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Priesthood in Judaism
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Jewish High Priest wearing the sacred vestments. The ephod is depicted here in yellow.

An ephod (Hebrew אֵפוֹד) (play /ˈɛfɒd/ or /ˈiːfɒd/) was an article of clothing, and a worship object, in ancient Israelite culture, and was closely connected with oracular practices.

In the Books of Samuel, David is described as wearing an ephod when dancing in the presence of the Ark of the Covenant (2 Samuel 6:14) and one is described as standing in the sanctuary at Nob, with a sword behind it (1 Samuel 21:9) in the book of Exodus and in Leviticus one is described as being created for the Jewish High Priest to wear as part of his official vestments (Exodus 28:4+, 29:5, 39:2+; Leviticus 8:7).

In the Book of Judges, Gideon and Micah each cast one from a metal, and Gideon's was worshipped (Judges 8:26-27, Judges 17:5).

Within the Bible, in the contexts where it is worn, the ephod is usually described as being linen, but did not constitute complete clothing of any kind, as the Books of Samuel describe David's wife Michal as taunting him for indecently exposing himself by wearing one.[1] Though some Bible translations insert the word 'only' before ephod (inferring David was indecent), the book of 1 Chronicles states that David was "clothed with a robe of fine linen, as were all the Levites who bore the ark... [and] David also wore an ephod of linen," [NAS Bible translation; 1 Chronicles, 15:27] "and David was wearing a linen ephod" [NAS Bible translation; 2 Samuel, 6:14]. There appears to have been a strong religious and ceremonial implication to wearing an ephod, since the eighty-five priests at Nob are specifically identified as being the type of people who wore an ephod;[2] though the Masoretic text here describes them as being linen ephods (1 Samuel 22:18) the word linen is not present in the Septuagint version of the passage, nor is it present when the Septuagint describes David and Samuel as girding themselves with an ephod. Therefore, some textual scholars regard its presence in the Masoretic text as a later editorial gloss.[3]

A passage in the Book of Exodus describes the Ephod as an elaborate garment worn by the high priest, and upon which the breastplate, containing Urim and Thummim, rested. According to this description, the Ephod was woven out of gold, blue, purple, and scarlet threads, was made of fine linen, and was embroidered "with skillful work" in gold thread (Exodus 28:6-14) the Talmud argues that each of the textures was combined in six threads with a seventh of gold leaf, making twenty-eight threads to the texture in total (Yoma 71b). The Biblical description continues without describing the shape or length of the ephod, except by stating that it was held together by a girdle, and had two shoulder straps which were fastened to the front of the ephod by golden rings, to which the breastplate was attached by golden chains; (Exodus 28:6-14) from this description it appears to have been something like a minimalist apron or a skirt with braces,[4] though Rashi argued that it was like a woman's riding girdle.[5] The biblical description also adds that there were two engraved gems over the shoulder straps (like epaulettes), made from shoham (thought by scholars to mean malachite,[6] by Jewish tradition to mean heliodor,[7] and in the King James Version is translated as "onyx"), and with the names of the twelve tribes written upon them; the classical rabbinical sources differ as to the order in which the tribes were named on the jewels (Sotah 36a). Textual scholars attribute the description of the Ephod in Exodus to the priestly source and to a date later than the other mentions of Ephod;[8] biblical scholars believe that the Ephod may have evolved over time into this highly ceremonial form from more primitive beginnings (the simple linen form described in the Books of Samuel), much like the manner in which the highly liturgical maniple evolved from an ordinary handkerchief.[9]

Besides use as a garment, an Ephod was also used for oracular purposes, in conjunction with Urim and Thummim;[10] the books of Samuel imply that whenever Saul or David wished to question God via oracular methods, they asked a priest for the ephod.[11] Since the oracular process is considered by scholars to have been one of cleromancy, with the Urim and Thummim being the objects which were drawn as lots, the Ephod is considered by scholars to have been some form of container for the Urim and Thummim;[12][13] to harmonise this with the descriptions of the Ephod as a garment, it is necessary to conclude that the Ephod must have originally been some sort of pocket, which the priests girded to themselves.[14][15] However, the biblical text states the Urim and Thummim were placed in the breastplate, not the ephod (Leviticus 8:8).

