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In music, a radio edit is a modification to make a song more suitable for airplay, whether it be adjusted for length, profanity, subject matter, instrumentation, or form. Radio edits may also be used for commercial single versions, which may be denoted as the 7" version.
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Radio edits often shorten a lengthen a song to make it more commercially viable for radio stations. The normal length for songs played on the radio is 3 to 4 minutes. Occasionally, the song will simply fade out earlier, common on tracks with long instrumental endings. For instance, the radio edit of 'Heroes' by David Bowie fades in shortly before the beginning of the third verse and fades out shortly before the vocal vamping at the end of the song. However, many radio edits will also edit out verses, bridges, and interludes, such as the original single edit of "Piano Man" by Billy Joel which substitutes the end of the third verse for the ending of the second verse.
Some songs will be remixed heavily and feature different arrangements than the original longer versions, occasionally even being completely different recordings. A popular example of this would be "Revolution" by The Beatles which is a completely different recording than the version which appears on The White Album. This also became more prevalent with the rise of the 12" record, as artists like New Order started making songs specifically for the format. Many of the 7" mixes aimed for pop radio airplay of their songs feature very different arrangements, such as "Bizarre Love Triangle", or even a completely different recording, such as "Temptation".
Occasionally, very long songs do not have a radio edit, despite being as long as six or seven minutes in length. Famous examples of these include "Vicarious" (2006) by Tool at 7 minutes and 6 seconds, "Hey Jude" (1968) by The Beatles at 7 minutes and 11 seconds long, "Stairway to Heaven" (1971) by Led Zeppelin at 8 minutes and 3 seconds, "The Message" (1982) by Grandmaster Flash and the Furious Five at 7 minutes and 10 seconds, "One" (1989) by Metallica at 7 minutes and 24 seconds, and "American Pie" by Don McLean with a length of 8 minutes and 32 seconds. Ying Yang Twins' "Georgia Dome" has a radio edit removing profanity, but at the same length (6 minutes 6 seconds) as the album version. Occasionally, due to popular demand, the longer version of a song will be played over the shorter version, such as "Like a Rolling Stone" by Bob Dylan, which was released on a 7" single featuring the first two verses on side 1 and the rest of the song on side 2. Due to the popularity of the song, radio stations started playing the full version to meet their listeners' demand.
On rare occasions, a radio edit might be longer than the original album version. This may occur when the song is edited for form, such as "Miserable" by Lit, in which the radio edit adds the chorus between the first and second verse.
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The radio edit version of Fuck You by Lily Allen uses humorous sound effects to replace the word 'Fuck'
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Radio edits often come with any necessary censorship done to conform to decency standards imposed by government agencies, such as the Federal Communications Commission in the United States, the Canadian Radio-television and Telecommunications Commission in Canada, and Ofcom in the United Kingdom. The offending words may be silenced, reversed, or replaced/distorted by a sound effect. Occasionally, the song may be re-recorded with different lyrics, ranging from just the replacement of one line being re-recorded, like James Blunt's "You're Beautiful," which replaces "fucking high" with "flying high" in the second verse, to the entire song be completely changed, such as D12's "Purple Hills", which replaces profanity, drug references, and other inappropriate lyrics from the original "Purple Pills". Another example of the first type (one-line replacement) is The Black Eyed Peas song "Let's Get It Started", whose original title was "Let's Get Retarded" but was changed to make it suitable for radio play. Sean Kingston's "Beautiful Girls", in some radio edits, changed "You got me suicidal" to "in denial". The whole chorus of Cee Lo Green's "Fuck You" substituted the word "Fuck" with "Forget", thus changing the title to "Forget You" on the radio edit. Radio edits may have more words edited than the "clean version", because of the stations' or agencies' standards. An "amended" radio edit which only removes the major profanities while keeping the small profanities can be produced for some stations that allow small profanities (e.g. "You're Going Down" by Sick Puppies and "Bad Girlfriend" by Theory of a Deadman) whereas a "dirty" radio edit preserving the offensive language but maintaining the shorter play time may be produced, which may be aimed at club play, post-watershed radio, and non-terrestrial radio stations. Kid Rock wrote the term "radio edit" into two of his songs, both of which are the same on radio and album versions.
