother who suffered from depression and was violent with her children. She observed conflict between her parents over celebrating Christmas and the effect of her surroundings and the strictness of the sect on her mother's mental condition and on her mother's relationship with her husband. Importantly for later, she observed and learned how to work round her mother's mood swings and how other children reacted to spanking so as to mitigate the violence but she also learned from her grandmother to take great pride in her church's tradition of plural marriage.
Carolyn wanted to go to college and study medicine but when her father went to seek permission for her to go to college, the condition was that she marry Merril Jessop. It was arranged that she marry Jessop in two days, and to prevent her running away, she had to sleep in her parents' bedroom. She wrote, "The idea of sexual or physical contact with a man thirty-two years my senior was terrifying " Merril Jessop already had three other wives.
Escape or Refuge (German:Zuflucht) is a 1928 German silent drama film directed by Carl Froelich and starring Henny Porten, Max Maximilian and Margarete Kupfer.
The film's sets were designed by the art director Franz Schroedter.