The object at Nob, which must have been somewhat freestanding since another object is kept behind it, and the objects made by Gideon and by Micah, from molten gold, logically cannot have just been garments.[16][17] The object made by Gideon is plainly described as having been worshipped, and therefore the idol of some deity (possibly of Yahweh), while the object made by Micah is closely associated with a Teraphim, and the Ephod and Teraphim are described interchangeably with the Hebrew terms pesel and massekah, meaning graven image, and molten image, respectively.[18][19] Even the ephods used for oracular purposes were not necessarily just pieces of cloth, as they are not described as being worn, but carried (though some translations render 1 Samuel 2:28 as wear an ephod rather than carry an ephod[20]); the Hebrew term used in these passages for carry is nasa, which specifically implies that the Ephod was carried either in the hand or on the shoulder.[21] The conclusion thus is that Ephod, in these cases, referred to a portable idol, which the lots were cast in front of;[22][23] some scholars have suggested that the connection between the idol and the garment is that the idol was originally clothed in a linen garment, and the term Ephod gradually came to describe the idol as a whole.[24]

Other scholars[who?] suggest that the ephod originally refers to a container for the stones used to cast lots and later became associated with many objects that also could contain the stones or were used in divination.

According to the Talmud, the wearing of the ephod atoned for the sin of idolatry on the part of the Children of Israel.[25]

See also [link]

References [link]

  1. ^ Cheyne and Black, Encyclopedia Biblica
  2. ^ Jewish Encyclopedia
  3. ^ Jewish Encyclopedia
  4. ^ Cheyne and Black, Encyclopedia Biblica
  5. ^ Jewish Encyclopedia
  6. ^ Jewish Encyclopedia, Gems
  7. ^ Jewish Encyclopedia
  8. ^ Peake's commentary on the Bible
  9. ^ Cheyne and Black, Encyclopedia Biblica
  10. ^ Jewish Encyclopedia, Ephod
  11. ^ Jewish Encyclopedia, Ephod
  12. ^ Jewish Encyclopedia, Ephod
  13. ^ Jewish Encyclopedia
  14. ^ Cheyne and Black, Encyclopedia Biblica
  15. ^ Jewish Encyclopedia
  16. ^ Cheyne and Black, Encyclopedia Biblica
  17. ^ Jewish Encyclopedia
  18. ^ Cheyne and Black, Encyclopedia Biblica
  19. ^ Jewish Encyclopedia
  20. ^ Peake's commentary on the Bible
  21. ^ Jewish Encyclopedia
  22. ^ Cheyne and Black, Encyclopedia Biblica
  23. ^ Jewish Encyclopedia
  24. ^ Jewish Encyclopedia
  25. ^ Babylonian Talmud, Zevachim 88:B

External links [link]


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Evita

by: Evita

High flying, adored
So young, the instant queen
A rich, beautiful thing
Of all the talents
Across between
A fantasy of the bedroom
And a saint
You were just a backstreet girl
Hustling and fighting
Scratching and biting
High flying, adored
Did you believe
In your wildest moments
All this would be yours
That you'd become
The lady of them all?
Were there stars in your eyes
When you crawled in at night
From the bars, from the sidewalks
From the gutter-the-atrical?
Don't look down
It's a long, long way to fall
High flying, adored
What happens now?
Where do you go from here?
For someone on top of the world
The view is not exactly clear
A shame you did it all
At twentysix
There are no mysteries now
Nothing can thrill you
No one fulfill you
High flying, adored
I hope you come to terms with burden
So famous, so easily
So soon is not the wisest thing to be
You won't care if they love you
It's been done before
You'll despair if they hate you
You'll be drained of all energy
All the young who've made it
Would agree
High flying, adored
That's good to hear
But unimportant
My story's quite usual:
Local girl makes good
Weds famous man
I was slap in the right place
At the perfect time
Filled a gap - I was lucky
But one thing I say for me
No one else can fill it




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