Other terms for a "radio edit"
On occasions when songs have been completely re-worked or the instrumental arrangements have been changed slightly, the radio edit can be labeled in print with the remixer's name (e.g. Celine Dion's 2002 single of "I'm Alive", the radio version was referred to as the 'Humberto Gatica Radio Mix') rather than just "Radio Edit".
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The sheep (Ovis aries) is a quadrupedal, ruminant mammal typically kept as livestock. Like all ruminants, sheep are members of the order Artiodactyla, the even-toed ungulates. Although the name "sheep" applies to many species in the genus Ovis, in everyday usage it almost always refers to Ovis aries. Numbering a little over one billion, domestic sheep are also the most numerous species of sheep. An adult female sheep is referred to as a ewe (/juː/), an intact male as a ram or occasionally a tup, a castrated male as a wether, and a younger sheep as a lamb.
Sheep are most likely descended from the wild mouflon of Europe and Asia. One of the earliest animals to be domesticated for agricultural purposes, sheep are raised for fleece, meat (lamb, hogget or mutton) and milk. A sheep's wool is the most widely used animal fiber, and is usually harvested by shearing. Ovine meat is called lamb when from younger animals and mutton when from older ones. Sheep continue to be important for wool and meat today, and are also occasionally raised for pelts, as dairy animals, or as model organisms for science.
A ram was a weapon carried by varied types of ships, dating back to antiquity. The weapon comprised an underwater prolongation of the bow of the ship to form an armoured beak, usually between six and 12 feet (2–4 m) in length. This would be driven into the hull of an enemy ship in order to puncture the hull and sink, or at least disable, that ship.
The ram was a naval weapon in the Greek/Roman antiquity and was used in such naval battles as Salamis and Actium. Naval warfare in the Mediterranean rarely used sails, and the use of rams specifically required oarsmen over sails in order to maneuver with accuracy and speed, and particularly to reverse the movement of a ramming ship to disentangle it from its sinking victim, lest it be pulled down when its victim sank. The Athenians were especially known for their diekplus and periplus tactics that disabled enemy ships with speed and ramming techniques.
Rams were first recorded in use at the battle of Alalia in 535 BC. There is evidence available to suggest that it existed much earlier, probably even before the 8th century BC. They appear first on stylized images found on Greek pottery and jewelry and on Assyrian reliefs and paintings. The ram most likely evolved from cutwaters, structures designed to support the keel-stem joint and allow for greater speed and dynamism in the water.
The Ram Fortress is situated on a steep slope on the right bank of the River Danube, in the municipality of Veliko Gradište, Serbia. Situated on a rock which is from the northeast side tilted towards the Danube River. It is assumed that the city was built on an opposite side of fortress of Haram, from which nothing was left today, and which is located on the other side of the Danube. The remains of the city are in good condition today.
The place first finds its reference in Trajanic times as a settlement where the cavalry units were stationed. The earliest record of Ram Fortress dates back to 1128 CE, as the year when where the Byzantines army defeated the Hungarians. After victories in this region, Byzantine army have focused their activities on the Pannonian Basin. In order to protect the right bank of the Danube Ottoman sultan Bayezid II (1480-1512) was revised and strengthened the existing fortress for fighting firearms. Ram Fortress represents one of the oldest artillery fort in Serbia.
Born to Die is the second studio album and major-label debut by American singer and songwriter Lana Del Rey. It was released on January 27, 2012 by Interscope Records, Polydor Records, and Stranger Records. Del Rey collaborated with producers including Patrik Berger, Jeff Bhasker, Chris Braide, Emile Haynie, Justin Parker, Rick Nowels, Robopop, and Al Shux to achieve her desired sound. Their efforts resulted in a primarily baroque pop record, which sees additional influences from alternative hip hop, indie pop and trip hop music.
Contemporary music critics were divided in their opinions of Born to Die; some commended its distinctive production, while its repetitiveness and melodramatic tendencies were a recurring complaint. The record debuted at number two on the U.S. Billboard 200 with first-week sales of 77,000 copies; it was later certified platinum by the Recording Industry Association of America (RIAA) after moving one million units. Born to Die reached the peak position on eleven international record charts, and has sold 8.5 million copies worldwide as of May 2015.
"Radio" is a song co-written and recorded by American country music artist Darius Rucker. It was released on July 22, 2013 as the third single from his album True Believers. Rucker wrote the song with Luke Laird and Ashley Gorley.
