A bosque (/ˈboʊskɛ/ BOHS-ke) is a gallery forest found along the riparian flood plains of stream and river banks in the southwestern United States. It derives its name from the Spanish word for woodlands.
In the predominantly arid or semi-arid southwestern United States, the bosque is an oasis-like ribbon of green vegetation, often canopied, that only exists near rivers, streams, or other water courses. The most notable bosque is the 200-mile (320 km)-long ecosystem along the middle Rio Grande in New Mexico that extends from Santa Fe south past Socorro including the Bosque del Apache National Wildlife Refuge.
The most common trees in the bosque habitat are generally smaller species which rarely exceed 10 metres (33 ft), such as mesquite. Larger cottonwood trees are also common in some areas. Because there is only a single canopy layer and because the tree species found in the bosque are generally deciduous, a wide variety of shrubs, grasses, and other understory vegetation is also supported. Desert hackberry, blue palo verde, graythorn (Condalia lycioides), Mexican elder (Sambucus mexicana ), "virgin's bower", and "Indian root" all flourish in the bosque. The habitat also supports a large variety of lichens. For a semi-arid region, there is extraordinary biodiversity at the interface of the bosque and surrounding desert ecosystems.
The Chinese Elm cultivar Ulmus parvifolia 'UPMTF' (selling name Bosque™) was raised by Moon's Tree Farm nursery , Atlanta.
Rarely exceeding 6 m in height, Bosque has a single central leader and strong ascending branches forming a pyramidal crown. The leaves are a lustrous dark green, turning yellow to orange in autumn. The mottled bark ranges from greyish orange to greyish brown. The tree is reputed to be very fast growing.
The species and its cultivars are highly resistant, but not immune, to Dutch elm disease, and unaffected by the Elm Leaf Beetle Xanthogaleruca luteola .
Bosque is not known to be in cultivation beyond North America.
Acronym of Ulmus Parvifolia Moon Tree Farm
(Widely available)
Bosque is a scientific journal published by the Forestry Faculty of the Southern University of Chile. It publishes articles on a wide range of forestry-related topics, primarily on issues that are relevant to Chile, Latin America and the Southern Hemisphere. The published articles include peer-reviewed scientific research papers, items of current interest and opinion pieces. Bosque's first issue was published in 1975 and the journal was issued yearly until 1985. From 1985 to 2003 it was issued twice a year and from 2003 on thee times a year. The topics covered in Bosque are management and production of forestry resources, wood science and technology, silviculture, forest ecology, natural resources conservation, and rural development associated with forest ecosystems. The journal publishes research articles, notes and opinions, both in Spanish and English. Bosque was included in the Science Citation Index Expanded in 2009. The journal is also indexed in The Zoological Record.
Erasure (/ᵻˈreɪʒər/) are an English synthpop duo, consisting of singer and songwriter Andy Bell and songwriter and keyboardist Vince Clarke. They formed in London, and entered the music scene in 1985 with their debut single "Who Needs Love Like That". Following the release of their fourth single "Sometimes", the duo established itself on the UK Singles Chart and became one of the most successful artists of the late 1980s to mid-1990s.
From 1986 to 2007, Erasure achieved 24 consecutive Top 40 hits in the UK, while having three Top 20 hits in the US (on the Billboard Hot 100): "A Little Respect", "Chains of Love", and "Always". By 2009, 34 of their 45 singles and EPs (of which 8 out of the 45 were not chart eligible in the UK) had made the UK Top 40, with 17 climbing into the Top 10. At the 1989 Brit Awards, Erasure won the Brit Award for Best British Group.
The duo are most popular in their native UK and mainland Europe (especially Germany, Denmark and Sweden) and also in South America (especially Argentina, Chile and Peru). To date, they have sold over 25 million albums worldwide. The band is also popular within the LGBT community, for whom openly gay Bell has become a gay icon.
Erasure in blazonry, the language of heraldry, is the tearing off of part of a charge, leaving a jagged edge of it remaining. Due to the usual construction of blazons, this is most often found in its adjectival form (i.e., erased), usually applied to animate charges, most often used of heads but sometimes other body parts. When a tree or other plant is shown uprooted (with the bare roots showing), it is eradicated.
The term erased is most often used of an animal's head, when the neck is depicted with a ragged edge as if forcibly torn from the body. Erased heads are distinct from those couped, in that the former are cut off along a jagged line while the latter are cut off along a straight line.
John Craig's dictionary of 1854 says:
There are different traditions for the erasing of heads. For instance, with the head of a bear, whether couped or erased, in English heraldry the separation is done horizontally under the neck, which is not lost, whereas in Scottish heraldry the usual practice is for the head to be separated from the body vertically, without keeping the neck attached to it.
Erasure is a 2001 novel by Percival Everett and originally published by UPNE. The novel reacts against the dominant strains of discussion surrounding the publication and criticism of African American literature.
The novel's plot revolves around how the publishing industry pigeon-holes African-American writers. The protagonist, Thelonious "Monk" Ellison, a professor of English literature, is repeatedly criticized for not writing "black enough". Ellison is angered by the success of an Oprah-like book club's selection of a novel reflecting what is supposedly contemporary black experience, but which presents a stereotypical story. He composes a satirical response based on Richard Wright's Native Son and Sapphire's novel Push, which he first entitles My Pafology before changing it to Fuck. The talk show host, a Hollywood producer, and a panel of famous novelists, all prove more willing to accept the brutal, dehumanized black man of the novel than a middle-class intellectual like Ellison. He in turn has trouble facing impoverished blacks both real and fictional.