The song is a reflection on the narrator's teenage years: specifically, of borrowing his mother's car to take his girlfriend for a ride, and listening to songs on the radio while doing so.
The song generally received favorable reviews. Bobby Peacock of Roughstock gave the song four and a half stars out of five, saying that "it sounds like the kind of fun song you would want to hear on the radio at a memorable moment." Peacock praised Rucker's "all-smiles delivery" and the song's "incredibly catchy melody and tight production." He also compared its theme to "I Watched It All (On My Radio)" by Lionel Cartwright. Tammy Ragusa of Country Weekly gave the song an A grade, calling it "the perfect marriage of an artist’s effervescent personality with an upbeat song, this one about the love of music." Billy Dukes of Taste of Country gave the song two and a half stars out of five, writing that "the uptempo tribute to young love, open roads and, of course, the radio is familiar and easy to fall for, especially when powered by Rucker’s unequaled exuberance." However, Dukes also called the song "a little fluffy" and "not difficult to forget."
Not What You Expected is the sixth studio album from American pop punk band Mest, their first album in eight years with only vocalist Tony Lovato returning. Originally slated for released in April 2012, the album was continuously pushed back until September 24, 2013. A week before the release, the band announced via their official Facebook account and website that they would be giving the album away for free, one song per week, through their official website. However, internationally in Japan, the album was released in full.
The album's first single, "Almost," which had an accompanying music video, was released on February 14, 2012. The second single, "Radio (Something to Believe)," was released over a year later on June 4, 2013, which has also been made into a music video. Although not an official single, "One Life," was released for free during the summer of 2012 to hold fans over until the official release.
Hey girl, is he everything you wanted in a man
You know I gave you the world
You had me in the palm of your hand
So why your love went away
I just can't seem to understand
Thought it was me and you babe
Me and you until the end
But I guess I was wrong
Don't want to think about her
Don't want to talk about her
I'm just so sick about her
Can't believe it's ending this way
Just so confused about her
Feeling the blues about her
I just can't do without ya
Tell me is this fair?
Is this the way it's really going down?
Is this how we say goodbye?
Should've known better when you came around
That you were gonna make me cry
It's breaking my heart to watch you run around
'Cause I know that you're living a lie
That's okay baby 'cause in time you will find...
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
Now girl, I remember everything that you claimed
You said that you were moving on now
And maybe I should do the same
Funny thing about that is
I was ready to give you my name
Thought it was me and you, babe
And now, it's all just a shame
And I guess I was wrong
Don't want to think about her
Don't want to talk about her
I'm just so sick about her
Can't believe it's ending this way
Just so confused about her
Feeling the blues about her
I just can't do without ya
Can you tell me is this fair?
Is this the way its really going down?
Is this how we say goodbye?
Should've known better when you came around (should've known better that you were gonna make me cry)
That you were going to make me cry
Now it's breaking my heart to watch you run around
'Cause I know that you're living a lie
That's okay baby 'cause in time you will find
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around comes around
Yeah
What goes around comes around
You should know that
What goes around comes around
Yeah
What goes around comes around
You should know that
Don't want to think about it (no)
Don't want to talk about it
I'm just so sick about it
Can't believe it's ending this way
Just so confused about it
Feeling the blues about it (yeah)
I just can't do without ya
Tell me is this fair?
Is this the way things are going down?
Is this how we say goodbye?
Should've known better when you came around (should've known better that you were gonna make me cry)
That you were going to make me cry
Now it's breaking my heart to watch you run around
'Cause I know that you're living a lie
But that's okay baby 'cause in time you will find
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
What goes around, goes around, goes around
Comes all the way back around
[Comes Around interlude:]
Let me paint this picture for you, baby
You spend your nights alone
And he never comes home
And every time you call him
All you get's a busy tone
I heard you found out
That he's doing to you
What you did to me
Ain't that the way it goes
When You cheated girl
My heart bleeded girl
So it goes without saying that you left me feeling hurt
Just a classic case
A scenario
Tale as old as time
Girl you got what you deserved
And now you want somebody
To cure the lonely nights
You wish you had somebody
That could come and make it right
But girl I ain't somebody with a lot of sympathy
You'll see
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
(What goes around comes back around)
I thought I told ya, hey
See?
You should've listened to me, baby
Yeah, yeah, yeah, yeah
Because
(What goes around comes back around)